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Volume 41, Number 3 (123)

Fall 2014

Issue Editors

Brad Prager

Brad Prager

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ISSN 0094-033X

EISSN 1558-1462

In this Issue

German Memory and the Holocaust: New Films
General Article

German Memory and the Holocaust: New Films

Introduction

Brad Prager

Past Lessons: Holocaust Conservation and Education in Robert Thalheim's And Along Come Tourists

Jennifer M. Kapczynski

Abstract

Reiterative Reading: Harun Farocki's Approach to the Footage from Westerbork Transit Camp

Sven Kramer

Abstract

Searching for Evidence between Generations: Claude Lanzmann's Sobibor and Romuald Karmakar's Land of Annihilation

Manuel Köppen

Abstract

The Desk Murderer and the Corporate Executive: (Re)concretizing the “Banality of Evil” in The Specialist and The Himmler Project

Alexandra Tacke

Abstract

In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger's Kill Daddy Goodnight

Norbert Otto Eke

Abstract

Rewriting the Fantasy of the “Wrong” Victim in Jochen Alexander Freydank's Spielzeugland

Erin McGlothlin

Abstract

The Warsaw Ghetto, Seen from the Screening Room: The Images That Dominate A Film Unfinished

Brad Prager

Abstract

Shameful Exposures: Ordinary Germans and the Nazi Past in Contemporary German Documentary Film

Axel Bangert

Abstract

Between Israel and Germany: Therapeutic Return to the Place of Trauma in Contemporary Israeli Cinema

Ido Ramati

Abstract

General Article

Hermann Hesse's Colonial Uncanny: Robert Aghion, 1913

John Zilcosky

Abstract

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