...Brian A. Rowley Copyright © 1956 by Duke University Press 1956 THE “AGES OF MAN” IN GOETHE AND GEORGE By BRIANA. ROWLEY Stefan George’s “Vogelschau,” first published at the end of AZgabal (1892), and later at the end of the volume in the collected...

... Boy” Thomas Chatterton and Tthe genesis of the pseudomedieval poems he attributed to Thomas Rowley have the vague familiarity of Romantic myth. So far as aca- demic literary history is concerned, however, Chatterton has usually figured as an oddball enthusiasm, as the obscure occasion of an over...

...; and Meyerstein’s characterization of the Reliques is eminently just : “a model to any- one who wished to produce antique verse, and appeal to his century at one and the same time.”8 It is not so just, however, to describe the Reliques as “almost the efficient poetical cause of Rowley That honor...

... does not seem to have been an original collaborator with Mar- lowe. The Faustus quarto of 1616 differs from that of 1604 nminly because it contains those “adicyones” in verse and prose written by LVilliam Birde and Samuel Rowley in 1602, for which they re- ceived from Henslowe payment of f4...

... by Wil- liam E. Harkins. White Plains, N.Y.: M. E. Sharpe, Columbia Slavic Studies, 1978. viii + 250 pp. $20.00. FESTSCHRI FTE N Magill, C. P., Brian A. Rowley, and Christopher J. Smith (editors). Tradition and Creation: Essays in Honour...

... of Elizabethan drama. After citing a scene from Rowley’s A New ll’onder: A H’oman Never Vext, which Lamb found especially affecting, Bald says, “The modern reader obtains no particularly vivid impression of Foster’s distress, and at best finds in the incident of the almsbasket an interesting...

... is not whether Iago is an unsatisfactory sort of fellow but whether he is an unsatisfactory sort of villain. Perhaps he belongs in a comedy. Another question is raised by R. C. Bald’s inquiry into the validity of Lamb’s apprecia- tions of Elizabethan drama. After citing a scene from Rowley’s A New...

... roots of “family” in the Latin famulus , or “servant”) to one organized by sanguinity. Chakravarty traces this shift, and its implications for the place of the servant, in Ben Jonson’s Volpone , Thomas Middleton and William Rowley’s Changeling , William Heminge’s Fatal Contract , and Shakespeare’s...

... on the “Fairy Queen” of Spenser . 2nd ed. 2 vols. London . Warton Thomas . 1782 . An Enquiry into the Authenticity of the Poems Attributed to Thomas Rowley . London . Yamashita Hiroshi , Sato Haruo , Suzuki Toshiyuki , and Takano Akira . 1993 . A Textual Companion...

..., The Changeling (London, 1958), p. xlvi. But he alludes only to Beatrice’s speech in 1.i (see note 7, below), which he ascribes to Rowley (p. xxxix). Barker also recognizes that “in Middleton’s view sin is blindness-” (p. 125). Of course, Alonzo and Leantio -before revenge and lust possess him...

... later. Though unpersuaded, I am also struck by McAlindon’s suggestion that Middleton and Rowley found in the binary plot and structure of A Midsummer Night’s Dream not only a structural model for The Changeling but also an operational model for collaboration. It is harder to follow along...

... us with money in Austen or in Chatterton’s invention of “Thomas Rowley” remains unclear, and one is left suspecting that “Swift” serves primarily as a way to bestow novelty and cohesion on a set of not very related older pieces. Swift and Others is best experienced as a compendium of “occasional...

...Ernst G. Mathews THE MURDERED SUBSTITUTE TALE By ERNSTG. MATHEWS Three scholars have attempted, the third of them with success, to discover the source of the substituted bride episode in Middleton and Rowley’s The Changeling.’ None...

... and Political Observations. Cambridge : At the University Press, 1955. Pp. xxvii + 216. $5.00. Rowley, Brian A. (editor). Novalis: Three Works: Die Lehrliitge zu Sais; Blutenstaub ; Die Christenheit oder Eztropa. Cambridge : At the University Press, Cambridge Plain Texts, 1955. Pp. viii...

... (1929). xiv + 269 pp. $5.95. Williams, George Walton (editor). Thomas Middleton and William Rowley : The Changeling. Lincoln: University of Nebraska Press, Regents Renaissance Drama Series, 1966. xxiv + 112 pp. $3.00, cloth; $1.00, paper. GERMANICS...

... : Buch der Lieder. London : Edward Arnold Ltd., Studies in German Literature, No. 1, 1960. Pp. 64. 6s. 6d.; $1.25. Distributed in the U.S.A. by St. Martin’s Press, 175 Fifth Avenue, New York 10. Books Received 287 Rowley, B. A. Keller...

... the following authors noted but not dated by Phillips: Thomas Charnock, Sir Ralph Freeman, Robert Gomersal, William Heming, Henry of Winchester, Hugh of York, Cosmo Manucci, Shackerly hlarmion, Robert Mead, Thomas Newton, Thomas Preston, and Samuel Rowley. It is also barely possible that Winstanley...

...,” by Harry Martinson; Brian A. Rowley, “Anticipations of Modernism in the Age of Romanticism”; E. S. Shaffer, “Christian Morgenstern and the Emergence of Modernism in the Berlin Theatre”; Simon Williams, ‘yohn Millington Synge: Transforming Myths of Ireland”; Carla Lathe, “Edvard Munch...

... Birde and Rowley S4 in 1602 were simply reworkings of what W. W. Greg would call Marlowe’s original “clownage scenes in prose,” or entirely new comic parts, and hence not known to Dekker in 1599. is of consid- erable importance. Therefore, most of my argument will be restricted to those...

... dramatically. In William Rowley’s A New Wonder: A Woman Never Vexed (cn. 1607-ca. 1625), a gamester comes to be the answer to the prayers of a widow, who is disturbed to the point of consulting a doctor of divinity because she suffers no vexation whatever. While she ponders the question of how...