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1-6 of 6 Search Results for
Hildebrand Gurlitt
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Journal Article
New German Critique (2017) 44 (1 (130)): 35–55.
Published: 01 February 2017
...Meike Hoffmann With the unexpected discovery of the “Munich Art Trove” in November 2013, the name of Hildebrand Gurlitt became famous overnight through media stories around the world. Spanning four periods of German history, Gurlitt started as an art historian in the late-period German Reich...
Journal Article
New German Critique (2017) 44 (1 (130)): 1–7.
Published: 01 February 2017
... . Die Malerei im deutschen Faschismus: Kunst und Konterrevolution . Munich : Hanser . ———. 1979 . Art in the Third Reich , translated by Kimber Rita . New York : Pantheon . Hoffmann Meike Kuhn Nicola . 2016 . Hitlers Kunsthändler: Hildebrand Gurlitt, 1895–1956 . Munich...
Journal Article
New German Critique (2017) 44 (1 (130)): 57–73.
Published: 01 February 2017
... by New German Critique, Inc. 2017 restitution provenance research Hildebrand Gurlitt Cornelius Gurlitt References Atlan Eva Gross Raphael Voss Julia Engelmann Herwig the Jüdisches Museum Frankfurt am Main , eds. 2013 . 1938—Kunst, Künstler, Politik . Göttingen...
Journal Article
New German Critique (2017) 44 (1 (130)): 125–142.
Published: 01 February 2017
.... The first “uncomfortable and difficult topic” con-
cerns their handling of objects that came into their care. To put it simply, they
lost a lot of art. A recent and high-profile example is provided by Hildebrand
Gurlitt, the art dealer who sold off “degenerate” art for the Nazis and then dur-
ing...
Journal Article
New German Critique (2018) 45 (1 (133)): 79–109.
Published: 01 February 2018
... 36 , no. 2 : 321 – 62 . Gurlitt Cornelius . 1887 . Geschichte des Barockstiles in Italien. Vol. 5 of Geschichte der neueren Baukunst , edited by Burckhardt Jacob Lübke Wilhelm . Stuttgart : Ebner und Seubert . Hart Joan . 1982 . “ Reinterpreting Wölfflin: Neo...
Journal Article
New German Critique (2017) 44 (1 (130)): 9–33.
Published: 01 February 2017
... art dealers, some of whom were well known, who attempted to
sell or exchange the art and to offer it on commission as well. They were Bern
hard A. Böhmer of Güstrow, Karl Buchholz of Berlin, Hildebrand Gurlitt of
Hamburg, and Ferdinand Möller of Berlin, and they collected a commission...