Search Results for sin
1-20 of 865 Search Results for
Modern Language Quarterly (1 December 1986) 47 (4): 347–365.
Published: 01 December 1986
...Sara van den Berg Copyright © 1986 by Duke University Press 1986 EVE, SIN, AND WITCHCRAFT IN PARADISE LOST SARA VAN DEN BERG During the European witch panics of the sixteenth and seven- teenth centuries...
Modern Language Quarterly (1 June 2015) 76 (2): 201–224.
Published: 01 June 2015
...Mark Miller Abstract The inevitable emerges in this issue as a name for the troubled intersection of agency and structural necessity. The most prominent medieval name for that intersection is sin. Far from grounding the medieval subject in a set of theological norms that give it stable coordinates...
Modern Language Quarterly (1 March 1952) 13 (1): 105–106.
Published: 01 March 1952
.... WILLIAMR. PARKER New York University 77re Sin of Wit: Jonathan Swift as n Poet. By MAURICEJOHNSON. Syracuse: Syracuse University Press, 1950. Pp. 145. $2.50. Perhaps no comparable body of literature has been as consistently neglected as the poems of Jonathan Swift. Despite the...
Modern Language Quarterly (1 December 1952) 13 (4): 405–408.
Published: 01 December 1952
...Hilario S. Sáenz Copyright © 1952 by Duke University Press 1952 NOTAS A LA GLOSA “VIVO SIN VIVIR EN Mf” DE SANTA TERESA Y DE SAN JUAN DE LA CRUZ Por HILARIOS. SAENZ Hasta cuarenta y tres poesias se le han atribuido a Santa Teresa de Jesk, per0...
Modern Language Quarterly (1 December 1963) 24 (4): 354–364.
Published: 01 December 1963
...Robert C. Fox Copyright © 1963 by Duke University Press 1963 THE ALLEGORY OF SIN AND DEATH IN PARADISE LOST By ROBERTC. Fox The allegory of Sin and Death in Paradise Lost has elicited com- paratively little critical discussion. Is it...
Modern Language Quarterly (1 March 1966) 27 (1): 33–40.
Published: 01 March 1966
...Virginia R. Mollenkott Copyright © 1966 by Duke University Press 1966 THE CYCLE OF SINS IN PARADISE LOST‘, BOOK XI By VIRGINIAR. MOLLENKOTT In Milton’s Epic Voice, Anne D. Ferry points out that Paradise Lost is built in a pattern of repeated circles...
Modern Language Quarterly (1 September 2017) 78 (3): 321–348.
Published: 01 September 2017
... operations, controlled and repeatable experiments, and measurement-based, post-Baconian science. Milton’s Eve sins as the world’s first experimentalist and in effect breaks the World-Soul’s cosmic heart: even as Spenser’s Agape had previously re-created it allegorically, Neoplatonically, and metaphysically...
Modern Language Quarterly (1 September 1975) 36 (3): 261–271.
Published: 01 September 1975
Modern Language Quarterly (1 March 1950) 11 (1): 123.
Published: 01 March 1950
... decir de un poema lo que en el mismo haya de teoria; nos quedamos con su secreto inco- municable, secreto lirico bajo siete Ilaves, con lo no delatable, que es la poesia. Poesia secreta decimos de esta de ‘C6ntico’; y, en seguida, poesia pura. Pura, sin relato, sin lo que Ortega llama ‘la...
Modern Language Quarterly (1 June 1953) 14 (2): 139–148.
Published: 01 June 1953
... seventeenth century has still to be written.l Yet original sin was one of the favorite topics of the century, puddling the stream of many forgotten sermons and tracts, as well as providing the matter for Paradise Lost. It is noteworthy that during the years when John Milton and Jeremy Taylor...
Modern Language Quarterly (1 September 1959) 20 (3): 211–227.
Published: 01 September 1959
... altercation in the schools and among the “clerkis,” though perhaps not a hundred thousand of them as is the case with God’s forwooting. Patch holds that Chaucer hated the Pardoner,s whereas Kellogg has the poet hating the sin but not the sinner: Like St Augustine, Chaucer saw no man who was...
Modern Language Quarterly (1 September 1972) 33 (3): 240–256.
Published: 01 September 1972
... 24 1 There he encounters Venus and her consort, Cupid. The goddess gives him a rather cold reception when he asks her help, and turns him over to Genius, her “oghne Clerk” (1.196 who promptly materializes, so that he can be confessed of his sins against love. She and Cupid vanish, and for...
Modern Language Quarterly (1 December 1967) 28 (4): 489–490.
Published: 01 December 1967
... lacks of balance, a fault which consists of subordinating what the mystics say to an external, arbitrary thesis. (P. 13) But emphasizing how Hilton adapts the treatment of the sins from the rcligious-handbook tradition to The Scale is the third and most important...
Modern Language Quarterly (1 December 1957) 18 (4): 282–294.
Published: 01 December 1957
... almost all of his characters. . . .”2 More recently, students of Hawthorne’s work have attributed sin and the resulting isolation to the inability of humanity to achieve a balance in its dualistic nature. Several commentators have elaborated upon F. 0. Matthiessen’s suggestions that to...
Modern Language Quarterly (1 December 1962) 23 (4): 291–296.
Published: 01 December 1962
... Pilgrimage,” 465).l His heavenly home is a place of light, for light is the basic attribute of divinity. Thus in “The Pilgrimage,” as in other poems, the world is like night in comparison to the heavenly day. Man’s eye (the traditional window of the soul) is darkened by the sins of the flesh after...
Modern Language Quarterly (1 September 1965) 26 (3): 369–374.
Published: 01 September 1965
..., for which numerous later citations could be made. 41 find no extended discussion of the scorpion as a symbol. Morton W. Bloomfield, The Seven Deadly Sins: An Introduction to the Histov of a Religious Concept (East Lansing, Mich., 1952), includes the scorpion among the symbols...
Modern Language Quarterly (1 March 1949) 10 (1): 58–60.
Published: 01 March 1949
... that the guilt of mortal sin unforgiven sends a sinner to hell irrevocably and eternally. But it is forgiven by God instantly when the sinner, having repented and con- fessed the sin, is absolved by the confessor. The temporal penalty remains-a debt to God payable by the sinner either by...
Modern Language Quarterly (1 September 1957) 18 (3): 266–267.
Published: 01 September 1957
... spiritual dilemma of a whole generation “sin pies y sin alas, sin Sancho y sin Dios.” KURTL. LEVY University of Toronto Magic in the Web: Actim and Language in “Othello.” By ROBERTB. HEILMAN. Lexington: University of Kentucky...
Modern Language Quarterly (1 September 1957) 18 (3): 267–268.
Published: 01 September 1957
....” His poetry now is vibrantly of his time, reflecting the intellectual and spiritual dilemma of a whole generation “sin pies y sin alas, sin Sancho y sin Dios.” KURTL. LEVY University of Toronto Magic in the Web: Actim and...
Modern Language Quarterly (1 December 1967) 28 (4): 490–491.
Published: 01 December 1967
... the more accurate, since he does not maintain that pride, wrath, and envy are treated basically as physical sins in The Scale, most interesting is the cause of Noetinger’s view. (p. 160) And on page 145 (lines 12-16) there is an incomprehensible sentence which I suppose must be...