...William F. Scherer Copyright © 1971 by Duke University Press 1971 TEMPORAL AND ETERNAL REALITIES IN GERMAN BAROQUE HOMILETICS By WILLIAMF. SCHERER Recent scholars...

...JUDITH SCHERER HERZ Copyright © 1978 by Duke University Press 1978 MILTON AND MARVELL THE POET AS FIT READER By JUDITH SCHERERHERZ That two of the strongest, most original, and most interesting poets...

... initiators of certain conceptions and who may be especially vulnerahle interpreters: Scherer, R. M. Meyer, Gundolf, Kurt Hildebrandt, and Nadler. To point to something positive, he lauds Thomas Mann’s interpretation of Goethe in the Goethe Year 1949. Wilhelm Scherer, who established literary...

... has accumulated around the Goethe image. In such a small monograph as this, it is impossible to point out the errors of all the years, so Rilla selects five men whom he considers initiators of certain conceptions and who may be especially vulnerahle interpreters: Scherer, R. M. Meyer...

... lecture of the new Schroder Professor of German in the Uni- versity of Cambridge surveys German contributions to the methodology of literary scholarship from the initial reactions against Scherer’s “positivism” to the most recent publications bya Staiger, Burger, Auerbach, Curtius, Bockmann...

...,Denkmtiler deutscher Poesie und Prosa aus dem VIII- XZZ Jahrhundert, hrsg. v. K. Miillenhoff und W. Scherer (Dritte Ausg. von E. Steinmeyer, Berlin, 1892), XXXI, 28, 11 (hiernach als Dkm. angefuhrt) ; Das Rolandslied, hrsg. v. K. Bartsch (Leipzig, 1874), 2, 2.26; 26, 28; 288, 25; 145. Die Apostel...

... Fischer, Scherer, Erich Schmidt, etc.) who defended the great drama, and especially H. Grimm, who became the authoritative voice in the Fawt eulogy of the second half of the last century. But in this connection Professor Bohm refers to Jean Paul’s statement that Fuwt was written against...

... to the reprint of the review in the “Jubilaunis-Ausgabe,” also quotes G. W. Petersen’s letter to which Morris refers, and he asks if Johann Georg Schlosser could not have been meant, thus excluding entirely the possibility of Goethe’s author- shipVQWilhelm Scherer, agreeing with Bernhard Seuffert...

... (in the second part) and to Gervinus’, Fr. Th. Vischer’s, and Vilmar’s rejection of Faust I1 stands a group of eminent scholars (Duntzer, Kuno Fischer, Scherer, Erich Schmidt, etc.) who defended the great drama, and especially H. Grimm, who became the authoritative voice in the Fawt eulogy...

... is Barish 1981 . 13 Scherer’s edition adds guillemets to the rehearsed passages to leave nothing to chance. 14 For a complementary reading of martyr drama, see Merlin-Kajman 2000 : 143–72. 15 Two earlier studies of Jesuit drama also repay attention, Valentin 1978 and Fumaroli...

... a papery or pompous and inflated prose. Their love for long-winded phrases, compounds, insertions and preciosities of one kind or another obscure the style of such well-known writers as Erich Schmidt or W. Scherer. A predilection for chopped-up sen- tences and split verbs (falZt . . . auf, wirft...

... to be done, although much that is new has come to light in recent years and has by now become a part of the materia out of which examination questions are asked and an- swered. One need only compare Wilhelm Scherer’s treatment in his Geschichte der deutschen Literatur (Berlin, 1883) of “Acker...

... revolving functions like meanwhile , which Judith Scherer Herz ( 2012 : 86) describes as “the perfect temporal marker for a text whose uncertainties are in part a function of its endlessly recursive structure.” 2 Much revolving is a more physical term. However, Paradise Lost and Paradise Regained...

... with Gervinus, Wilhelm Scherer* character- izes the poem as “ein langes wustes Epos.” Hermann SchneiderD says: “Die Krone bedeutet nicht . . . einen Gipfel, sondern bereits einen Tiefpunkt hofischer Dichtung, ein Symptom formaler und in- haltlicher Verrohung.” Gustav EhrismannlO calls the author...

... as a Criticism of Civilization”; Jacques Scherer, “DualitCs d’- Amphitryon”; W. H. Barber, “Voltaire and Moliere”; Annie Barnes, “Pkguy et Moliere”; Sylvie Chevalley, “L’lmpromptu de Versailles, 1663-197 1”; Richard Fargher, “Pascal, Moliere, and after”; W. D. Howarth, “Anouilh and Molih...

... Reichenkron, “Textkritisches zum Wilhelmslied”; Wolfgang Winter, “Zur Methode einer bedeutungsgeschichtlichen Untersuchung”; Rolf Kaiser, “Eine englische Ausspracheliste des spaten XVII. Jahrhunderts”; Gunter Scherer, “Das Shaw Alphabet und das Initial Teaching Alphabet: Zu neuren...

... the article by Wilhelm Scherer in the old Allgemeine deutsche Biographie, 56 vols. (Leipzig: Duncker und Humblot, 1875–1912), 9:678– 88; Horst Brunner, “Jacob Grimm (1785–1863 in Wissenschaftsgeschichte der Ger- manistik in Porträts, ed. Christoph König, Hans-Harald Müller, and Werner Röcke (Berlin: de...

.... Rev. by J. H. S. in Neophil., XXVI (1941), 317. 2 150a. , Die Euferniavisor. 1939. See Ernst Frandsen, 2778. 2151. Scharschuh, Heinz. Gottfried von Strassburg. 1938. Rev. by J. H. S. in Neophil., XXVI (1941), 317. 2685. Scherer, Margaret R. About the Round Table. 1945...

... of California Press, 1988. xiii + 372 pp. $42.00. Harland, Catherine R. Mark Rutherford: The Mind and Art of William Hale White. Columbus: Ohio State University Press, 1988. x + 320 pp. $22.50. Herz, Judith Scherer. The Short Narratives of E. M. Forster. New York: St. Martin’s Press, 1988. ix...

... ihii aber ebenfalls, indem er auf seine spateren Schriften uberhaupt nicht eingeht, zu sehr an die Popularaufklarung heran. Scherer erwahnt Lavater und Jacobi mit wenigen Worten, Schlosser uberhaupt nicht. Und solche Einstellung wird von nun an charakteristisch. Sie gilt auch noch fur...