Search Results for schwob

...Edward Harvey Copyright © 1949 by Duke University Press 1949 NOTE ON JULES RENARD AND MARCEL SCHWOB By EDWARDHARVEY In reading Jules Renard’s novels one cannot fail to notice the pre- dominance of dialogue. Not only are narrative passages reduced...

...John. A. Green Copyright © 1968 by Duke University Press 1968 MARCEL SCHWOB AND PAUL LEAUTAUD, 1903-1905 By JOHN A. GREEN Marcel Schwob was one of those who encouraged Paul Ltautaud at the beginning of the younger man’s career. Five hitherto...

.... Some of his reading was done in English-more, however, in French translations. He mentions, for example, having read Schwob’s trans- lation of Moll Flanders (letter to Mlle Madeleine Rolland, Oct. 15, 1916), and he read Bernard Shaw in the translation by Augustin and Henriette Hamon...

... that of La Cavalikre Elsa. The novelist, inspired by Marcel Schwob’s imaginary pirates and inhuman adventurers, creates revolutionary heroes often described in caricatures. He thus mitigates the horrors of their inhuman cruelty. These unscrupulous chiefs profit by the unrest of their era...

... are an essential device for the resolution of the wager; Rabelais uses them merely as a tran- sition to postprandial conversation. Although the number, order, and categories of the souhaits suggest a direct borrowing, it is enlightening to explore further M. Schwob’s remark that these expressions were...

...: Mouton, Approaches to Semiotics, No. 3, 1969. 100 pp. 28 guilders. Trembley, George. Marcel Schwob: Faussaire de la nature. Genbe: Droz, Histoire des Idees et Critique Litteraire, Vol. 101, 1969. 133 pp. Whitfield, J. H. Discourses on Machiavelli. Cambridge: W. Heffer 8c Sons, 1969...

... of the twentieth century (Marcel Schwob, Jorge Luis Borges, Max Aub), Cer- vantes mobilized all the signs of authentication (references to actual documents, archival records, learned controversies, the book itself and its apocryphal continuation) for accrediting as historical what the reader enjoys...

..., the somber elegance of the gentle prince, the charm of his melancholy became things of the past. At any rate, the myth entered its critical period toward 1900. Sarah Bernhardt, in Schwob’s very accurate translation, written in sixteenth-century French, had made Hamlet a very resolute man, intent...

... d’hesitation qui s’ktablit dans l’esprit: “puisqu’il n’y a pas de lien idkologique qui nous retienne, jouons !” Marcel Schwob a dicou- vert naguitre la “dbrivation synonymique,” qui, grice a une technique de l’allusion spirituelle, prkvaut dans l’argot (exemple typique : maquereau 1. “poisson...