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Austrian film

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Journal Article
New German Critique (2020) 47 (3 (141)): 21–31.
Published: 01 November 2020
...Fatima Naqvi Abstract Film criticism helped constitute what is now called New Austrian Cinema. This article looks at “short form” criticism in edited volumes and emerging journals that worked to establish this cinema’s coherence and prestige. The virtuous cycle inaugurated in the 1990s—when critics...
Journal Article
New German Critique (2019) 46 (3 (138)): 157–179.
Published: 01 November 2019
...Brad Prager Abstract The Austrian director Ulrich Seidl often films interview subjects as though they were posing for portrait photographs, and Seidl maintains that one of his major influences is the photographer Diane Arbus. This article examines how this high level of control over a film’s frames...
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Journal Article
New German Critique (2019) 46 (3 (138)): 125–155.
Published: 01 November 2019
...Fatima Naqvi Abstract The Austrian director Nikolaus Geyrhalter’s films consistently thematize linear perspective as a mode of thought. His documentaries use one-point perspective to draw attention to a scientific habitus, with its studied neutrality and foregrounded objectivity. His “partitive...
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Journal Article
New German Critique (2020) 47 (3 (141)): 1–5.
Published: 01 November 2020
... moments of Austrian film criticism since the 1990s. It was in that decade that Meteor burst onto the scene, a film journal modeled on the legendary journal Filmkritik (1957–84), to which Grafe was a key contributor, and succeeded by kolik.film , published once a year in the first decade of the 2000s...
Journal Article
New German Critique (2014) 41 (3 (123)): 95–112.
Published: 01 November 2014
...Norbert Otto Eke One of the most complicated questions in film and theater relating to the Shoah is how to render the events visible. Through an analysis of Michael Glawogger's Kill Daddy Goodnight , a film based on the eponymous novel by the Austrian writer Josef Haslinger, this article outlines...
Journal Article
New German Critique (2019) 46 (3 (138)): 1–9.
Published: 01 November 2019
... at major German and Austrian documentarians. Olivia Landry’s study of Philip Scheffner’s Halfmoon Files (2007) brings to our attention the capacity of nonfiction to revise history by returning to an archive and juxtaposing the images and sounds that one finds there. The film centers on the search...
Journal Article
New German Critique (2024) 51 (1 (151)): 173–205.
Published: 01 February 2024
.... The organizers might have ventured to put some intertextual links to other media, for example, literature or film, which touch on the issues related to the history of National Socialism and the Austrian context. The reason for the exhibition’s shortcomings is definitely not that the scholars and exhibition...
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Journal Article
New German Critique (2014) 41 (3 (123)): 159–178.
Published: 01 November 2014
... Vienna.11 An Austrian production by Aichholzer Filmproduktion, which had its premiere at the Vienna Film Festival in 1996, the film shows controversies about the reality of World War II in German public discourse, and it was there- fore repeatedly screened as part of the supporting program...
Journal Article
New German Critique (2020) 47 (3 (141)): 33–44.
Published: 01 November 2020
... Film ( Doomed Love: A Journey through German Genre Films , 2016); and Offene Wunde deutscher Film ( Open Wounds: A Journey through German Genre Films , 2017). 30. Also important in this temporal context are the Austrian journals Blimp , Filmlogbuch , and especially Meteor as well...
Journal Article
New German Critique (2013) 40 (3 (120)): 65–84.
Published: 01 November 2013
..., a Dancer, Please! From the Life of an Eintänzer”) by an unknown twenty-one-year-old Austrian émigré, Billie Wilder, who had arrived in Berlin in June 1926.15 The essays are full of humor, irony, witty dialogues, 12. For more details on the image of the tennis player in the Weimar Republic, see...
Journal Article
New German Critique (2019) 46 (3 (138)): 207–233.
Published: 01 November 2019
... Erlösung.” 42. Foerster, “Jenseits von jedem.” 41. The phrase is Thomas Groh’s. See Groh and Foerster, “Freude am Frühschmier.” 40. The Austrian film director Ernst Hofbauer gained questionable renown during the 1970s for his contributions to the soft-sex Schulmädchen-Report...
Journal Article
New German Critique (2012) 39 (1 (115)): 27–48.
Published: 01 February 2012
.... Another path toward reconsidering notions of Heimat is via literary rep- resentations. Some of the most consistent and far-reaching probings of tradi- tional notions of Heimat since World War II have come from contemporary Austrian writers who challenge remnants of fascist and nationalist thinking...
Journal Article
New German Critique (2014) 41 (3 (123)): 1–8.
Published: 01 November 2014
.... 1 2  Introduction That some would be reluctant to confront the past is hardly new. In 1957 Theodor W. Adorno referred to Germany as the house of the hangman, where one avoids mentioning the noose.1 The survivor and scholar Ruth Klüger like- wise refers to her Austrian birthplace...
Journal Article
New German Critique (2019) 46 (3 (138)): 11–34.
Published: 01 November 2019
.... Arslan characterized his film as an “echo” of the genre and a “late western.” See Gemünden, “Making of Now,” 303, 310 . On Surya, see Lee, “Film Review.” 6. Recent German and Austrian popular films and TV series have also revamped the genre. These offerings include the German Austrian spaghetti...
Journal Article
New German Critique (2023) 50 (3 (150)): 217–224.
Published: 01 November 2023
.... There are throughlines between numbers 1 and 146, for sure: a strong demonstration of the capacities of literary criticism is evident, as in Barbara N. Nagel’s uncompromising essay on child abuse in the oeuvre of the Austrian modernist Robert Walser. Absent in the 2022 issue are critiques organized around labor...
Journal Article
New German Critique (2019) 46 (2 (137)): 91–116.
Published: 01 August 2019
..., Kirk Douglas, and Richard Dreyfuss. The German terrorist Böse is played by the Austrian-born actor Helmut Berger. 62 The second version, also made for TV, this time by NBC, presents the events as an action film. Starring Charles Bronson as Commander Dan Shomron, Raid on Entebbe (dir. Irvin...
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Journal Article
New German Critique (2020) 47 (3 (141)): 7–20.
Published: 01 November 2020
...) of Balázs’s film writing. Threaded through his interwar oeuvre are numerous contributions to Marxist, left-liberal, and trade press outlets including the Austrian and German dailies Der Tag , Berliner Börsen-Courier , Berliner Tageblatt , and Das Tagebuch , the communist daily Die rote Fahne , the trade...
Journal Article
New German Critique (2015) 42 (2 (125)): 137–153.
Published: 01 August 2015
...; and McGlothlin, Second-Generation Holo- caust Literature, 139, 134. 26. Fuchs, Phantoms of War, 46. 144  Beyond Lateness? occurred before their authors were born.27 Though Rabinovici and Beyer—a Jewish Austrian born in Tel Aviv in 1961 and a German non-Jew born in West Berlin in 1965—come from...
Journal Article
New German Critique (2007) 34 (3 (102)): 17–44.
Published: 01 November 2007
... Untergang: Materialien für den Unterricht (Munich: Clever! Verlag, 2004). The electronic version is available on the fi lm’s offi cial Web site, www.untergang.fi lm.de/ index2.html (accessed July 19, 2007). 21. While this was of course a German-language production, Pabst’s Austrianness was stressed...
Journal Article
New German Critique (2023) 50 (3 (150)): 133–148.
Published: 01 November 2023
..., an Austrian American Jewish German filmmaker, knew a whole lot about romantic relationships, from the young people in Berlin in People on Sunday (1930) to a home-alone middle-aged married man dealing with the cycles and pitfalls of long-term relationship thinking (is that all there is?) in New York. As we...
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