The text of this article is only available as a PDF.
References
Amit, Gish.
2014
. EX Libris: Hisṭoryah shel gezel, shimur ve-nikhus ba-Sifriyah ha-le'umit bi-Yerushalayim (Chronicles of Theft, Preservation, and Appropriation at the Jewish National Library in Jerusalem)
. Jerusalem
: Van Leer Jerusalem Institute and Hakibbutz Hameuhad
.Brenner, Hildegard.
1963
. Die Kunstpolitik des Nationalsozialismus
. Reinbek bei Hamburg
: Rowohlt
.Dellheim, Charles.
2008
. “Framing Nazi Art Loot.”
In The Art of Being Jewish in Modern Times
, edited by Kirshenblatt-Gimblett, Barbara; Karp, Jonathan, 319
–34
. Philadelphia
: University of Pennsylvania Press
.Hinz, Berthold.
1974
. Die Malerei im deutschen Faschismus: Kunst und Konterrevolution
. Munich
: Hanser
.Hoffmann, Meike; Kuhn, Nicola.
2016
. Hitlers Kunsthändler: Hildebrand Gurlitt, 1895–1956
. Munich
: Beck
.Hopp, Meike.
2012
. Kunsthandel im Nationalsozialismus: Adolf Weinmüller in München und Wien
. Cologne
: Böhlau
.Milosch, Jane C.
2014
. “Provenance: Not the Problem (the Solution): Smithsonian Provenance Research Initiative.”
Collections: A Journal for Museum and Archives Professionals
10
, no. 1
: 255
–64
.Nicholas, Lynn H.
1994
. The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War
. New York
: Knopf
.Rabinbach, Anson; Gilman, Sander, eds.
2013
. The Third Reich Sourcebook
. Berkeley
: University of California Press
.Rotermund-Reynard, Ines, ed.
2015
. Echoes of Exile: Moscow Archives and the Arts in Paris, 1933–1945
. Berlin
: de Gruyter
.US Department of State
. 1998
. “Washington Conference Principles on Nazi-Confiscated Art.”
www.state.gov/p/eur/rt/hlcst/122038.htm.Wulf, Joseph.
1963
. Die bildenden Künste im Dritten Reich: Eine Dokumentation
. Gütersloh
: Mohn
.© 2017 by New German Critique, Inc.
2017
This content is made freely available by the publisher. It may not be redistributed or altered. All rights reserved.
