...Edward Harvey Copyright © 1949 by Duke University Press 1949 NOTE ON JULES RENARD AND MARCEL SCHWOB By EDWARDHARVEY In reading Jules Renard’s novels one cannot fail to notice the pre- dominance of dialogue. Not only are narrative passages reduced...

...John. A. Green Copyright © 1968 by Duke University Press 1968 MARCEL SCHWOB AND PAUL LEAUTAUD, 1903-1905 By JOHN A. GREEN Marcel Schwob was one of those who encouraged Paul Ltautaud at the beginning of the younger man’s career. Five hitherto...

... name but a few. Some of his reading was done in English-more, however, in French translations. He mentions, for example, having read Schwob’s trans- lation of Moll Flanders (letter to Mlle Madeleine Rolland, Oct. 15, 1916), and he read Bernard Shaw in the translation by Augustin and...

...: Mouton, Approaches to Semiotics, No. 3, 1969. 100 pp. 28 guilders. Trembley, George. Marcel Schwob: Faussaire de la nature. Genbe: Droz, Histoire des Idees et Critique Litteraire, Vol. 101, 1969. 133 pp. Whitfield, J. H. Discourses on Machiavelli. Cambridge: W. Heffer 8c Sons, 1969...

... explore further M. Schwob’s remark that these expressions were “une plaisanterie courante au XVI“ ~iPcle In effect, throughout the sixteenth century there were numerous versions of the so-called versified souhuit.l* Characteristic of the form is a succession of social types, each of whom...

... France by Red troops that of La Cavalikre Elsa. The novelist, inspired by Marcel Schwob’s imaginary pirates and inhuman adventurers, creates revolutionary heroes often described in caricatures. He thus mitigates the horrors of their inhuman cruelty. These unscrupulous chiefs profit by...

... imaginary biographies or the apocryphal texts of the writers of the twentieth century (Marcel Schwob, Jorge Luis Borges, Max Aub), Cer- vantes mobilized all the signs of authentication (references to actual documents, archival records, learned controversies, the book itself and its apocryphal...

... past. At any rate, the myth entered its critical period toward 1900. Sarah Bernhardt, in Schwob’s very accurate translation, written in sixteenth-century French, had made Hamlet a very resolute man, intent on killing his enemies, and had been criticized for destroying the myth of the melan...

... plaisante n’est pas primordiale, elle n’est que la consequence de 1’Ctat d’hesitation qui s’ktablit dans l’esprit: “puisqu’il n’y a pas de lien idkologique qui nous retienne, jouons !” Marcel Schwob a dicou- vert naguitre la “dbrivation synonymique,” qui, grice a une technique de l’allusion...