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Aby M. Warburg
New German Critique (2020) 47 (1 (139)): 105–140.
Published: 01 February 2020
...Peter J. Schwartz Abstract The final, unfinished project of the Hamburg art historian and Kulturwissenschaftler Aby M. Warburg (1866–1929)—the so-called Mnemosyne image atlas ( Bilderatlas )—has recently drawn increased attention not only from scholars but also from artists and museum curators...
New German Critique (2018) 45 (1 (133)): 111–154.
Published: 01 February 2018
... Auerbach’s theory of the figure in relation to the historiographical innovations of Walter Benjamin and Aby Warburg, the revival of seriality in modernist aesthetics, and the narrative forms of twentieth-century literature, it argues that Auerbach’s work was shaped more significantly by modernist aesthetics...
New German Critique (2013) 40 (3 (120)): 1–40.
Published: 01 November 2013
... writers have suggested the work of Walter Benjamin and Aby Warburg, whose sig- nature modernist archival projects sought to transform linear development— the history of nineteenth-century capitalism in Benjamin’s Passagenwerk and the migration of significant gestures and bodily expressions across...
New German Critique (2022) 49 (1 (145)): 41–66.
Published: 01 February 2022
... Bilderverbot,” esp. 24–27. Heidenreich’s focus, as the volume in which his text appears attests, is Bildwissenschaft , which maintains an ambiguous position on works of art. Whether Blumenberg shared this ambivalence is another question, though, given his few references to the work of Aby Warburg...
New German Critique (2013) 40 (2 (119)): 137–165.
Published: 01 August 2013
... of torture. The most recent scholar to remind us of this is Stephen Eisenman, who, referring to the work of the German scholar Aby Warburg, argues for the existence of a pathos formula fundamental to the classical tradition in Western art, that is, “the motif of tortured people and tormented...
New German Critique (2017) 44 (3 (132)): 83–103.
Published: 01 November 2017
...) Adorno and Benjamin;50 Rudolf Arnheim, André Bazin, and Christian Metz;51 Aby Warburg and Erwin Panofsky;52 or, as I argue in The Curious Realist, the key figures on the New York scene in the 1940s and 1950s—from the mem- bers of the Institute for Social Research uptown to Arendt, to the New York...
New German Critique (2019) 46 (2 (137)): 221–252.
Published: 01 August 2019
.... Goldberg was the center of one of what Scholem called the “three sects” of German Judaism in the Weimar period: the Aby Warburg circle in Hamburg, the School for Social Research circle in Frankfurt, and the Goldberg circle in Berlin. 7 Among the members of his circle, Goldberg’s closest philosophical...