...Patrick Brantlinger Copyright © 1972 by Duke University Press 1972 TO SEE NEW WORLDS CURIOSITY IN PARADISE LOST By PATRICKBRANTLINGER When Michael and Adam ascend the highest hill in Paradise to gaze...

...Susan M. Griffin Copyright © 1984 by Duke University Press 1984 SEEING DOUBLES REFLECTIONS OF THE SELF IN JAMES’S SENSE OF THE PAST By SUSANM. GKIFFIN The Sense ofthe Past has traditionally...

...Kathleen Blake Luftig Victor. Stanford, Calif.: Stanford University Press, 1993. viii + 308 pp. $35.00. Copyright © 1995 by Duke University Press 1995 106 MLQI March 1995 Seeing Together:Friendship between the Sexes in English...

...Jonathan Ramsey Copyright © 1975 by Duke University Press 1975 SEEING AND PERCEIVING IN WORDSWORTH’S AN EVENING WALK By .JONATHAN RAMSEY \.Ye commonly look upon Wordsworth’s earliest poetry as the rriiscli- rected...

...Edgar Schell Copyright © 1976 by Duke University Press 1976 SEEING THROUGH A GLASS DARKLY THE ACTION IMITATED BY THE SECUNDA PASTORUM By EDGARSCHELL It has been a long time since...

...R. H. Super Copyright © 1966 by Duke University Press 1966 1 David J. DeLaura. “Matthew Arnold and John Henry Newman: The Oxford Sentiment and the Religion of the Future.” Texas Studies in Literature and Language , VI, Supplement (1965), 571–702. SEEING HOW...

... of the Social Democratic Party; it was related in the Frankfurter Allgemeine Zeitung, 6 March 1985. 2 See Hinrich C. Seeba, Fabelhafte Einheit: Von deutschen Mythen und nationaler Identität, in Zwischen Traum und Trauma: Die Nation: Transatlantische Perspektiven zur Geschichte eines Problems, ed. Claudia...

... 287 Others0 properly see in Crusoe’s companion an ideal or noble sav- age; and here we have a more substantial clue. Defoe’s engaging noble savage was, of course, no novelty, as readers of Montaigne and of Renaissance travelers know ; but the type had become newly famous, not to say...

... the bankruptcy of the category of minor literature when one thinks about world literature. Several examples from lusophone writers and others point to the need to rethink the national categorization of literature. Instead of seeing some literatures as minor, Medeiros proposes seeing them as “eccentric...

... explore their formation in this way may discover new ways of seeing the affiliations between subjected parts of the world. In this light, derangement also assumes a productive force: it makes available new perspectives derived from shared but diverse expressions of peripheral historicity. The fundamental...

... contributed as a producer of rural tales for metropolitan markets. Fiction reading and the tourism it complements and engenders both have material consequences, as the novel acknowledges. Reader-tourists see themselves in Grace Melbury, in particular, and recognize in her story a struggle toward a new kind...

...Leigh Dale Nobody wants an embarrassing ancestor. What to do, then, with the Victorians in writing the history of the teaching of English in universities? Many have solved this problem by mounting arguments that propel the reader swiftly past the second half of the century—“nothing to see here...

... disciplines, it is incumbent on English studies now to see that these practices flourish in the field of media studies that seems likely to succeed it during the century ahead. Herbert F. Tucker is John C. Coleman Professor of English Language and Literature at the University of Virginia, where he...

... that periodizing scholarship has been reading his poetry. Readers can approach Milton’s works as he approached his earlier sources: to see what they might offer our understanding of events in our contexts, that is, anachronistically. Reading anachronistically is, after all, one of the principal advantages...

... and remember more often the eighteenth-century narrative experiments that unfolded when liberalism was still new. Eliza Haywood’s novel of amorous (and sapphic) intrigue The British Recluse (1722) suggests one reason to do that remembering. To see how Haywood uses the figure of the contract—very differently...

.... The essay’s conclusion compares Herbert’s poem with another strange praise poem, Paul Celan’s “Psalm.” The essay claims that if Cavell sees praise as signaling a triumph over doubt, “The Flower” shows, as only verse can, how praise and doubt accompany each other, using doubt to keep praise at a distance from...

... and cognition to reverse the polarity; he did not see the collector revivifying the dead form of the ballad so much as ballads and songs themselves galvanizing the members of a nation. Joseph Ritson, an antiquarian dedicated to the most rigorous standards of authentication, also published “garlands...

... not substantiate the claims for a close connection. The miscontextualization of Fielding illustrates a common methodological problem: presuming a context that is only one among many possibilities. We need to see Fielding as he was—a brilliant, experimental Grub Street writer who evolved independently of his...

... a mediating relay between world literature and world-systems but to see if a third analysis, focusing on the ontology of composed works, can bring “world” differently into the picture. The essay also investigates whether such a theory makes any difference to our understanding of world literature...