Skip Nav Destination
Article navigation
Research Article|
November 01 2006
The Terror of Reproduction: Early Cinema's Ghostly Doubles and the Right to One's Own Image
New German Critique (2006) 33 (3 (99)): 151–170.
Citation
Stefan Andriopoulos; The Terror of Reproduction: Early Cinema's Ghostly Doubles and the Right to One's Own Image. New German Critique 1 November 2006; 33 (3 (99)): 151–170. doi: https://doi.org/10.1215/0094033X-2006-014
Download citation file:
/10.1215_0094033X-2006-014/4/NGC99-07andriopoulos.indd.pdf.gif?Expires=1621187871&Signature=Dw~qtzBI4p33tUJYoZapNOvFlH39t7YHdFcnVRCUFzDznEgNHQcPIEd0ed2EPe1HwEazqQWe-ehXVy2IEI41rbvnCtqhL-RqIJP2J0P7usQ75E1slU7gMOVeHSLOzPpiooFgq1LxctP0FZbTQsGSJ~xInmxycT16vNMNThE6GfQhAe50S-X83PcCzSe~tCb3umK~~4osVBGEei28hkOFMqLYpFB7rqCd5I1moHcg~-uWceSOjXakt9cCprrox21ENYN~pTbKOJS0s0hLUbHKrL8m9QB0SFwvanNsv9lTWzg9he~uoWmI~KVZFcRGSN74obDuzuU5Ccd~DVDONlGfPA__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
Advertisement
