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Volume 41, Number 3 (123)
Fall 2014
New German Critique Cover Image for Volume 41, Issue 3 (123)
Issue Editors
Brad Prager
Brad Prager
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ISSN 0094-033X
EISSN 1558-1462
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German Memory and the Holocaust: New Films

Introduction
Brad Prager
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Past Lessons: Holocaust Conservation and Education in Robert Thalheim's And Along Come Tourists
Jennifer M. Kapczynski
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Reiterative Reading: Harun Farocki's Approach to the Footage from Westerbork Transit Camp
Sven Kramer
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Searching for Evidence between Generations: Claude Lanzmann's Sobibor and Romuald Karmakar's Land of Annihilation
Manuel Köppen
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The Desk Murderer and the Corporate Executive: (Re)concretizing the “Banality of Evil” in The Specialist and The Himmler Project
Alexandra Tacke
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In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger's Kill Daddy Goodnight
Norbert Otto Eke
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Rewriting the Fantasy of the “Wrong” Victim in Jochen Alexander Freydank's Spielzeugland
Erin McGlothlin
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The Warsaw Ghetto, Seen from the Screening Room: The Images That Dominate A Film Unfinished
Brad Prager
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Shameful Exposures: Ordinary Germans and the Nazi Past in Contemporary German Documentary Film
Axel Bangert
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Between Israel and Germany: Therapeutic Return to the Place of Trauma in Contemporary Israeli Cinema
Ido Ramati
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General Article

Hermann Hesse's Colonial Uncanny: Robert Aghion, 1913
John Zilcosky
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