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Winter - Volume 36, no. 1 (106)
Summer - Volume 36, no. 2 (107)
Fall - Volume 36, no. 3 (108)
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Volume 36, Number 1 (106)
Winter 2009
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ISSN
0094-033X
EISSN
1558-1462
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Articles
When the Perpetrator Becomes a Reliable Witness of the Holocaust: On Jonathan Littell's
Les bienveillantes
Susan Rubin Suleiman
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titled, <em>When the Perpetrator Becomes a Reliable Witness of the Holocaust: On Jonathan Littell's</em> Les bienveillantes
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On the German Reaction to Jonathan Littell's
Les bienveillantes
Klaus Theweleit
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titled, <em>On the German Reaction to Jonathan Littell's</em> Les bienveillantes
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The Holocaust and Hannah Arendt's Philosophical Critique of Philosophy:
Eichmann in Jerusalem
Michael Mack
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titled, <em>The Holocaust and Hannah Arendt's Philosophical Critique of Philosophy:</em> Eichmann in Jerusalem
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“The Odium of Doubtfulness”; or, The Vicissitudes of Metaphorical Thinking
Martin Blumenthal-Barby
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titled, “The Odium of Doubtfulness”; or, The Vicissitudes of Metaphorical Thinking
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Georg Simmel's Timeless Impressionism
Todd Cronan
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titled, Georg Simmel's Timeless Impressionism
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A Close Reading of Georg Simmel's Essay “How Is Society Possible?” The Thought of the Outside and Its Various Incarnations
Stéphane Symons
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titled, A Close Reading of Georg Simmel's Essay “How Is Society Possible?” The Thought of the Outside and Its Various Incarnations
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“The Merely Illusory Paradise of Habits”: Salomo Friedländer, Walter Benjamin, and the Grotesque
Thomas O. Haakenson
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titled, “The Merely Illusory Paradise of Habits”: Salomo Friedländer, Walter Benjamin, and the Grotesque
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The Phenomenology of the German People's Body (Volkskörper) and the Extermination of the Jewish Body
Boaz Neumann
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titled, <em>The Phenomenology of the German People's Body (Volkskörper) and the Extermination of the Jewish Body</em>
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Habermas the Freelance Journalist: The Relationship between Theory and Practice in Habermas’s Early Career
Habermas’s Emancipation as Lifeworldization
Abject Eve: A Revolutionary Reading of Lasker-Schüler’s “Erkenntnis”
Katja Petrowskaja’s Translational Poetics of Memory
The Woman with Scissors and Glue: Film Editing and Radical Montage in Weimar Cinema
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