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Volume 36, Number 2 (107)
Summer 2009
New German Critique Cover Image for Volume 36, Issue 2 (107)
ISSN 0094-033X
EISSN 1558-1462
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Dada and Photomontage across Borders

Articles

Contributors
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Introduction
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A “Political Struwwelpeter”? John Heartfield's Early Film Animation and the Crisis of Photographic Representation
Andrés Mario Zervigón
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Manufacturing Discontent: John Heartfield's Mass Medium
Sabine Kriebel
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A “Schooling of the Senses”: Post-Dada Visual Experiments in the Bauhaus Photomontages of László Moholy-Nagy and Marianne Brandt
Elizabeth Otto
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Back in the USSR: John Heartfield, Gustavs Klucis, and the Medium of Soviet Propaganda
Maria Gough
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Montage as Weapon: The Tactical Alliance between Willi Münzenberg and John Heartfield
Cristina Cuevas-Wolf
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Gender and Terror in Gerhard Richter's October 18, 1977 and Don DeLillo's “Baader-Meinhof”
Karin L. Crawford
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Intermediality and the Topography of Memory in Alexander Kluge
Bernhard Malkmus
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