... by Duke University Press 1958 REVIEWS The Sources of “The White Devil.” By GUNNARBOKLUND. Uppsala: A.-B. Lundequistska Bokhandeln ; Copenhagen : Ejnar Munksgaard ; Cambridge, Mass. : Harvard University Press, English Institute Uppsala University...

... Dante? ALLENIt. I~ENIIAM TIir 7Vhite Due of Rylstone. By WILLIAMWORDSWORTII. A Critical Edition by ALICE PATTEECOMPARETTI. Ithaca, New York: Cornell University Press. (Cornell Studies in English, XXIX.) Pp. 311. That the White Doe...

...Stith Thompson C. Grant Loomis. Cambridge: The Medieval Academy of America, 1949. Pp. vi + 250. $5.00; to members of the Academy, $4.00. Copyright © 1951 by Duke University Press 1951 REVIEWS White Magic: An Introduction to the Folklore of Christian...

...: Representing Catholicism in Southern Literature and working on an examination of Flannery O'Connor's critique of Enlightenment philosophy. Elizabeth Spencer, the White Civil Rights Novel, and the Postsouthern Thomas F. Haddox uring the 1940s, around the time that Allen Tate looked back...

... recently, coeditor of “Countercultural Capital: Essays on the Sixties from Some Who Weren't There,” a special issue of the Yale Journal of Criticism . The White Oriental Michael Szalay ranslated into nineteen languages and the basis of two major motion Tpictures, Richard Condon’s novel...

...- tinuing relevance both of his scholarship and of the acute issues it raises in American literary studies. Joycelyn K. Moody, University of Washington Neither Black nor White yet Both: ThematicExplorations of Interracial Literature. By Werner Sollors. New York: Oxford...

...Lucien White Copyright © 1957 by Duke University Press 1957 ??MILE ZOLA’S ROMANTICISM JUDGED BY HIS CONTEMPORARIES AND BY HIMSELF By LUCIENWHITE When fimile Zola arrived in Paris in 1858, fresh from Provence, he was eighteen years old...

...Lucien W. White Copyright © 1962 by Duke University Press 1962 MORAL ASPECTS OF ZOLA’S NATURALISM JUDGED BY HIS CONTEMPORARIES AND BY HIMSELF By LUCIENW. WHITE Consideration of the moral aspects of literary works became a vogue...

...William White Copyright © 1963 by Duke University Press 1963 AN UNPUBLISHED WHITMAN NOTEBOOK FOR “LILACS” By WILLIAMWHITE Among the hundreds of manuscripts and the dozens of notebooks by Walt Whitman in the Feinberg Collection...

...Helen C. White Michael Francis Moloney. Urbana: University of Illinois Studies in Language and Literature, Vol. XXIX, Nos. 2–3, 1944. Pp. 223. $2.50, paperbound; $3.00, cloth-bound. Copyright © 1946 by Duke University Press 1946 244 Reviews critics shaking off...

...Helen C. White Babette May Levy. Hartford, Connecticut: American Society of Church History, Studies in Church History, Volume Vi, 1945. Pp. 213. $3.00. Copyright © 1948 by Duke University Press 1948 250 Reviews where four volumes can be spread out for easy...

...Helen C. White Copyright © 1953 by Duke University Press 1953 Donald Joseph McGInn. New Brunswick: Rutgers University Press, 1949. Pp. xii + 589. $6.50. ...

...William White Tom Burns Haber. Minneapolis: University of Minnesota Press; London: Geoffrey Cumberlege, Oxford University Press, 1955. Pp. xiv + 146. $4.50; 25 s . Copyright © 1955 by Duke University Press 1955 iiarrative 01 style, little iiicntion of either important elelrient is ma...

...Eric White Copyright © 1990 by Duke University Press 1990 THE END OF METANARRATIVES IN EVOLUTIONARY BIOLOGY BY ERICWHITE In a well-known formulation, Jean-Francois Lyotard defines his- torical grand re‘cits...

...Craig Howard White Copyright © 1991 by Duke University Press 1991 THE HOUSE OF INTEREST: A KEYWORD IN THE PORTRAIT OF A LADY By CRAIGHOWARD WHITE In his preface to The Portrait ofa Lady, Henry James envisioned a “house...

...Deborah Elise White Wordsworth's Profession: Form, Class, and the Logic of Early Romantic Cultural Production. By Thomas Pfau. Stanford, Calif.: Stanford University Press, 1997. xii + 454 pp. $49.50. © 2000 University of Washington 2000 MLQ 61.2-05Reviews.ak 5/26/00 5:16 PM Page 415...

...Jasper Bernes The early poems of John Ashbery must be read, in part, as a meditation on the plight of labor, particularly white-collar labor, in the postwar United States. Beginning with a very early poem, “The Instruction Manual” (1956), and its exploration of the ambiguous class position of white...

...Rachel Ablow Abstract Nancy Armstrong famously identifies middle-class white Victorian women writers not just as passive victims of ideology but as possessors of relative privilege in relation to power. Even more radically, she identifies herself as possessing analogous forms of power as a woman...

... of Moral Sentiments , and the earthquake in Zadie Smith's White Teeth , which Wood finds unfortunately representative of “hysterical realism.” Bruce Robbins is old dominion Foundation Professor of the Humanities in the department of English and Comparative Literature at Columbia University. His...