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Volume 41, Number 3 (123)
Fall 2014
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Issue Editors
Brad Prager
Brad Prager
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ISSN 0094-033X
EISSN 1558-1462
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German Memory and the Holocaust: New Films

Introduction
Brad Prager
View articletitled, Introduction
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Past Lessons: Holocaust Conservation and Education in Robert Thalheim's And Along Come Tourists
Jennifer M. Kapczynski
View articletitled, Past Lessons: Holocaust Conservation and Education in Robert Thalheim's <em>And Along Come Tourists</em>
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Reiterative Reading: Harun Farocki's Approach to the Footage from Westerbork Transit Camp
Sven Kramer
View articletitled, Reiterative Reading: Harun Farocki's Approach to the Footage from Westerbork Transit Camp
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Searching for Evidence between Generations: Claude Lanzmann's Sobibor and Romuald Karmakar's Land of Annihilation
Manuel Köppen
View articletitled, Searching for Evidence between Generations: Claude Lanzmann's <em>Sobibor</em> and Romuald Karmakar's <em>Land of Annihilation</em>
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The Desk Murderer and the Corporate Executive: (Re)concretizing the “Banality of Evil” in The Specialist and The Himmler Project
Alexandra Tacke
View articletitled, The Desk Murderer and the Corporate Executive: (Re)concretizing the “Banality of Evil” in <em>The Specialist</em> and <em>The Himmler Project</em>
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In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger's Kill Daddy Goodnight
Norbert Otto Eke
View articletitled, In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger's <em>Kill Daddy Goodnight</em>
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Rewriting the Fantasy of the “Wrong” Victim in Jochen Alexander Freydank's Spielzeugland
Erin McGlothlin
View articletitled, Rewriting the Fantasy of the “Wrong” Victim in Jochen Alexander Freydank's <em>Spielzeugland</em>
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The Warsaw Ghetto, Seen from the Screening Room: The Images That Dominate A Film Unfinished
Brad Prager
View articletitled, The Warsaw Ghetto, Seen from the Screening Room: The Images That Dominate <em>A Film Unfinished</em>
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Shameful Exposures: Ordinary Germans and the Nazi Past in Contemporary German Documentary Film
Axel Bangert
View articletitled, Shameful Exposures: Ordinary Germans and the Nazi Past in Contemporary German Documentary Film
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Between Israel and Germany: Therapeutic Return to the Place of Trauma in Contemporary Israeli Cinema
Ido Ramati
View articletitled, Between Israel and Germany: Therapeutic Return to the Place of Trauma in Contemporary Israeli Cinema
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General Article

Hermann Hesse's Colonial Uncanny: Robert Aghion, 1913
John Zilcosky
View articletitled, Hermann Hesse's Colonial Uncanny: <em>Robert Aghion</em>, 1913
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