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Enno Patalas

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Journal Article
New German Critique (2013) 40 (3 (120)): 85–110.
Published: 01 November 2013
... a Postwar German Criticism: Aufhellung, Ideologiekritik, and the Disavowal of Impressionism Filmkritik was founded under the editorship of Enno Patalas in 1957, but its origins lie in the postwar German film society movement, initiated by the Allied occupiers and taken over by domestic figures...
Journal Article
New German Critique (2020) 47 (3 (141)): 21–31.
Published: 01 November 2020
... constitute. Compare Göttler and Gassen’s Filmtips with Enno Patalas’s Ins Kino! ; see the prefatory note in Ins Kino! , n.p. 2. The 479 iterations of the column make for suggestive reading, especially in the largely unredacted publication from 1993. In her inimitable style, the aperçu, the non...
Journal Article
New German Critique (2024) 51 (3 (153)): 159–191.
Published: 01 November 2024
... Copyright © 2024 by New German Critique, Inc. 2024 neoliberalism affect absolute refusal Gilles Deleuze Enno Patalas Having spent the last twenty years researching German postunification cinema, especially the filmmakers of the so-called Berlin School, I am increasingly interested in how...
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Journal Article
New German Critique (2013) 40 (3 (120)): 111–135.
Published: 01 November 2013
... and those of her ancestors.2 Indeed, in several scenes the beleaguered Anita G. (Alexandra Kluge) seems to take on rabbitlike characteristics. In her essay “Post-war Iconographies” Caroline Rupprecht draws attention to the 1. Alexander Kluge and Enno Patalas, Abschied von gestern: Protokoll...
Journal Article
New German Critique (2007) 34 (3 (102)): 45–60.
Published: 01 November 2007
... interpretation of historical events.”1 As Ulrich Gregor and Enno Patalas conclude, “Instead of providing any insight into political failure and personal guilt, forgiving and forgetting are the order of the day.”2 Staudte’s black-and-white fi lm is aesthetically closer to American fi lm noir than...
Journal Article
New German Critique (2020) 47 (3 (141)): 33–44.
Published: 01 November 2020
... in postwar ruminations about cinema and the film medium. The symptomatic impetus of Kracauer’s From Caligari to Hitler: A Psychological History of German Film (1947) would have a decisive impact on young cineastes like Enno Patalas and Ulrich Gregor, who in 1957 founded the film journal Filmkritik , which...
Journal Article
New German Critique (2024) 51 (1 (151)): 77–107.
Published: 01 February 2024
...), published by Enno Patalas in the Suhrkamp series Spectaculum . See Andersch to Enzensberger, March 11, 1961, DLA Marbach, Hans Magnus Enzensberger Estate. All of Andersch’s letters to Enzensberger cited in the following are taken from this collection. 50. Andersch, “Des Autors Kummer.” 51...
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Journal Article
New German Critique (2017) 44 (3 (132)): 83–103.
Published: 01 November 2017
..., 1956: Siegfried Kracauer Advocates a Socio-aesthetic Approach to Film in a Letter to Enno Patalas.” In A New History of German Cinema , edited by Kapczynski Jennifer M. Richardson Michael David , 359 – 64 . Rochester, NY : Camden House . ———. 2013 . “Theory of the Novel...
Journal Article
New German Critique (2019) 46 (3 (138)): 207–233.
Published: 01 November 2019
... Straub. According to Enno Patalas, the Munich film scene underwent radical shifts between 1963 and 1966. In his Filmkritik report of May 1966, he singled out six filmmakers (Straub, Nestler, Zihlmann, Thome, Lemke, and Eckhard Schmidt) as members of the “New Munich Group.” 10 They eschewed...