1-14 of 14 Search Results for

John Heartfield

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Journal Article
New German Critique (2009) 36 (2 (107)): 133–183.
Published: 01 August 2009
...Maria Gough Drawing on archival and recently published documents, this essay examines the historical encounter of two major communist photomonteurs in Moscow in 1931—John Heartfield, visiting from Weimar Germany under the auspices of the Comintern, and Gustavs Klucis, a Latvian resident of the city...
Journal Article
New German Critique (2009) 36 (2 (107)): 185–205.
Published: 01 August 2009
...Cristina Cuevas-Wolf This essay posits that the tactical alliance in the mid-1920s between Willi Münzenberg and John Heartfield shaped the imagery of a united political front for the Communist International (Comintern). The collaboration between the Comintern's minister of propaganda for western...
Journal Article
New German Critique (2017) 44 (2 (131)): 1–24.
Published: 01 August 2017
...Cristina Cuevas-Wolf The German photomontagist John Heartfield visualized Willi Münzenberg's antifascist position in the Communist Party as early as 1932 and became famous for antifascist photomontages, published exclusively in the Arbeiter-Illustrierte-Zeitung (AIZ) from 1929 to 1938. Heartfield...
Journal Article
New German Critique (2009) 36 (2 (107)): 5–51.
Published: 01 August 2009
...Andrés Mario Zervigón This essay investigates the little-known early film work of the German photomontagist John Heartfield (born Helmut Herzfeld in 1891). A firm opponent of World War I and an early member of Berlin's rambunctious Dada movement, Heartfield nonetheless agreed to produce...
Journal Article
New German Critique (2009) 36 (2 (107)): 53–88.
Published: 01 August 2009
...Sabine Kriebel Because photomontage is based on the structural principle of pictorial rupture and reassembly, the medium is understood in scholarly literature as the symbolic register of the shocks and disjunctures of modern life. Yet most of John Heartfield's photomontages for the communist...
Journal Article
New German Critique (2017) 44 (2 (131)): 25–40.
Published: 01 August 2017
...Misa Nikolic Apart from the work of Eduard Fuchs, there has been little Marxist scholarship on caricature and satire. This is a glaring omission, especially in light of the work of John Heartfield, whose photomontages were viewed across the political spectrum as well as across class boundaries...
Journal Article
New German Critique (2013) 40 (2 (119)): 137–165.
Published: 01 August 2013
... whose back shows traces of physical abuse. Two months later James A. Van Dyke  145 the AIZ published a montage in which John Heartfield slyly deployed a mod- ified version of the seventeenth-century iconography of the king’s body, exemplified...
Journal Article
New German Critique (2017) 44 (2 (131)): 41–73.
Published: 01 August 2017
... and typography, techniques that were quickly adopted by commercial advertisers. Along with innovations in photomontage, in which Grosz, Hausmann, John Heartfield, and Hannah Höch all played a part,45 the Dadaists popularized new practices in typography, incorporating the influences of Stéphane Mallarmé...
Journal Article
New German Critique (2018) 45 (2 (134)): 67–98.
Published: 01 August 2018
FIGURES | View All (4)
Journal Article
New German Critique (2013) 40 (3 (120)): 1–40.
Published: 01 November 2013
.... Béla Balázs, Der Geist des Films (1930) (Frankfurt am Main: Suhrkamp, 2004), 71. Michael Cowan  9 phony films. Thus John Grierson, writing in 1932, could take Ruttmann as the prototype of a documentary approach whose “cross-section of reality...
Journal Article
New German Critique (2021) 48 (2 (143)): 205–220.
Published: 01 August 2021
... to establishing a dictatorship. . . . It created the prism through which most of the world saw Nazism for more than a generation” (205–6). That best-selling book, replete with a brilliant photomontage by John Heartfield, and the accompanying campaign were the work of the renowned communist impresario...
Journal Article
New German Critique (2011) 38 (3 (114)): 115–132.
Published: 01 November 2011
...: Eher, 1929), 103. Claudia Schmölders 129 1928 one of the most powerful Hitler opponents of the German art world, John Heartfield, came up with the first Hitler image to feature a skull. The motif thereafter appeared with Ernst Niekisch’s 1932 pamphlet...
Journal Article
New German Critique (2018) 45 (2 (134)): 33–66.
Published: 01 August 2018
FIGURES | View All (10)
Journal Article
New German Critique (2020) 47 (1 (139)): 105–140.
Published: 01 February 2020
... by several great figures of the cinema who were Warburg’s contemporaries, such as Dziga Vertov and S. M. Eisenstein” 55 —but then it becomes equally possible to adduce broader contexts that extend beyond film to other media, such as the photocollages of Aleksandr Rodchenko, John Heartfield, or Hannah Höch...