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Julia Kristeva

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Journal Article
New German Critique (2013) 40 (2 (119)): 77–96.
Published: 01 August 2013
... of Hannah Arendt (Lanham, MD: Rowman and Littlefield, 2000), 191; Julia Kristeva,Hannah Arendt (New York: Columbia University Press, 2001), 195; Martine Leibovici, “Arendt’s Rahel Varnhagen: A New Kind of Narration in the Impasses of German-Jewish Assimilation and Existenzphilosophie,” Social...
Journal Article
New German Critique (2016) 43 (1 (127)): 141–169.
Published: 01 February 2016
... and, most notably, by one of her biographers, Julia Kristeva. My purpose here is to highlight—through a case study—just how awkwardly Arendt’s notion of forgiveness fits with one composed by a thinker who subscribes to a fundamentally different system. To be sure, numerous other scholars have...
Journal Article
New German Critique (2012) 39 (3 (117)): 165–187.
Published: 01 November 2012
... not even exist among the semiotic repertoire of the world outside the camp. Levi learned this turbid, unfiltered, and regimental camp language sys- tem in a bid for survival, despite knowing that it would be functionally worth- less if he survived Birkenau. As Julia Kristeva writes about...
Journal Article
New German Critique (2012) 39 (2 (116)): 63–86.
Published: 01 August 2012
...: it is experienced as continually changing, fluid, unreliable, and uncanny. Accordingly, the protagonists who inhabit these nonplaces have a disturbed relationship to space. Referring to Julia Kristeva, we could call these characters abject dejects, exiles or “strays” who cannot anchor them- selves...
Journal Article
New German Critique (2017) 44 (3 (132)): 21–37.
Published: 01 November 2017
..., Walter Benjamin, Roland Barthes, Louis Althusser, Jacques Derrida, Paul de Man, Jacques Lacan, Julia Kristeva, Luce Irigaray, Michel Foucault.”17 A sim- ilar definition of the Anglo-American term theory can be found in Apter’s preface: “Theory is an imprecise catchall for a welter of postwar...
Journal Article
New German Critique (2021) 48 (2 (143)): 63–84.
Published: 01 August 2021
.... Bersani, Freudian Body , 48–49 . For another suggestive reading of sublimation, which draws on the work of Julia Kristeva, see Russell, “Strange New Beauty.” References Adorno Theodor W. Aesthetic Theory , edited by Adorno Gretel and Tiedemann Rolf , translated by Hullot...
Journal Article
New German Critique (2009) 36 (1 (106)): 61–81.
Published: 01 February 2009
... of the anachronism of Arendt’s “style,” see Seyla Benhabib, The Reluctant Modernism of Hannah Arendt (Oxford: Row- man and Littlefi eld, 2000), 86–95. See also Julia Kristeva, Hannah Arendt, trans. Ross Guberman (New York: Columbia University Press, 2001). New German Critique 106, Vol. 36, No. 1, Winter 2009...
Journal Article
New German Critique (2020) 47 (3 (141)): 141–178.
Published: 01 November 2020
... , and Kepplinger-Prinz Christoph , eds. Handkeonline . Österreichische Nationalbibliothek. handkeonline.onb.ac.at , 2011 – 15 . Kittler Friedrich . Aufschreibesysteme 1800/1900 . Munich : Fink , 1985 . Kristeva Julia . Desire in Language: A Semiotic Approach to Literature and Art...
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Journal Article
New German Critique (2006) 33 (3 (99)): 171–207.
Published: 01 November 2006
... of Berlin Alexanderplatz. His Berlin epic perpetually defers its conclusion and, fraying on its edges, opens onto the unceasing process of meaning production designated by Julia Kristeva as signifi ance (“signifying,” as distinct from “signifi cation The discrete codes of language intermingle...
Journal Article
New German Critique (2020) 47 (2 (140)): 107–138.
Published: 01 August 2020
... Is Reification? A Critique of Axel Honneth .” Inquiry 53 , no. 3 ( 2010 ): 235 – 56 . Koselleck Reinhart . Futures Past: On the Semantics of Historical Time , translated by Tribe Keith . Cambridge, MA : MIT Press , 1985 . Kristeva Julia . Proust and the Sense of Time...
Journal Article
New German Critique (2006) 33 (3 (99)): 83–119.
Published: 01 November 2006
... and their vertical dimension, the “dialogue” (Mikhail Bakhtin) or the “paragrammatic” (Julia Kristeva). Here, the fi eld of the voices resounding within Kafkaʼs text extends far beyond Nietzsche, his permanent companion. And it is here that Kafkaʼs decisive move against Nietzscheʼs “fi rst language” becomes...