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Volume 34, Number 3 (102)
Fall 2007
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ISSN 0094-033X
EISSN 1558-1462
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Der Unterang? Nazis, Culture, and Cinema

Articles

Whose Hi/story Is It? The U.S. Reception of Downfall
David Bathrick
View articletitled, <em>Whose Hi/story Is It? The U.S. Reception of</em> Downfall
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Sympathy for the Devil: Cinema, History, and the Politics of Emotion
Johannes von Moltke
View articletitled, Sympathy for the Devil: Cinema, History, and the Politics of Emotion
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Between Dramatization and Epicization: The Portrayal of Nazi Crimes in Exemplary German Films from the Late 1940s to the 1970s
Ursula von Keitz
View articletitled, Between Dramatization and Epicization: The Portrayal of Nazi Crimes in Exemplary German Films from the Late 1940s to the 1970s
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National Socialism as Docudrama: On Programmed Ambivalence in Heinrich Breloer's Speer and Hitler
Judith Keilbach
View articletitled, <em>National Socialism as Docudrama: On Programmed Ambivalence in Heinrich Breloer's</em> Speer and Hitler
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Perpetrator Research through the Camera Lens: Nazis and Their Crimes in the Films of Romuald Karmakar
Margrit Frölich
View articletitled, Perpetrator Research through the Camera Lens: Nazis and Their Crimes in the Films of Romuald Karmakar
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What Can the Criminal Want after the Crime? Volker Schlöndorff's Ninth Day
Karsten Visarius
View articletitled, <em>What Can the Criminal Want after the Crime? Volker Schlöndorff's</em> Ninth Day
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At Home with Hitler: Janet Flanner's Führer Profiles for the New Yorker
Annalisa Zox-Weaver
View articletitled, <em>At Home with Hitler: Janet Flanner's</em> Führer <em>Profiles for the</em> New Yorker
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