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in “I Want to Be Involved in Constructing the World”: In Discussion with Malala Andrialavidrazana
> Monsoon: Journal of the Indian Ocean Rim
Published: 01 November 2023
Figure 2 The Ancestors’ Land , 2005. Fine art print on Hahnemühle Baryta paper, 42 × 42 cm. © Malala Andrialavidrazana. Courtesy of the artist. This wooden toy boat mooring on a sunny shore of the Indian Ocean reminds me of rainbows after monsoon storms. I am not a fairy-tale addict, but I
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in Puff and Pull: Rickshaw Pullers through the Lens of Human Capital
> Monsoon: Journal of the Indian Ocean Rim
Published: 01 November 2023
Figure 1 Scene of the flood in Tokyo, 1910. Photograph © 2023 Museum of Fine Arts, Boston.
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Journal Article
Monsoon (2024) 2 (1): 22–34.
Published: 01 May 2024
...Meghan Gorman-DaRif Abstract In his 1992 Nobel Prize acceptance speech, Derek Walcott imagines the broken vase and the subsequent reassemblage of its “African and Asiatic” fragments as a metaphor for Caribbean art forms, especially poetry. His vision of the particular archipelagic form of art...
Image
in About the Cover Image: Searching for Libertalia , by Shiraz Bayjoo
> Monsoon: Journal of the Indian Ocean Rim
Published: 01 November 2024
Shiraz Bayjoo, Politique Des Races Part 2, 2019. Acrylic and resin on wood, Sapele Wood frame, gold hand painting. 75 × 175 × 3 cm. Credit: Sharjah Art foundation/Shiraz Bayjoo/Jhaveri Contemporary.
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Journal Article
Monsoon (2024) 2 (2): 116–118.
Published: 01 November 2024
...Shiraz Bayjoo, Politique Des Races Part 2, 2019. Acrylic and resin on wood, Sapele Wood frame, gold hand painting. 75 × 175 × 3 cm. Credit: Sharjah Art foundation/Shiraz Bayjoo/Jhaveri Contemporary. ...
FIGURES
Journal Article
Monsoon (2023) 1 (2): 60–74.
Published: 01 November 2023
...Figure 2 The Ancestors’ Land , 2005. Fine art print on Hahnemühle Baryta paper, 42 × 42 cm. © Malala Andrialavidrazana. Courtesy of the artist. This wooden toy boat mooring on a sunny shore of the Indian Ocean reminds me of rainbows after monsoon storms. I am not a fairy-tale addict, but I...
FIGURES
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Journal Article
Monsoon (2023) 1 (1): 107–118.
Published: 01 May 2023
... Burton, “Amitav Ghosh's World Histories from Below,” 71 ; Frost, “Amitav Ghosh and the Art of Thick Description,” 1537 . 29 Machado, “Views from Other Boats,” 1548 . 28 Machado, “Views from Other Boats,” 1542 . 27 Machado, “Views from Other Boats,” 1549 . 26 Frost...
Journal Article
Monsoon (2023) 1 (1): 51–71.
Published: 01 May 2023
... and locate the turning point in your practice. In life and in art, there is sometimes a convergence of coincidence. Suddenly, in a flash of Sufi gnosis, things make sense. The image here reminds me of the beached object, which contains the sea within itself. We go beyond an epistemology of unfolding...
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Journal Article
Monsoon (2023) 1 (2): 26–45.
Published: 01 November 2023
...Figure 1 Scene of the flood in Tokyo, 1910. Photograph © 2023 Museum of Fine Arts, Boston. ...
FIGURES
Journal Article
Monsoon (2024) 2 (2): 88–103.
Published: 01 November 2024
... of the Several Diffusions of the Disease in that Country from 1821 till 1872 . London : Macmillan , 1876 . “ The Clove Industry of Zanzibar .” Journal of the Royal Society of Arts 66 , no. 3434 ( 1918 ): 675 – 76 . Conte Christopher A . “ Turning the Tree Plantations of Slavery...
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Journal Article
Monsoon (2024) 2 (1): 58–67.
Published: 01 May 2024
... innovations of Diego Garcia . In Williams and Soobramanien's collaborative text, the history of Chagossians’ deportation and ongoing legal fight against Britain for their right to go back to Chagos is mediated by the story of two writers crippled with debt and grief and struggling to live off their art...
Journal Article
Monsoon (2023) 1 (1): 72–91.
Published: 01 May 2023
... we say ? Cavell, Must We Mean What We Say? . 30 Benjamin, “Work of Art in the Age of Mechanical Reproduction.” 31 For further discussion, see Lambek, “Traveling Spirits.” 32 Keane, Christian Moderns . 33 The answers can change, as when presence dissolves...
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Journal Article
Monsoon (2024) 2 (1): 85–99.
Published: 01 May 2024
... of fieldwork and travels in the American continent and the theories emerging from the postcolonial world, where border crossing, multilingualism, and miscegenation had become the basis for “a more fertile thought, for a more precise expression, for a truer art,” encapsulated in the notion of creoleness. 9...
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Journal Article
Monsoon (2024) 2 (1): 3–12.
Published: 01 May 2024
... scholarship in Anglophone academia, we demonstrate how the Indian Ocean does not merely exist in order for us to study what happens, or happened, in it. Rather, it is a shaping force for art and the imagination. Literary critical investigation of how the Indian Ocean world is remembered, and its future...
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Journal Article
Monsoon (2024) 2 (1): 48–57.
Published: 01 May 2024
...-Francois Emmanuel Bruno . “ Literary Routes: Migration, Islands, and the Creative Economy .” PMLA 131 , no. 5 ( 2016 ): 1222 – 38 . Loichot Valérie . Water Graves: The Art of the Unritual in the Greater Caribbean . Charlottesville : University of Virginia Press , 2020...
Journal Article
Monsoon (2023) 1 (1): 92–106.
Published: 01 May 2023
... of the Royal Anthropological Institute 15 ( 2009 ): S76 – S94 . Larkin Brian . “ The Politics and Poetics of Infrastructure .” Annual Review of Anthropology 42 , no. 1 ( 2013 ): 327 – 43 . Meier Prita . “ Objects on the Edge: Swahili Coast Logics of Display .” African Arts 42...
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Journal Article
Monsoon (2023) 1 (2): 92–105.
Published: 01 November 2023
... reviving traditions, which with the passage of time were “becoming more and more shriveled up, inert, and empty,” 37 Fanon wanted art and literature to be oriented toward the present and future. “A national culture is not a folklore,” he declared. Artists should elevate movement and dynamism...
Journal Article
Monsoon (2023) 1 (2): 106–119.
Published: 01 November 2023
... not just have an external dimension concerned with making things move (and halt); they also have an important internal dimension. One aspect of this internal dimension relates to the inhabitants of hubs. As experts in what I called “the art of hubbing,” they need to develop specific kinds of expertise...
Journal Article
Monsoon (2024) 2 (2): 74–87.
Published: 01 November 2024
... Africa. For the early twentieth century Kenyan Kikuyu context, see Hobley, Bantu Beliefs and Magic , 6 . 43 Figural carvings and wooden dolls were produced all along the Swahili coast and on the mainland during the nineteenth century and earlier. The art historian Janet M. Purdy informed me...
Journal Article
Monsoon (2024) 2 (1): 34–47.
Published: 01 May 2024
... of the Caribbean as a process of assembling broken pieces: “Break a vase, and the love that reassembles the fragments is stronger than that love which took its symmetry for granted when it was whole. . . . Antillean art is this restoration of our shattered histories, our shards of vocabulary, our archipelago...
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