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Volume 46, Number 3 (138)
November 1, 2019
Issue Cover
Issue Editors
Brad Prager
Brad Prager
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Eric Rentschler
Eric Rentschler
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ISSN 0094-033X
EISSN 1558-1462
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Contemporary German and Austrian Cinema: New Prospects

Introduction

Introduction: New Prospects—After the Berlin School?
Brad Prager; Eric Rentschler
View articletitled, Introduction: New Prospects—After the Berlin School?
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Articles

European Auteurs Revisit the Western: Thomas Bidegain’s Les Cowboys and Valeska Grisebach’s Western
Codruţa Morari
View articletitled, European Auteurs Revisit the Western: Thomas Bidegain’s <em>Les Cowboys</em> and Valeska Grisebach’s <em>Western</em>
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Mixed Feelings: The Tragicomedy of Maren Ade’s Toni Erdmann
Jörn Glasenapp
View articletitled, Mixed Feelings: The Tragicomedy of Maren Ade’s <em>Toni Erdmann</em>
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Class Relations: Diagnoses of the Present in the Films of Julian Radlmaier and Max Linz
Volker Pantenburg
View articletitled, Class Relations: Diagnoses of the Present in the Films of Julian Radlmaier and Max Linz
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Against Aspiration: The Psychogeography of Berlin-Kreuzberg in Stephan Geene’s Umsonst
Anne Röhrborn
View articletitled, Against Aspiration: The Psychogeography of Berlin-Kreuzberg in Stephan Geene’s <em>Umsonst</em>
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Searching for a Storyteller, Remediating the Archive: Philip Scheffner’s Halfmoon Files
Olivia Landry
View articletitled, Searching for a Storyteller, Remediating the Archive: Philip Scheffner’s <em>Halfmoon Files</em>
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Ephemeral Spaces and Pneumatic Architecture: The Films of Nikolaus Geyrhalter
Fatima Naqvi
View articletitled, Ephemeral Spaces and Pneumatic Architecture: The Films of Nikolaus Geyrhalter
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Trophy Hunter: Ulrich Seidl’s Portraits and Safari
Brad Prager
View articletitled, Trophy Hunter: Ulrich Seidl’s Portraits and <em>Safari</em>
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Architectures of Images, Avalanches of Memory: Dominik Graf’s Urban Essay Films
Laura A. Frahm
View articletitled, Architectures of Images, Avalanches of Memory: Dominik Graf’s Urban Essay Films
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An Elegy for German Cinema: Dominik Graf’s Doomed Loves and Open Wounds
Eric Rentschler
View articletitled, An Elegy for German Cinema: Dominik Graf’s Doomed Loves and Open Wounds
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