Skip Nav Destination
Close Modal
Search Results for
ulysse
Update search
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
Filter
- Title
- Authors
- Author Affiliations
- Full Text
- Abstract
- Keywords
- DOI
- ISBN
- eISBN
- ISSN
- EISSN
- Issue
- Volume
- References
NARROW
Format
Subjects
Journal
Article Type
Date
Availability
1-20 of 236 Search Results for
ulysse
Follow your search
Access your saved searches in your account
Would you like to receive an alert when new items match your search?
Sort by
Journal Article
Modern Language Quarterly (2013) 74 (1): 67–93.
Published: 01 March 2013
... debates over literature’s social use, debates that had far-reaching political and national implications. As a corollary, the essay undermines idealized portraits of “oracular” Joyce by showing Ulysses to be firmly a product of the contentions of its day. Far from a source of alienation, didacticism offers...
Journal Article
Modern Language Quarterly (2009) 70 (2): 245–268.
Published: 01 June 2009
...Joyce Wexler In 1929 Alfred Döblin's Berlin Alexanderplatz was not only compared to Ulysses but also hailed as a prime example of the postwar movement called magic realism. This junction led directly to landmark magic realist texts by Günter Grass, Gabriel García Márquez, and Salman Rushdie...
Journal Article
Modern Language Quarterly (1991) 52 (2): 215–217.
Published: 01 June 1991
...-
after cited as Ulysses.
216 REVIEWS
OusJqce is refreshingly free of such dogmatism. Befittingly for a critic who
delights in oxymoron, Bell can embrace contrary readings at once. He pays
delighted homage to the myriad ways in which UZysses...
Journal Article
Modern Language Quarterly (1942) 3 (3): 427–444.
Published: 01 September 1942
...Joseph Prescott Copyright © 1942 by Duke University Press 1942 ∗ Submitted August 29, 1940. HOMER’S ODYSSEY AND JOYCE’S ULYSSES”
By JOSEPH PRESCQTT
In A Portrait of the Artist as a Young Man, in large measure
the log of Joyce‘s early...
Journal Article
Modern Language Quarterly (1963) 24 (1): 3–12.
Published: 01 March 1963
...H. A. Kelly, S.J. CONSCIOUSNESS IN THE MONOLOGUES OF ULYSSES
By H. A. KELLY,S.J.
The year 1955 marked the climax of a renewed interest in the lit-
erary technique of stream of consciousness. In that year (and late
1954) three books were published...
Journal Article
Modern Language Quarterly (1979) 40 (2): 175–195.
Published: 01 June 1979
...Robert Storey Copyright © 1979 by Duke University Press 1979 THE ARGUMENT OF ULYSSES, RECONSIDERED
By ROBERTSTOREY
The words are those of Joyce’s master, Ibsen, recorded by an
awestruck Georg Brandes in his autobiography, but the sentiments...
Journal Article
Modern Language Quarterly (1983) 44 (2): 178–197.
Published: 01 June 1983
... of a hero trying to get away from his
mother. In Ulysses, Stephen Dedalus is haunted by the ghost of the
mother he refused to comfort on her deathbed, and in Sons and
Lovers, Paul Morel takes the agonizing step of easing his mother out
of her life in order to achieve his freedom as well as her...
Journal Article
Modern Language Quarterly (1952) 13 (2): 149–162.
Published: 01 June 1952
...Joseph Prescott NOTES ON JOYCE’S ULYSSES*
By JOSEPH PRESCOTT
PAGES27-28 : “-This is the riddle, Stephen said :
“The cock crew
The sky was blue:
The bells in heaven
Were...
Image
in Population Thinking and Narrative Networks: Dickens, Joyce, and The Wire
> Modern Language Quarterly
Published: 01 September 2021
Figure 3. The “Nausicaa” episode of Ulysses , visualized as a social network. Characters are weighted by betweenness centrality.
More
Image
in Population Thinking and Narrative Networks: Dickens, Joyce, and The Wire
> Modern Language Quarterly
Published: 01 September 2021
Figure 2. Ulysses , episodes 1–4. A sample longest path (network diameter) runs along the four-sided nodes (beginning at H. B.-Price and ending at the constable). Dashed lines represent written communication; dotted lines represent past interactions; dash-dotted lines represent imagined
More
Journal Article
Modern Language Quarterly (2021) 82 (3): 315–343.
Published: 01 September 2021
...Figure 3. The “Nausicaa” episode of Ulysses , visualized as a social network. Characters are weighted by betweenness centrality. ...
FIGURES
| View All (4)
Journal Article
Modern Language Quarterly (1974) 35 (2): 140–156.
Published: 01 June 1974
... 26, admittedly a difficult item for
any translator. The Last Voyage of Ulysses is one of Dante’s most daz-
6 Dante’s Inferno (London, 1933): Dante’s Pttrgatorio (London, 1938): Dante’s Pamdiso
(London, 1943). All citations of Binyon in my text are from The Divine Comedy: Inferno...
Journal Article
Modern Language Quarterly (1987) 48 (4): 364–377.
Published: 01 December 1987
... JOYCE*
By ROBERTH. BELL
Most readers of Ulysses, even many of those who emphasize its
comedy, are extremely wary of Buck Mulligan.l Entering the novel
via A Portrait of the Artist as a Young Man, one naturally assumes
Stephen’s...
Journal Article
Modern Language Quarterly (1974) 35 (4): 418–420.
Published: 01 December 1974
... University Press, 1974. xi + 83 pp. $4.95.
David Thompson’s book argues, in brief, the thoroughgoing tracli tionality
of Dante’s fiction and his allegory in relation to classical epic, specifically by
relating Ulysses ancl Aeneas to the pilgrim of the Commedia. The case is pre-
sented...
Journal Article
Modern Language Quarterly (1989) 50 (3): 209–226.
Published: 01 September 1989
..., pp. 79-80). To Winifred Nowottny, the contrast is between “private imagi-
native value,” epitomized by Troilus, and unstable “opinion,” whose manipulator is Ulysses;
she declares that “the way of life that stands is the way of Troilus” (“Opinion and Truth in
Troilus and Cressida,” EC, 4...
Journal Article
Modern Language Quarterly (1957) 18 (4): 275–281.
Published: 01 December 1957
... of the character presented. Joyce used this technique
throughout his career: it is seen in Dubliners, where style and tone
attempt to match the atmosphere of Dublin life and the perceptive
powers of the characters; it is, of course, obvious in the Portrait;
its more consistent use in Ulysses...
Journal Article
Modern Language Quarterly (2016) 77 (3): 345–367.
Published: 01 September 2016
... fiction make up the rest. 11 For the SOC corpus, we identified thirty titles from which to extract passages evocative of SOC style. This included recognized or self-proclaimed SOC experiments; translations of canonical SOC works, such as To the Lighthouse and the two translations of Ulysses...
FIGURES
Journal Article
Modern Language Quarterly (1978) 39 (1): 82–85.
Published: 01 March 1978
..., but historically disparate genres-the dramatic monologue and the
prosopopoeia, or impersonationsuller seeks to a1 ter our generic preconcep-
tions about such poems as “Oenone,” “Tithonus,” “Ulysses,” and “Tiresias.”
A preliminary conception of a poem’s generic type determines in advance
what most...
Journal Article
Modern Language Quarterly (2000) 61 (3): 519–544.
Published: 01 September 2000
... to subvert them. Singling out Joyce (Ulysses and Finnegans
Wake) as an exception, White finds that others present “an exemplary
polyglossia” only to neutralize its conflicts by framing them in larger
narratives of “romantic pathos” or “enigma” (Malcolm Lowry’s Under...
Journal Article
Modern Language Quarterly (1961) 22 (3): 302–306.
Published: 01 September 1961
... that make up this questioning are light in tone.
The syllables snap with precision and clarity. There are no weighted
notes or anything in the way of musical prolongation. This corre-
sponds to an allegro.
Consider now another scene, this one between Hector and Ulysses :
ULYSSE.-Je crois que...