Search Results for Hans Magnus Enzensberger

...Julia Hell This introduction situates the 1966 essays by Peter Weiss and Hans Magnus Enzensberger in the context of decolonization, taking into account Gary Wilder’s and Michael Rothberg’s reframing of the immediate postwar decades. More precisely, the introduction discusses Weiss’s...

...Hans Magnus Enzensberger References Hegel G. W. F. Phänomenologie des Geistes . Bamberg , 1807 . Marx Karl , and Engels Friedrich . The Holy Family: Critique of Critical Criticism, against Bruno Bauer and Company . New York : International Publishers , 1975...

... all means of supporting them in their struggle (which is also our own)? On whose side do we choose to stand? I ask this question of Hans Magnus Enzensberger. Do we choose to stand with those whose forces are subject to degradation and even destruction (just like the defenseless ones in the fascist...

... with how diverse individuals and groups are forged into collective subjects is Seth Howes’s contribution, “We Can Come Very Close to Them: Solidarity and the Struggle for Liberation in The Aesthetics of Resistance .” Returning first to Weiss’s 1965–66 debate with Hans Magnus Enzensberger...

... Tribunal . New York : O’Hare , 1968 . Enzensberger Hans Magnus . “ Europäische Peripherie .” Kursbuch , no. 2 ( 1965 ): 154 – 78 . Garloff Katja . Words from Abroad: Trauma and Displacement in Postwar German Jewish Writers . Detroit : Wayne State University Press , 2005...

..., this was due to the production conditions, as Hans Magnus Enzensberger emphasized in his contribution to one of two issues of Akzente journal in 1956 that addressed the relationship between Dichtung and film: since “minimum requirements of artistic origin” could hardly be enforced under the given...

... Westerners—and, by now, even to most citizens of the former GDR. The situation in the West is somewhat more familiar, although even there the early Cold War years are—as the two myths mentioned above clearly indi- cate—still to some extent shrouded in mystery. Hans Magnus Enzensberger’s post-Wall...

..., Nazism, and the Holocaust , 49 – 77 . Berkeley : University of California Press , 2000 . Enzensberger Hans Magnus . Mediocrity and Delusion: Collected Diversions . London : Verso , 1992 . Fischer Fritz . Germany’s Aims in the First World War . New York : Norton , 1967...

... : Metzler . Enzensberger Hans Magnus . 1962 . “Bildung als Konsumgut: Analyse der Taschenbuch-Produktion.” In Einzelheiten , 110 – 36 . Frankfurt am Main : Suhrkamp . ———. 1991 . Mittelmaß und Wahn: Gesammelte Zerstreuungen . Frankfurt am Main : Suhrkamp . Essbach Wolfgang...

... complicate the issue, a certain (ab)use of Lukács’s thought via Hans Magnus Enzensberger contributed to the initial theorizing of the function, nature, and practice of underground publishing ( samizdat ) in late Cold War–era Hungary. 15 In Enzensberger’s 1970 essay “Constituents of a Theory of the Media...

.... Hans Magnus Enzensberger, “Ahnung und Gegenwart, 1958,” in Greiner, Über Wolfgang Koeppen, 90. 7. Reinhard Döhl, “Wolfgang Koeppen,” in Greiner, Über Wolfgang Koeppen, 174. See also Hans-Ulrich Treichel, Fragment ohne Ende: Eine Studie über Wolfgang Koeppen (Heidelberg: Winter, 1984), 139...

... into the starting point for collective inquiry. “How would Eisenstein have turned Marx’s Capital into a film?” ( Nachrichten , 02:40:46). This is the question with which Kluge approaches such conversation partners as Dietmar Dath, Hans Magnus Enzensberger, Peter Sloterdijk, and Joseph Vogl. To interpret artistic...

.... Hans Magnus Enzensberger maintains that we additionally have more than thirty-two “societal senses” at our disposal. All these senses are transformed in various ways depending on circumstances and horizons of hope, under the influence of other human beings, and in relation to the object of labor. Human...

... Inszenierung der Katastrophe bei Christa Wolf, Peter Weiss und Hans Magnus Enzensberger . Würzburg : Königshausen und Neumann , 2001 . Haiduk Manfred . “ Dokument oder Fiktion: Zur autobiographischen Grundlage in Peter Weiss’ Romantrilogie Die Ästhetik des Widerstands .” In Die Ästhetik des...

.... “In no time,” Hans Magnus Enzensberger writes about the two decades before World War I, “Europe was crowded with supermen. Millions of natural leaders [Führer- naturen] and extremists were competing for a position in the historical van- 37. Friedrich Nietzsche, Nachgelassene Fragmente, 1869–1872, ed...

... narrative structure would result from the arrangement and editing of historical sources, an approach comparable to what Alexander Kluge achieved in Schlachtbeschreibung (1964, translated as The Battle , 1967), or Hans Magnus Enzensberger in Der kurze Sommer der Anarchie (1972), or Weiss himself in Die...

... about it, all too reminiscent of mothballs.”57 More recently, as part of a different trio in Leipzig in 2005, “The Three Tenors of Belletristik,” Grass, Rühmkorf, and Hans Magnus Enzensberger, also staged themselves as grand old men.58 This rather whimsical portrait belies an acute anxiety often...

... until the last gathering, in 1967), such as Ingeborg Bachman, Böll, Paul Celan, Hans Magnus Enzensberger, Grass, Peter Handke, Alexander Kluge, and Roehler. For a discussion of the group’s role in post–World War II culture, see Stuart Parks and John J. White, eds., The Gruppe 47 Fifty Years...

... 1789, trans. M. Jackson [New York: Praeger, 1968], 528). Cf. Hans Magnus Enzensberg, “Bin ich ein Deutscher,” Die Zeit, June 12, 1964. 118. Martin Walser, “Ein deutsches Mosaik” (1963), in Werke, vol. 11 (Frankfurt am Main: Suhrkamp, 1997), 51–52, 71...