...Patrick Brantlinger Copyright © 1972 by Duke University Press 1972 TO SEE NEW WORLDS CURIOSITY IN PARADISE LOST By PATRICKBRANTLINGER When Michael and Adam ascend the highest hill in Paradise to gaze into the...

...Edgar Schell Copyright © 1976 by Duke University Press 1976 SEEING THROUGH A GLASS DARKLY THE ACTION IMITATED BY THE SECUNDA PASTORUM By EDGARSCHELL It has been a long time since a...

...Kathleen Blake Luftig Victor. Stanford, Calif.: Stanford University Press, 1993. viii + 308 pp. $35.00. Copyright © 1995 by Duke University Press 1995 106 MLQI March 1995 Seeing Together:Friendship between the Sexes in English...

...Susan M. Griffin Copyright © 1984 by Duke University Press 1984 SEEING DOUBLES REFLECTIONS OF THE SELF IN JAMES’S SENSE OF THE PAST By SUSANM. GKIFFIN The Sense ofthe Past has traditionally...

...R. H. Super Copyright © 1966 by Duke University Press 1966 1 David J. DeLaura. “Matthew Arnold and John Henry Newman: The Oxford Sentiment and the Religion of the Future.” Texas Studies in Literature and Language , VI, Supplement (1965), 571–702. SEEING HOW THE...

...Jonathan Ramsey Copyright © 1975 by Duke University Press 1975 SEEING AND PERCEIVING IN WORDSWORTH’S AN EVENING WALK By .JONATHAN RAMSEY \.Ye commonly look upon Wordsworth’s earliest poetry as the rriiscli- rected...

... 287 Others0 properly see in Crusoe’s companion an ideal or noble sav- age; and here we have a more substantial clue. Defoe’s engaging noble savage was, of course, no novelty, as readers of Montaigne and of Renaissance travelers know ; but the type had become newly famous, not to say...

... twenty-two legs” at a con- ference arranged by the historical commission of the Social Democratic Party; it was related in the Frankfurter Allgemeine Zeitung, 6 March 1985. 2 See Hinrich C. Seeba, “Fabelhafte Einheit: Von deutschen Mythen und nationaler Identität,” in Zwischen Traum und Trauma...

... bankruptcy of the category of minor literature when one thinks about world literature. Several examples from lusophone writers and others point to the need to rethink the national categorization of literature. Instead of seeing some literatures as minor, Medeiros proposes seeing them as “eccentric...

... cognition to reverse the polarity; he did not see the collector revivifying the dead form of the ballad so much as ballads and songs themselves galvanizing the members of a nation. Joseph Ritson, an antiquarian dedicated to the most rigorous standards of authentication, also published “garlands...

... substantiate the claims for a close connection. The miscontextualization of Fielding illustrates a common methodological problem: presuming a context that is only one among many possibilities. We need to see Fielding as he was—a brilliant, experimental Grub Street writer who evolved independently of his...

... a mediating relay between world literature and world-systems but to see if a third analysis, focusing on the ontology of composed works, can bring “world” differently into the picture. The essay also investigates whether such a theory makes any difference to our understanding of world literature or...

... explore their formation in this way may discover new ways of seeing the affiliations between subjected parts of the world. In this light, derangement also assumes a productive force: it makes available new perspectives derived from shared but diverse expressions of peripheral historicity. The fundamental...

... himself contributed as a producer of rural tales for metropolitan markets. Fiction reading and the tourism it complements and engenders both have material consequences, as the novel acknowledges. Reader-tourists see themselves in Grace Melbury, in particular, and recognize in her story a struggle toward a...

... and Luna” as a poem about reading other poems about Pan, among them “A Musical Instrument,” by Elizabeth Barrett Browning. In the composition and reception of her poem, we see how Victorian poetry foregrounds its multiple mediations, including the mediation of voice by meter as a musical instrument...

... ceremonies. The omission of Racine’s tragic corpus is a gaping hole in Louis Marin’s discussion of the seventeenth-century theory of representation. Marin sees a perfect correlation between Pierre Corneille’s theater and the theatricality of power, conceived of as a force constructed through a dialectic...

...Robert D. Hume Abstract Verdicts concerning a work’s worth, “good,” “bad,” or “great,” vary wildly at any point and change radically over time. Much depends on what didactic or aesthetic rules are imposed and what modes of reading hold sway. Many critics see the purpose of literature as didactic...

...Peter Murphy Abstract In the late 1790s Wordsworth and Coleridge conduct a common storytelling experiment: to see if stories can tell their own meaning, without explanations or morals attached. The resulting stories are, fundamentally, rewrites of the stories of sentimental encounter so common in...

..., possible to produce an illuminating map of the field through statistical analysis of midsize, handmade data sets. On such a map one sees a striking shift in the typical temporal setting of the novel, a shift that corresponds to major rearrangements of the relation of literary commerce to literary prestige...