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Modern Language Quarterly (1954) 15 (3): 222–232.
Published: 01 September 1954
...Charles H. Vivian © 1954 University of Washington 1954 RADICAL JOURNALISM IN THE 1830’s THE TRUE SUN AND WEEKLY TRUE SUN By CHARLESH. VIVIAN On March 5, 1832, a young man on his first assignment as a Par- liamentary reporter arrived...
Modern Language Quarterly (2010) 71 (3): 229–269.
Published: 01 September 2010
...David Quint Milton tightly structures book 3 of Paradise Lost around analogies and distinctions between divine and solar light, the invisible heaven beheld by the poet's blind faith in the book's first half and the visible universe and sun visited by Satan in its second, vision down and up...
Modern Language Quarterly (2012) 73 (3): 415–432.
Published: 01 September 2012
...Yoon Sun Lee This essay examines how the concept of realism applies to minor literature by retrieving and expanding Georg Lukács’s understanding of realism as the deliberate negation of modernism. In Lukács’s view, realism distinctively expresses an aspiration to totality. Its most important device...
Modern Language Quarterly (2008) 69 (1): 13–27.
Published: 01 March 2008
...Sun Yifeng Translation has played a critical role in forming the modern Chinese literary canon and continues to stimulate its change and expansion. It is instrumental to the exchange and synthesis of foreign narrative modes and aesthetic paradigms. There are obvious political, cultural...
Modern Language Quarterly (1997) 58 (3): 299–321.
Published: 01 September 1997
... Underwood is visiting assistant professor of English at the University of Rochester. He is revising a book titled The Labor Done by the Sun: Theories of Wwk as Natural Force, I 780- I 84 0. Underwood I Science in Shelley’s Theory of Poetry 301 poetry (197). Thus Grabo concentrated chiefly...
Modern Language Quarterly (1962) 23 (4): 291–296.
Published: 01 December 1962
...,” 522) : A neast of nights, a gloomie sphere, Where shadowes thicken, and the Cloud Sits on the Suns brow all the yeare, And nothing moves without a shrowd. (“Death,” 399) 1 All references...
Modern Language Quarterly (1975) 36 (1): 21–53.
Published: 01 March 1975
... the simile of the cave in the Republic: Not only did the sun itself produce cave, and fire, and moving shapes, and the shadows, and their beholders, but in doing so it manifested a property of its own nature not less essential-and, as might well appear, even more excellent...
Modern Language Quarterly (1953) 14 (1): 60–81.
Published: 01 March 1953
... Leaves of Me.” (10) That the divine poet-prophet-lover is like the sun and like the world. “Thou Orb Aloft Full-Dazzling” ; “Earth, My Likeness.” (11) That the poet is the soul. “Encircling all, vast-darting up and wide, the American Soul, with equal hemispheres, one Love...
Modern Language Quarterly (1972) 33 (4): 355–369.
Published: 01 December 1972
... and setting of the sun, and with other astronomical movements.6 With the exception of the high-noon temptation of Eve, Satan hatches his plots at night, and Raphael, Michael, and the go6d angels appear with morning. When Satan lands on the sun and meets Uriel, the sun is ap- parently high...
Modern Language Quarterly (1952) 13 (2): 131–148.
Published: 01 June 1952
...Robert M. Browne Copyright © 1952 by Duke University Press 1952 ROBERT BURTON AND THE NEW COSMOLOGY By ROBERTM. BROWNE On some forty of the four hundred slightly elliptical circles it has described about the sun, Christ Church College carried...
Modern Language Quarterly (1947) 8 (4): 435–447.
Published: 01 December 1947
... The true Mysterious Depths of Blessedness. I am his Image, and his Friend, His Son, Bride, Glory, Temple, End (Love). VI. JOY IN THE SUN I was by Nature prone and apt to love All Light and Beauty, both in Heaven...
Modern Language Quarterly (1966) 27 (4): 371–387.
Published: 01 December 1966
... came, And with his bright and busie wing Scatt’ring that cloud, shewd me the flame M‘hich strait, like Morning-stars did sing, And shine, and point me to a place, Which all the year sees the Suns face...
Modern Language Quarterly (1983) 44 (2): 115–135.
Published: 01 June 1983
... Edition, XV, 154-55). MARGARET STORCH 123 desire has been repressed behind a particularly cold and fearful im- age. Another dominant motif in Blake’s art is that of imprisoning cir- cular forms which can be suns, or womblike globes of blood...
Modern Language Quarterly (1960) 21 (2): 122–130.
Published: 01 June 1960
... imagery centers on fire, sun, and dawn. The numerous references to fire appear in archetypal symbolization of eroticism and creativity. In the song of the Hembra, for instance, fire participates in the impregnation of the water maiden : 1 Federico Garcia Lorca, Yerma, en Obras Coinplrtas...
Modern Language Quarterly (1957) 18 (1): 9–26.
Published: 01 March 1957
...-game-sun-wing imagery ; next, how the husband’s disillusionment is expressed in terms of murder- knife-wound-blood imagery, and his sensualism in terms of snare- bat-cage-pit-beast imagery ; third, how he sees his wife in consequence in terms of snake-venom-poison imagery ; fourth, how...
Modern Language Quarterly (1942) 3 (1): 45–50.
Published: 01 March 1942
... concludes forlornly : Thus nature gets credit which should in truth be reserved for ourselves; the rose for its scent: the nightingale for his song: and the sun for his radiance. The poets are entirely mistaken. They should address their lyrics to themselves, and should turn them...
Modern Language Quarterly (1948) 9 (4): 394–411.
Published: 01 December 1948
... the same kind of craftsmanship in the following specimen from the latter work : To Amoret gone from him. Fancy, and I, last Evening walkt, And, Amoret, of thee we talkt ; The West just then had stolne the Sun, And his last...
Modern Language Quarterly (1968) 29 (2): 168–182.
Published: 01 June 1968
... and falling of the sun. This pattern-rising at dawn, taking refuge from the heat of the sun at noon, and retiring in the evening- owes little to the epic antecedents of Paradise Lost or to the various models that shaped Milton’s conception of Paradise, but descriptions of the three primary times...
Modern Language Quarterly (1973) 34 (3): 292–311.
Published: 01 September 1973
... suggestive of a liturgy, and the “PrClude” opens as the nurse contemplates a golden disk and makes a “ghuflexion comme ri l’eblouissant / Nimbe lg-bas trits glorieux” (p. 55). The Mass, which by tradition is to be celebrated facing the rising sun, begins with a similar genuflection...
Modern Language Quarterly (1996) 57 (1): 77–105.
Published: 01 March 1996
... and challenge to the tradition. In part 3 of the collection, Lowell’s “antics” allow him to play the woman’s part as he emerges Daphne in the Petrarchan complex, articulates the female aubade, abandons the Petrarchan sun, and appends the female moon as his symbol.5 In turn, Lowell’s women play...