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Berlin School
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1
Journal Article
New German Critique (2019) 46 (3 (138)): 1–9.
Published: 01 November 2019
... of life, signaling things to come in their illuminations of obscured spaces and marginal perspectives, in their shared resolve “to expand our regard both for what is real and what might be possible.” 5 Since then the so-called Berlin School has delivered on this resolve, consistently...
Journal Article
New German Critique (2019) 46 (3 (138)): 53–78.
Published: 01 November 2019
... the cinema of the Berlin School. Amalgamating various German and international influences, from Christoph Schlingensief, Alexander Kluge, and Rainer Werner Fassbinder (Linz) to Roberto Rossellini, Pier Paolo Pasolini, and the classical avant-gardes of the 1920s (Radlmaier), their student shorts and feature...
FIGURES
Journal Article
New German Critique (2019) 46 (3 (138)): 35–51.
Published: 01 November 2019
...Jörn Glasenapp Abstract Maren Ade is often included among the members of the Berlin School, yet her works are marked by a comedic tone, and frequently a tragicomic one. This tendency is already evident in her first two features, The Forest for the Trees (2003) and Everyone Else (2009...
FIGURES
Journal Article
New German Critique (2019) 46 (1 (136)): 1–14.
Published: 01 February 2019
...Lotte Houwink ten Cate Abstract This article, based on unpublished materials from the Scholem Library at the Hebrew University in Jerusalem and the digitized Arendt Papers at the New School, New York, seeks to illuminate Hannah Arendt and Gershom Scholem’s long friendship, their exchange about...
Journal Article
New German Critique (2012) 39 (2 (116)): 11–24.
Published: 01 August 2012
... focused on the people,
art, and papers that had ended up in the West, above all in the Bauhaus Archive.
Founded in 1960 in Darmstadt by Hans Wingler, who assembled the first com-
prehensive history of the school, the archive moved in 1971 to Berlin, where its
present quarters, designed by Gropius’s...
Journal Article
New German Critique (2014) 41 (2 (122)): 29–34.
Published: 01 August 2014
...Gertrud Koch; Simon Rothöhler In an interview with the editor of Cargo (Berlin), Gertrud Koch reflects on the objectives and accomplishments of Miriam Hansen's book Cinema and Experience . She assesses the volume's place within scholarship on the Frankfurt School and the media as well as considers...
Journal Article
New German Critique (2019) 46 (3 (138)): 11–34.
Published: 01 November 2019
... and their enduring contemporary relevance. Copyright © 2019 by New German Critique, Inc. 2019 European cinema film genre western Berlin School Taking stock of contemporary Hollywood genre films, a commentator in the Hollywood Reporter concludes that the western has remained inordinately...
Journal Article
New German Critique (2019) 46 (3 (138)): 207–233.
Published: 01 November 2019
..., and violence. 52. See, for instance, his thoughtful email exchange with members of the Berlin School in Graf, Hochhäusler, and Petzold, “Berliner Schule?” 53. Graf, Schläft ein Lied , 333 . 54. These were produced in 2012 to accompany screenings at the Deutsches Filmmuseum and can...
Journal Article
New German Critique (2019) 46 (3 (138)): 181–205.
Published: 01 November 2019
... School. Graf, however, has always kept a certain distance from the mode of filmmaking associated with the Berlin School, not least because of his pronounced fascination with more violent, physical, and dialogue-heavy genre films. 5 Consequently, Graf’s expansive mode of working across genres...
Journal Article
New German Critique (2014) 41 (3 (123)): 113–134.
Published: 01 November 2014
... of the
Berlin School.18
15. Ibid., 40.
16. Lutz Koepnick, “‘Amerika gibt’s überhaupt nicht’: Notes on the German Heritage Film,” in
German Pop Culture: How “American” Is It?, ed. Agnes Mueller (Ann Arbor: University of Mich-
igan Press, 2004), 204.
17. “Jochen Alexander Freydank im Gespräch mit...
Journal Article
New German Critique (2020) 47 (3 (141)): 59–71.
Published: 01 November 2020
... ( taz ). Cristina Nord, the former film editor of the taz , an advocate of innovative auteur cinema, helped generate international discussion about the films of the so-called Berlin School. 15 And Seeßlen has created his own psychoanalytically and sociologically oriented filmic cosmos as a vehicle...
Journal Article
New German Critique (2015) 42 (3 (126)): 91–114.
Published: 01 November 2015
..., such emblematic readings have a rather neat redemptive aspect,
one reinforced now by the Berlin School’s homage to New German Cinema.
Although he sets out to question and complicate these periodizations, Berg-
felder does not so much detail how the early 1950s are usually regarded as
fallow years in which...
Journal Article
New German Critique (2012) 39 (2 (116)): 63–86.
Published: 01 August 2012
... that documents the experiences,
19. Marco Abel, “Intensifying Life: The Cinema of the ‘Berlin School Cineaste 33, no. 4
(2008), cineaste.com/articles/the-berlin-school.htm. Valeska Griesbach’s film Sehnsucht (2006)
uses a present-day provincial eastern German setting as a backdrop for a tragic love...
Journal Article
New German Critique (2009) 36 (2 (107)): 89–131.
Published: 01 August 2009
...Elizabeth Otto This essay focuses on the photomontages of László Moholy-Nagy and Marianne Brandt primarily during their time at the Bauhaus. Initially inspired by Berlin Dada's fragmentary montaged critiques, both of these photomonteurs quickly turned to a constructivist approach that placed...
Journal Article
New German Critique (2017) 44 (3 (132)): 5–20.
Published: 01 November 2017
...Philipp Felsch The intellectual content of such paradigms as Critical Theory, neo-Marxism, and poststructuralism has been abundantly traced. What remains to be studied, however, is the tremendous impact these schools of thought had on both the academic field and Western countercultures during...
Journal Article
New German Critique (2020) 47 (3 (141)): 93–98.
Published: 01 November 2020
... of adult and alternative education in Berlin West. The introduction to Farocki’s text connects with the New German Cinema and themes that remained central throughout his own work: collaboration and quotation, Bertolt Brecht’s concept of “learning plays,” using nonfiction to explore both social relations...
Journal Article
New German Critique (2012) 39 (2 (116)): 1–9.
Published: 01 August 2012
... of the marked shifts in the literary and cultural ter-
rain of the newly forming ‘Berlin Republic1 They noted that German litera-
ture in particular was characterized by a vibrant diversity that could no longer
be understood in terms of the aesthetic and political traditions of the East and
the West prior...
Journal Article
New German Critique (2020) 47 (3 (141)): iii–xiv.
Published: 01 November 2020
... and sharing research interests, visits in Madison and Berlin, and publications. David’s enthusiasm was infectious, his support consistent, a real mensch. —Marc Silberman Were the hallmarks of David’s later career already present when the eighteen-year-old spent a summer in Berlin as a high school...
Journal Article
New German Critique (2019) 46 (2 (137)): 117–149.
Published: 01 August 2019
... Academy for Politics, which soon became the Otto Suhr Institute. Working in West Berlin, he no longer felt the need to temper his critical analyses with the empiricist caution expected of American social scientists. Futurology continued to fall on deaf ears in the fifties, but it finally resonated...
Journal Article
New German Critique (2008) 35 (2 (104)): 139–169.
Published: 01 August 2008
... of memorabilia-hungry
tourists, the school groups negotiating the unintended excavations on the Pots-
damer Platz, and the researchers from abroad writing about Berlin testify to
the continuing importance of Berlin’s topography as a prism through which
Germany’s past and present are often seen...
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