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Volume 47, Number 1 (139)
February 1, 2020
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ISSN 0094-033X
EISSN 1558-1462
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Alexander Kluge: New Perspectives on Creative Arts and Critical Practice

Introduction

Introduction
Leslie A. Adelson
View articletitled, Introduction
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Articles

The Poetic Power of Theory
Alexander Kluge; Leslie A. Adelson
View articletitled, The Poetic Power of Theory
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Marx as a Model and Question: Alexander Kluge’s Critical Inquiries
Dorothea Walzer; Mari Jarris
View articletitled, Marx as a Model and Question: Alexander Kluge’s Critical Inquiries
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Alexander Kluge’s Installations
Tara Hottman
View articletitled, Alexander Kluge’s Installations
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Urban, Historical, and Musical Loops: László Moholy-Nagy, Alexander Kluge, and the City Symphony Film
Sabine Haenni
View articletitled, Urban, Historical, and Musical Loops: László Moholy-Nagy, Alexander Kluge, and the City Symphony Film
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General Articles

Aby Warburg and Cinema, Revisited
Peter J. Schwartz
View articletitled, Aby Warburg and Cinema, Revisited
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Tremor, Tick, and Trance: Siegfried Kracauer and Gregory Bateson in the Film Library of the Museum of Modern Art
Frederic Ponten
View articletitled, Tremor, Tick, and Trance: Siegfried Kracauer and Gregory Bateson in the Film Library of the Museum of Modern Art
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Too Soon and Too Late: The Problem of Archive Work in Christian Petzold’s Phoenix
Dora Osborne
View articletitled, Too Soon and Too Late: The Problem of Archive Work in Christian Petzold’s <em>Phoenix</em>
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Contaminated Soulscapes and Landscapes in Maja Haderlap’s Engel des Vergessens/Angel of Oblivion
Barbara Siller
View articletitled, Contaminated Soulscapes and Landscapes in Maja Haderlap’s <em>Engel des Vergessens/Angel of Oblivion</em>
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