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Volume 36, Number 2 (107)
Summer 2009
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ISSN 0094-033X
EISSN 1558-1462
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Dada and Photomontage across Borders

Articles

Contributors
View articletitled, Contributors
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Introduction
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A “Political Struwwelpeter”? John Heartfield's Early Film Animation and the Crisis of Photographic Representation
Andrés Mario Zervigón
View articletitled, <em>A “Political Struwwelpeter”? John Heartfield's Early Film Animation and the Crisis of Photographic Representation</em>
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Manufacturing Discontent: John Heartfield's Mass Medium
Sabine Kriebel
View articletitled, Manufacturing Discontent: John Heartfield's Mass Medium
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A “Schooling of the Senses”: Post-Dada Visual Experiments in the Bauhaus Photomontages of László Moholy-Nagy and Marianne Brandt
Elizabeth Otto
View articletitled, A “Schooling of the Senses”: Post-Dada Visual Experiments in the Bauhaus Photomontages of László Moholy-Nagy and Marianne Brandt
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Back in the USSR: John Heartfield, Gustavs Klucis, and the Medium of Soviet Propaganda
Maria Gough
View articletitled, Back in the USSR: John Heartfield, Gustavs Klucis, and the Medium of Soviet Propaganda
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Montage as Weapon: The Tactical Alliance between Willi Münzenberg and John Heartfield
Cristina Cuevas-Wolf
View articletitled, Montage as Weapon: The Tactical Alliance between Willi Münzenberg and John Heartfield
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Gender and Terror in Gerhard Richter's October 18, 1977 and Don DeLillo's “Baader-Meinhof”
Karin L. Crawford
View articletitled, <em>Gender and Terror in Gerhard Richter's October 18, 1977 and Don DeLillo's “Baader-Meinhof”</em>
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Intermediality and the Topography of Memory in Alexander Kluge
Bernhard Malkmus
View articletitled, Intermediality and the Topography of Memory in Alexander Kluge
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