... then we will have succeeded at long last in capturing Unamuno. PHILIPMETZIDAK IS Swarthmore College The Novels of Virginia WOOFFact and Vision. Hy ALICEVAN BURENKEL- LEY. Chicago and London: University of Chicago Press, 1973...

... Virginia WOOFA Critical Reading. By AVROMFLEISHMAN. Baltimore and London: Johns Hopkins University Press, 1975. xiii + 232 pp. $10.00. In his foreword to Virginia Wooy A Critical Reading, Avrom Fleishman describes his approach as “principled, rather than unprincipled, eclecticism” (p...

...Richard S. Lyons Copyright © 1977 by Duke University Press 1977 THE INTELLECTUAL STRUCTURE OF VIRGINIA WOOLF’S BET WEEN THE ACTS By RICHARDS. LYONS The turn of events that left Between the Acts as Virginia Woolfs last novel has laid...

...Nancy Topping Bazin Copyright © 1971 by Duke University Press 1971 VIRGINIA WOOLF’S QUEST FOR EQUILIBRIUM By NANCYTOPPING BAZIN Virginia Woolf would agree with D. H. Lawrence that human beings have two ways of knowing, “knowing in terms...

.... Ronald Paulson The Politics of Narration: JamJoyce, William Faulknet; and Virginia Woo& By Richard Pearce. New Brunswick, N.J.: Rutgers University Press, igg 1. 187 pp. $37.00. Faulkner’s Subject: A Cosms No One Owns. By Philip M. Weinstein. Cambridge: Cambridge University Press, 1992. 181...

...Merrill Turner Although Virginia Woolf’s critical writings pay special tribute to Anton Chekhov’s stories and plays, his role as preceptor in relation to her own fiction has not been fully explored. Not only does the manuscript of To the Lighthouse display clear affinities with Chekhov’s...

...ANCA VLASOPOLOS Copyright © 1986 by Duke University Press 1986 ∗ It is bad poetry which proclaims a definite belief—because it is a sin against sincerity. SHELLEY’S TRIUMPH OF DEATH IN VIRGINIA WOOLF’S VOYAGE OUT...

... a trinity, self-contained and self-sufficient and independent whether indoors or out?’ “ALONE SEEKING THE VISIBLE WORLD” THE WORDSWORTHS, VIRGINIA WOOLF, AND THE WAVES2...

.... Charlottesville : Bibliographical Society of the University of Virginia, 1948. Pp. 204. $3.50. The appearance of this handsomely printed annual is an event of some importance, for which the credit is largely due to the energy and enterprise of the editor. He, more than anyone else...

...Curtis Carroll Davis THE VIRGINIA “KNIGHTS” AND THEIR GOLDEN HORSESHOES : DR. WILLIAM A.. CARUTHERS AND AN AMERICAN TRADITION By CURTISCARROLL DAVIS The knightliest...

...Donald J. Childs Copyright © 1997 by Duke University Press 1997 Donald J. Childs is associate professor of English at the University of Ottawa. His book T. S. Eliot: Mystic, Son and Lover was published in March. Mrs. Dalloway’s Unexpected Guests: Virginia Woolf, T. S...

...Marina MacKay © 2005 University of Washington 2005 Marina MacKay is assistant professor of English at Washington University in St. Louis. She is writing a book about British modernism in the Second World War. Putting the House in Order: Virginia Woolf and Blitz Modernism...

... basis that reflects in each case the rigidity or flexibility of our own . . . defenses against narcissistic excite- ment” (p. 206). MARJORIEPERLOFF University of Southern California Virginia Woolfs Major Novels: The Fables of Anon...

...Virginia R. Mollenkott Copyright © 1966 by Duke University Press 1966 THE CYCLE OF SINS IN PARADISE LOST‘, BOOK XI By VIRGINIAR. MOLLENKOTT In Milton’s Epic Voice, Anne D. Ferry points out that Paradise Lost is built in a pattern of repeated...

...Virginia Jackson Abstract As a response to Paul Fry’s essay “The New Metacriticisms and the Fate of Interpretation,” this essay asks a few questions: (1) Isn’t “metacriticism” what the twentieth century meant by literary criticism? (2) Why is modern literary criticism so defensive when it comes...

...Virginia Jackson © 1998 University of Washington 1998 This essay first took shape as a paper given at the American Literature Association symposium on the American Renaissance, Cancún, Mexico, December 1997, and was inspired by the contributions of Mary Loeffelholz and Shirley Samuels...

...Katherine Elkins This essay explores a modernist revision of influence distinct from a Bloomsian model of struggle and misprision. Marcel Proust and Virginia Woolf articulate new representations of composite memory that suggest an alternative. When memories of past works collide with a changed...

... historical novel. Atkinson’s novels are often cited as examples of postmodern metafiction, but in fact her work is more directly indebted to modernist experiments in counterfactual historical writing by figures like Virginia Woolf. Moreover, this inheritance, inasmuch as it informs Atkinson’s focus...

...Michelle M. Dowd Abstract Virginia Woolf’s account of Shakespeare’s fictional sister, Judith, in A Room of One’s Own offers a productive vantage point for investigating questions of gender, authority, and inheritance in Shakespeare’s late romances. These plays are notable for their formal hybridity...

... of the dramatic debate between Albert Einstein and Henri Bergson in 1922 and a discussion of Virginia Woolf’s experiments with the relationality of space and time in her fiction. Multidimensional, layered, and disjunctive concepts of time are better suited for the study of planetary modernisms that incorporate...