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rukeyser

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Journal Article
Modern Language Quarterly (2019) 80 (2): 195–219.
Published: 01 June 2019
... the pressure of anticommunism. The 1940s work of Muriel Rukeyser, turning away from an earlier documentary poetics, exemplifies her generation’s concern with the continuity between the Popular Front and World War II rather than a retreat from New Deal reform to patriotic consensus. During this understudied...
Journal Article
Modern Language Quarterly (1999) 60 (1): 59–83.
Published: 01 March 1999
...Michael Thurston Copyright © 1999 by Duke University Press 1999 Documentary Modernism as Popular Front Poetics: Muriel Rukeyser’s “Book of the Dead” Michael Thurston In the standard history of modern American poetry, 1929 does not stand out. Ernest Hemingway published...
Journal Article
Modern Language Quarterly (1954) 15 (1): 3–17.
Published: 01 March 1954
... values and collective myths which he does little to recreate. Even when he attempts to rejuvenate conservatism, as does Peter Viereck, he does so with passionate Romanticism. Muriel Rukeyser, Winfield Townley Scott, and most of the poets represented in John Ciardi’s Mid-Century American...
Journal Article
Modern Language Quarterly (2019) 80 (4): 427–452.
Published: 01 December 2019
... Enzensberger and Ingeborg Bachmann; Cuban poets of multiple generations, from Nicolás Guillén to Heberto Padilla and Nancy Morejón; and writers on diverse sides of the US poetry landscape, including Allen Ginsberg and Elizabeth Bishop, Muriel Rukeyser and Langston Hughes. In the context of this circuit’s...
Journal Article
Modern Language Quarterly (2002) 63 (2): 251–254.
Published: 01 June 2002
... contribution is in method, not substance. He brings an “in-depth, contextualized analysis” (9) to the work of five writers he considers emblematic of the 1930s literary Left: the prose and fiction writers Meridel Le Sueur, Josephine Herbst, and Richard Wright and the poets Muriel Rukeyser and Langston Hughes...
Journal Article
Modern Language Quarterly (2002) 63 (2): 254–258.
Published: 01 June 2002
... and fiction writers Meridel Le Sueur, Josephine Herbst, and Richard Wright and the poets Muriel Rukeyser and Langston Hughes. Fundamentally, Shulman seeks to demonstrate how carefully apprehending the formal features of their work—structure, language, metaphor, symbolism—puts 1930s Left writers...
Journal Article
Modern Language Quarterly (2002) 63 (2): 258–263.
Published: 01 June 2002
... contribution is in method, not substance. He brings an “in-depth, contextualized analysis” (9) to the work of five writers he considers emblematic of the 1930s literary Left: the prose and fiction writers Meridel Le Sueur, Josephine Herbst, and Richard Wright and the poets Muriel Rukeyser and Langston Hughes...
Journal Article
Modern Language Quarterly (2002) 63 (2): 263–266.
Published: 01 June 2002
... contribution is in method, not substance. He brings an “in-depth, contextualized analysis” (9) to the work of five writers he considers emblematic of the 1930s literary Left: the prose and fiction writers Meridel Le Sueur, Josephine Herbst, and Richard Wright and the poets Muriel Rukeyser and Langston Hughes...
Journal Article
Modern Language Quarterly (2002) 63 (2): 266–269.
Published: 01 June 2002
... contribution is in method, not substance. He brings an “in-depth, contextualized analysis” (9) to the work of five writers he considers emblematic of the 1930s literary Left: the prose and fiction writers Meridel Le Sueur, Josephine Herbst, and Richard Wright and the poets Muriel Rukeyser and Langston Hughes...
Journal Article
Modern Language Quarterly (2002) 63 (2): 269–273.
Published: 01 June 2002
... contribution is in method, not substance. He brings an “in-depth, contextualized analysis” (9) to the work of five writers he considers emblematic of the 1930s literary Left: the prose and fiction writers Meridel Le Sueur, Josephine Herbst, and Richard Wright and the poets Muriel Rukeyser and Langston Hughes...
Journal Article
Modern Language Quarterly (2002) 63 (2): 273–276.
Published: 01 June 2002
... contribution is in method, not substance. He brings an “in-depth, contextualized analysis” (9) to the work of five writers he considers emblematic of the 1930s literary Left: the prose and fiction writers Meridel Le Sueur, Josephine Herbst, and Richard Wright and the poets Muriel Rukeyser and Langston Hughes...
Journal Article
Modern Language Quarterly (2013) 74 (4): 541–545.
Published: 01 December 2013
... on more experimental work, but it offers a chance to test a phenomenologi- cal approach against more political ones like those of Cary Nelson, Michael Thurston, and Walter Kalaidjian, who make large allowances for partisan verse such as that of Edwin Rolfe and Muriel Rukeyser. In Reed’s view...
Journal Article
Modern Language Quarterly (2013) 74 (4): 545–549.
Published: 01 December 2013
... on more experimental work, but it offers a chance to test a phenomenologi- cal approach against more political ones like those of Cary Nelson, Michael Thurston, and Walter Kalaidjian, who make large allowances for partisan verse such as that of Edwin Rolfe and Muriel Rukeyser. In Reed’s view...
Journal Article
Modern Language Quarterly (2013) 74 (4): 549–553.
Published: 01 December 2013
..., and Walter Kalaidjian, who make large allowances for partisan verse such as that of Edwin Rolfe and Muriel Rukeyser. In Reed’s view, such critics validate partisan poetry of the 1930s against disinterested standards of modernism by claiming a need for “differently grounded poetic virtues” (5...
Journal Article
Modern Language Quarterly (2013) 74 (4): 554–555.
Published: 01 December 2013
... Rukeyser. In Reed’s view, such critics validate partisan poetry of the 1930s against disinterested standards of modernism by claiming a need for “differently grounded poetic virtues” (5) and “a wider field of discourse” (Nelson, quoted on 5). This perspective may revise evaluative criteria...
Journal Article
Modern Language Quarterly (2013) 74 (4): 556–559.
Published: 01 December 2013
..., and Walter Kalaidjian, who make large allowances for partisan verse such as that of Edwin Rolfe and Muriel Rukeyser. In Reed’s view, such critics validate partisan poetry of the 1930s against disinterested standards of modernism by claiming a need for “differently grounded poetic virtues” (5...
Journal Article
Modern Language Quarterly (2013) 74 (4): 560–562.
Published: 01 December 2013
..., and Walter Kalaidjian, who make large allowances for partisan verse such as that of Edwin Rolfe and Muriel Rukeyser. In Reed’s view, such critics validate partisan poetry of the 1930s against disinterested standards of modernism by claiming a need for “differently grounded poetic virtues” (5...
Journal Article
Modern Language Quarterly (2013) 74 (4): 563–566.
Published: 01 December 2013
..., and Walter Kalaidjian, who make large allowances for partisan verse such as that of Edwin Rolfe and Muriel Rukeyser. In Reed’s view, such critics validate partisan poetry of the 1930s against disinterested standards of modernism by claiming a need for “differently grounded poetic virtues” (5...
Journal Article
Modern Language Quarterly (2013) 74 (4): 566–569.
Published: 01 December 2013
..., and Walter Kalaidjian, who make large allowances for partisan verse such as that of Edwin Rolfe and Muriel Rukeyser. In Reed’s view, such critics validate partisan poetry of the 1930s against disinterested standards of modernism by claiming a need for “differently grounded poetic virtues” (5...