... of historicism. The End of Technology: Memory in Richard Powers’s Galatea 2.2 Jeffrey Pence Today the mind is not part of the weather. —Wallace Stevens, “A Clear Day and No Memories” ontemporary memory’s greatest difficulty lies not in its weakness Cbut in its strength: rather than...

...Hal Gladfelder © 2003 University of Washington 2003 Hal Gladfelder is assistant professor of English at the University of Rochester and author of Criminality and Narrative in Eighteenth-Century England: Beyond the Law (2001). The Hard Work of Doing Nothing: Richard Savage’s...

...David Harris Sacks © 2006 University of Washington 2006 David Harris Sacks , Richard F. Scholz Professor of History and Humanities at Reed College, is author of, among other works, The Widening Gate: Bristol and the Atlantic Economy, 1450–1700 (1991) and editor, with Donald R. Kelley...

... is committed to microscopic description, below the level of experiential subjectivity, and to macroscopic abstraction. Some of the odder fictional experiments of the era are best understood with reference to the morphology of naturalism, including what might be called the speculative naturalism of Richard...

.... The whole is a thoroughly competent job of editing:, deserving, one may suggest, of weightier problems and more signifi- cant literary material. PAULH. KOCHER Univcrsity of bVashington Tracts and Pamphlets by Richard Stcele. Edited by RAE...

...R. S. Cox, Jr. Copyright © 1968 by Duke University Press 1968 RICHARD FLECKNOE AND THE MAN OF MODE By R. S. Cox, JR. No editor of George Etherege’s The Man of Mode has been able to identify the “Diversions of Brussels’’ to which Medley scornfully...

...Donald H. Reiman Copyright © 1964 by Duke University Press 1964 APPEARANCE, REALITY, AND MORAL ORDER IN RICHARD II By DONALDH. REIMAN Critics have noted that one of the underlying motifs in Shakespeare’s...

...James Paul Brawner EARLY CLASSICAL NARRATIVE PLAYS BY SEBASTIAN WESTCOTT AND RICHARD MULCASTER By JAMES PAULBRAWNER The decade of the 1570’s was not only a period of remarkable proliferation for English drama, but a time...

...James L. Clifford Richard D. Altick. Philadelphia: University of Pennsylvania, 1941. Pp. 160. Copyright © 1944 by Duke University Press 1944 118 Reviews Richard Owen Cambridge: Belated Augustan. By RICHARDD. ALTICK. Philadelphia : University...

...Allan G. Chester RICHARD JOHNSON’S GOLDEN GARLAND By ALLANG. CHESTER The name of Richard Johnson, known chiefly as the author of such popular works as The Nine Worthies of London and The Seven Champions of Christendom, appears on the title pages...

...John Loftis RICHARD STEELE, DRERY LANE. AXD THE TORIES By JOHN LOFTIS When King Charles I1 gave theatrical patents to Thomas KilIigrew and Sir William D’Avenant, he established a precedent which made the theater a gift at the royal disposal. It was henceforth...

..., George Lane, et 01.) who have already answered many times the challenge implied by Professor Wilson and the dilemma encoun- tered by Shaw. CARROLLE. REED University of Washington Richard Beer-Hofmann: Werk und Weltbild des Dichters...

... takes pastoral seriously. HAROLDTOLIVER University‘of Calfornia, Irvine Shakespearean Metadrama: The Argument of the Pluy in “Titus Andronicus, ” “Love’s Labour5 Lost,” “Romeo and Juliet,” “A Midsummer Night’s Dream,” and “Richard...

...Timothy Anderson Abstract Alfred Forman’s translations of Richard Wagner’s operas are often derided for their weird diction and minute imitation of German poetic devices. Forman has seemed to represent a zealous and uncritical approach to Wagner that was typical of the early London Wagner Society...

.... -.John Butler Yeatsl BELIEF AND SINCERITY IN I. A. RICHARDS “Belief” and “sincerity”- relics of the nineteenth century and reflections of historical circumstances earlier still- have not sur- vived the age...

... . Theory and Design in the First Machine Age . London : Architectural . Baum Richard . 1994 . “ Ein Leben mit Dante: Ernst Robert Curtius und die Divina Commedia .” In Lingua et Traditio: Geschichte der Sprachwissenschaft und der neueren Philologien , edited by Baum Richard , Böckle...

... contribution is in method, not substance. He brings an “in-depth, contextualized analysis” (9) to the work of five writers he considers emblematic of the 1930s literary Left: the prose and fiction writers Meridel Le Sueur, Josephine Herbst, and Richard Wright and the poets Muriel Rukeyser and Langston Hughes...