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Journal Article
Vauxhall Gardens
Available to Purchase
Modern Language Quarterly (1943) 4 (2): 247–248.
Published: 01 June 1943
...Karl Pfeiffer James Granville Southworth. New York: Columbia University Press, 1941. Pp. ix + 199. $2.75 © 1943 University of Washington 1943 James G. McManaway 247
of Edmond and Rebecca Davenport, whose christening is recorded
in this parish...
Journal Article
The Poetry of Thomas Hardy
Available to Purchase
Modern Language Quarterly (1949) 10 (1): 121–123.
Published: 01 March 1949
...Carl J. Weber James Granville Southworth. New York: Columbia University Press, 1947. Pp. xii + 250. $3.00. Copyright © 1949 by Duke University Press 1949 Edward E. Bostetter 121
The essays on Landor’s prose and Whitman first appeared as intro...
Journal Article
The Jacobean and Caroline Stage: Dramatic Companies and Players
Available to Purchase
Modern Language Quarterly (1943) 4 (2): 245–247.
Published: 01 June 1943
... most famous amusement
resort. In an account of the gardens themselves during these years,
of the types of people who frequented them, and of the entertain-
ment given therein Mr. Southworth finds changes which, he thinks,
reflect many of those taking place in the literature of the time...
Journal Article
Frederick Henry Hedge: A Cosmopolitan Scholar
Available to Purchase
Modern Language Quarterly (1940) 1 (1): 120–121.
Published: 01 March 1940
...Curtis C. D. Vail O. W. Long. Portland, Me.: The Southworth-Anthoesen Press, 1940. Pp. 53. Copyright © 1940 by Duke University Press 1940 120 Reviews
works of other authors (Cf. Anselm Schlosser, Die englische Lit-
eratur in Deutschland von 1895 bis 1934...
Journal Article
Who’s Afraid of Italo Svevo? Routes of European Modernism between Trieste and Virginia Woolf’s London
Available to Purchase
Modern Language Quarterly (2024) 85 (1): 29–52.
Published: 01 March 2024
.... 17 On Hogarth Press and international modernism, see Young 2010b . On Hogarth and networks of modernism, see Southworth 2010 . On how magazines created networks of modernism, see Bulson 2017 . 18 Emma Bond ( 2012 : 37) summarizes the significance of illness in Svevo. For another...
Journal Article
Mark Twain in Germany
Available to Purchase
Modern Language Quarterly (1940) 1 (1): 119–120.
Published: 01 March 1940
... of California in Berkeley
Frederick Henry Hedge: A Cosmopolitan Scholar. By 0. W. LONG.
Portland, Me. : The Southworth-Anthoesen Press, 1940.
Pp. 53.
Professor Long has added a brilliant chapter to our already
existing knowledge of Anglo-German literary relations. Frederick
Henry...
Journal Article
Wordsworthian and Other Studies
Available to Purchase
Modern Language Quarterly (1949) 10 (1): 120–121.
Published: 01 March 1949
... Southworth has nothing to
say about irony or “genuine pathos.” It is largely a negative report
based on a prolonged study of Hardy’s poems which has brought the
author to the conclusion that “Hardy does not take his place among ...
Journal Article
Books Received
Available to Purchase
Modern Language Quarterly (1947) 8 (3): 388–390.
Published: 01 September 1947
.... The Language of Tragedy. Xcw York : Columbia University
Press, 1947. Pp. viii + 411. $5.00.
Ralph, Philip Lee. Sir Humphrey Mildmay, Royalist Gciitlcman : Glimpses of
the English Scene, 1633-1652. New Brunswick : Rutgers University Press,
1947. Pp. x 4- 245. $4.50.
Southworth, James...
Journal Article
Books Received
Available to Purchase
Modern Language Quarterly (1942) 3 (1): 165–168.
Published: 01 March 1942
... of a
Detail in Poetic Design. Princeton University Press, 1941.
Pp. 252. $3.50.
Southworth, James Granville. Vauxhall Gardens. A Chapter in
the Social History of England. New York: Columbia Univer-
sity Press, 1941. Pp. ix + 199. $2.75.
Summers, Montague. The Gothic Quest. A History...
Journal Article
Hawthorne's Tactile Gaze the Phenomenon of Depth ∗
Available to Purchase
Modern Language Quarterly (1983) 44 (3): 267–284.
Published: 01 September 1983
...” (Rudisill, p. 85). Even the sophisti-
cated aesthetic of a daguerreotypist such as Albert Southworth be-
trays this desire to fix the object in its inflexible truth, though it ap-
pears deceptively attractive at first sight. In the attempt to capture
the essence of his “subject,” the daguerreotypist...