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Harun Farocki
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Journal Article
New German Critique (2014) 41 (3 (123)): 35–55.
Published: 01 November 2014
...Sven Kramer Harun Farocki's silent film Respite (2007) presents footage from the Nazi camp at Westerbork that was commissioned by the camp's commander and filmed by its inmates. Using varying aesthetic strategies, including the insertion of on-screen commentary and the reuse of images while...
Journal Article
New German Critique (2020) 47 (3 (141)): 93–98.
Published: 01 November 2020
...Barton Byg Abstract Presented here for the first time in English translation is one of Harun Farocki’s earliest publications in the journal Filmkritik , of which he later became editor. Composed largely of quotations, Farocki’s text reports on film courses at the Wannseeheim Youth Center, a form...
Journal Article
New German Critique (2020) 47 (3 (141)): 1–5.
Published: 01 November 2020
.... The dossier we have prepared includes contributions by scholars from the United States, the United Kingdom, Germany, and Austria that explore the writings by and about key figures—Béla Balázs, Siegfried Kracauer, Frieda Grafe, Harun Farocki, and Michael Althen, among others. They aim to shed light...
Journal Article
New German Critique (2019) 46 (3 (138)): 181–205.
Published: 01 November 2019
..., Johan van der Keuken and Jonas Mekas, Ross McElwee and Trinh T. Minh-ha, Harun Farocki and Hito Steyerl 17 —Graf’s explorations in this vein have a different impetus: they are playful rather than critical, investigative rather than observational, and poetic rather than political. Often shifting...
Journal Article
New German Critique (2019) 46 (3 (138)): 1–9.
Published: 01 November 2019
... generation. They draw on various strains of political modernism and on a list of predecessors that includes René Pollesch, Alexander Kluge, Rainer Werner Fassbinder (whose Acht Stunden sind kein Tag [ Eight Hours Don’t Make a Day , 1973] made a strong impression on both), and Harun Farocki, demonstrating...
Journal Article
New German Critique (2014) 41 (3 (123)): 1–8.
Published: 01 November 2014
... Germany—
from France, Italy, Israel, and the United States. For this reason, and still today,
new films from Germany about the Holocaust, especially those made by Ger-
mans, call for attention and examination. The present issue analyzes films such
as Harun Farocki’s Respite (2007), Jochen Alexander...
Journal Article
New German Critique (2023) 50 (3 (150)): 163–174.
Published: 01 November 2023
... in the federal state of Hesse. 5 At that time, they offered video and film courses taught not only by Brock but also by Werner Nekes, Harun Farocki, and Adolf Winkelmann. Brock was known for revolutionary ideas about art education; 6 he set up a “visitors’ school” in 1968 as part of the contemporary art...
Journal Article
New German Critique (2020) 47 (3 (141)): 59–71.
Published: 01 November 2020
... the inimitable Frieda Grafe), and the filmmaker and essayist Harun Farocki have been canonized and are taught in film courses today. Some commentators would argue, however, that the concept of authority must be more inclusive. Georg Seeßlen, a prolific political columnist and freelance author, has pleaded...
Journal Article
New German Critique (2017) 44 (3 (132)): 5–20.
Published: 01 November 2017
...
suhrkamp by the leftist film student Harun Farocki in the Spandauer Volks-
blatt in 1964. For Farocki, the conspicuous branding of the series was tanta-
mount to the defeat of content by design. Fortunately, he had a remedy. To
resist the commodification of higher learning, his readers should, he...
Journal Article
New German Critique (2019) 46 (3 (138)): 53–78.
Published: 01 November 2019
..., Christian Petzold, and Thomas Arslan, studied there from the mid-1980s on. 9 The school’s first generation of students in 1966 included Harun Farocki, Helke Sander, Wolfgang Petersen, and even Holger Meins, who later joined the Red Army Faction and died in prison after a hunger strike in 1974...
FIGURES
Journal Article
New German Critique (2020) 47 (1 (139)): 173–195.
Published: 01 February 2020
... of Harun Farocki, with whom Petzold wrote the screenplay for Phoenix . In Bilder der Welt und Inschrift des Krieges (1988), Farocki considers what it means to see something initially overlooked on closer, later inspection. Petzold evokes the same language in his description of the death march image...
Journal Article
New German Critique (2014) 41 (3 (123)): 135–157.
Published: 01 November 2014
... (2007), Harun Farocki’s film in which the director
reframes footage taken at the Nazis’ behest at the Westerbork transit camp,
Hersonski prefers to narrate her film through inference and suggestion, not
informative exposition.10
But filmed testimony should perhaps be held to other standards...
Journal Article
New German Critique (2013) 40 (3 (120)): 85–110.
Published: 01 November 2013
... Filmkritik editors did not have pro-
duction in their personal purview. (Critics with serious filmmaking experiences
or aspirations joined the ranks much later: most notably Wim Wenders, Harun
Farocki, and Hartmut Bitomsky.)84 Nevertheless, there was a sense—at least
from the side of the German...
Journal Article
New German Critique (2019) 46 (3 (138)): 207–233.
Published: 01 November 2019
..., potboilers, exercises in sexploitation, curiosities of various sorts, and items from off the beaten track. Here one finds nothing by Kluge, Rainer Werner Fassbinder, Wim Wenders, or Margarethe von Trotta, and not a single Berlin School feature. Harun Farocki’s Leben BRD (1990) and Werner Nekes’s Johnny...
Journal Article
New German Critique (2011) 38 (1 (112)): 9–38.
Published: 01 February 2011
... of the return of the repressed, but who are the dead whom
28. See Hartmut Bitomsky, Harun Farocki, and Klaus Henrichs, “Gespräch mit Alexander
Kluge,” Filmkritik 11 (1979): 518.
29. See Hansen, “Cooperative Auteur Cinema,” 48.
30. Kluge ends the film with a line from Brecht’s poetry. See Anton...
