... television, film, and video games, and now that those genres dominate not only markets but the forms of representativity that used to belong almost exclusively to literature—what is the future for literary studies, either as a scholarly discipline or as an institutional field? Copyright © 2019...

.../Levin.html . Microsoft . 2007 . Halo 3 . halo.xbox.com/en-us ( accessed December 28, 2011 ). Review . 2010 . Anonymous review of Dante’s Inferno video game , www.amazon.com/Dantes-Inferno-Divine-Playstation-3/dp/B001NX6GBK ( accessed August 10, 2011 ). Robbins J. Albert . 1960...

... made until recently for the great value of literary study under the new regime of telecommunications. Many people read little print literature anymore. They play video games instead. If little print literature is read, what then is the point of defending the study of George Eliot’s Middlemarch...

... expansive mediascape,” Damrosch offers video-­game versions of Dante’s Inferno and Murasaki’s Tale of Genji as worthy exemplars of world literature in a “postliterary age.” These contributors foreground questions of accessibility and democ­ ratization. Who has the opportunity to encounter world...

... significations: a house of books, a catalog of titles, a publication series, and, more recently, a virtual space, a digital col- lection of various artifacts, including but not limited to books, papers, photographs, music, and video games. The fast pace of globalizing world economies, in tandem...

... television, because aesthetic play in the former context is more interestingly com- plex, a labor (or game) of accumulating symbolic capital that refuses the crude calculations of market rationality. One might contrast the scene of museum going with that of the video game, which, as in the game...

... extend to sequences of DNA, indigenous cultural practices, mythic plots, and even the ephemeral objects that players craft in video games.2 Pink Pirates offers a valuable critical response to the widespread assault on the cultural...

... extend to sequences of DNA, indigenous cultural practices, mythic plots, and even the ephemeral objects that players craft in video games.2 Pink Pirates offers a valuable critical response to the widespread assault on the cultural...

... that share themes and in uences within similar cultural elds, likening the position of such genres to that of urban planning: “go- betweens in a high- stakes game of political and economic power” Discussing about plays and lms (as well as some video art...

... that share themes and in uences within similar cultural elds, likening the position of such genres to that of urban planning: “go- betweens in a high- stakes game of political and economic power” Discussing about plays and lms (as well as some video art...

... extend to sequences of DNA, indigenous cultural practices, mythic plots, and even the ephemeral objects that players craft in video games.2 Pink Pirates offers a valuable critical response to the widespread assault on the cultural...

... extend to sequences of DNA, indigenous cultural practices, mythic plots, and even the ephemeral objects that players craft in video games.2 Pink Pirates offers a valuable critical response to the widespread assault on the cultural...

... extend to sequences of DNA, indigenous cultural practices, mythic plots, and even the ephemeral objects that players craft in video games.2 Pink Pirates offers a valuable critical response to the widespread assault on the cultural...

... that share themes and in uences within similar cultural elds, likening the position of such genres to that of urban planning: “go- betweens in a high- stakes game of political and economic power” Discussing about plays and lms (as well as some video art...

..., the obsession with the archive in our age.”8 The photo album, digital video and compact disc collections, hard and zip drives, and voice mail together offer an image of a personal archive, a distanced relationship to our own expe- riences. At the same time, these media are deployed in an increasingly...

...-twentieth century. The broad historical scope enables him to contrast the ways in which different groups at different times have “structured confrontations with chance” (vii) and to reflect on the forms that these confrontations took as games, as repre- sentations of them and implicit judgments about...

... at different times have “structured confrontations with chance” (vii) and to reflect on the forms that these confrontations took as games, as repre- sentations of them and implicit judgments about them, and as intersections between gambling practices and the social and ideological preoccupations...

... the ways in which different groups at different times have “structured confrontations with chance” (vii) and to reflect on the forms that these confrontations took as games, as repre- sentations of them and implicit judgments about them, and as intersections between gambling practices and the social...

...- bling in France from the Middle Ages to the mid-twentieth century. The broad historical scope enables him to contrast the ways in which different groups at different times have “structured confrontations with chance” (vii) and to reflect on the forms that these confrontations took as games...

... all. These are not questions of either/or: one is not either for realism or against it, as though this were a football game or a war. Realism posits ‘mixed’ conditions. So do I” (Levine 1981 : 4). 7 Other genealogies for thinking about the significance of emotion in everyday life include...