... of historicism. The End of Technology: Memory in Richard Powers’s Galatea 2.2 Jeffrey Pence Today the mind is not part of the weather. —Wallace Stevens, “A Clear Day and No Memories” ontemporary memory’s greatest difficulty lies not in its weakness Cbut in its strength: rather than...

...Hal Gladfelder © 2003 University of Washington 2003 Hal Gladfelder is assistant professor of English at the University of Rochester and author of Criminality and Narrative in Eighteenth-Century England: Beyond the Law (2001). The Hard Work of Doing Nothing: Richard Savage’s...

...James Paul Brawner Copyright © 1943 by Duke University Press 1943 EARLY CLASSICAL NARRATIVE PLAYS BY SEBASTIAN WESTCOTT AND RICHARD MULCASTER By JAMES PAULBRAWNER The decade of the 1570’s was not only a period...

...David Harris Sacks © 2006 University of Washington 2006 David Harris Sacks , Richard F. Scholz Professor of History and Humanities at Reed College, is author of, among other works, The Widening Gate: Bristol and the Atlantic Economy, 1450–1700 (1991) and editor, with Donald R. Kelley...

...- cant literary material. PAULH. KOCHER Univcrsity of bVashington Tracts and Pamphlets by Richard Stcele. Edited by RAE BLAN- CHARD. Baltimore: The Johns Hopkins Press, 1944. Pp. xvii + 663. $5.50. The comparative obscurity...

... is committed to microscopic description, below the level of experiential subjectivity, and to macroscopic abstraction. Some of the odder fictional experiments of the era are best understood with reference to the morphology of naturalism, including what might be called the speculative naturalism of Richard...

...James L. Clifford Richard D. Altick. Philadelphia: University of Pennsylvania, 1941. Pp. 160. Copyright © 1944 by Duke University Press 1944 118 Reviews Richard Owen Cambridge: Belated Augustan. By RICHARDD. ALTICK. Philadelphia : University...

... takes pastoral seriously. HAROLDTOLIVER University‘of Calfornia, Irvine Shakespearean Metadrama: The Argument of the Pluy in “Titus Andronicus, ” “Love’s Labour5 Lost,” “Romeo and Juliet,” “A Midsummer Night’s Dream,” and “Richard...

...R. S. Cox, Jr. Copyright © 1968 by Duke University Press 1968 RICHARD FLECKNOE AND THE MAN OF MODE By R. S. Cox, JR. No editor of George Etherege’s The Man of Mode has been able to identify the “Diversions of Brussels’’ to which Medley scornfully...

...Donald H. Reiman Copyright © 1964 by Duke University Press 1964 APPEARANCE, REALITY, AND MORAL ORDER IN RICHARD II By DONALDH. REIMAN Critics have noted that one of the underlying motifs in Shakespeare’s...

...Allan G. Chester Copyright © 1949 by Duke University Press 1949 RICHARD JOHNSON’S GOLDEN GARLAND By ALLANG. CHESTER The name of Richard Johnson, known chiefly as the author of such popular works as The Nine Worthies of London and The Seven...

...John Loftis Copyright © 1949 by Duke University Press 1949 RICHARD STEELE, DRERY LANE. AXD THE TORIES By JOHN LOFTIS When King Charles I1 gave theatrical patents to Thomas KilIigrew and Sir William D’Avenant, he established a precedent which made...

.... CARROLLE. REED University of Washington Richard Beer-Hofmann: Werk und Weltbild des Dichters. By OTTOOBER- HOLZER. Bern: A. Francke, 1947. Pp. 272. s.fr. 18 It might be surprising, at first glance, to find a study on Beer-Hofmann of more than 270 pages, if one considers...

...Timothy Anderson Abstract Alfred Forman’s translations of Richard Wagner’s operas are often derided for their weird diction and minute imitation of German poetic devices. Forman has seemed to represent a zealous and uncritical approach to Wagner that was typical of the early London Wagner Society...

.... -.John Butler Yeatsl BELIEF AND SINCERITY IN I. A. RICHARDS “Belief” and “sincerity”- relics of the nineteenth century and reflections of historical circumstances earlier still- have not sur- vived the age...

...John Guillory Abstract This essay takes as its point of departure the later writing of I. A. Richards, which never achieved the influence of his famous books of the 1920s. In these later writings Richards was concerned largely with issues in language education and, relatedly, with the emergence...

...Jonathan Foltz Abstract This article explores the overlapping histories of close reading and mass media by attending to the late-career film and television experiments of I. A. Richards. A lifelong critic of the entertainment industry and (arguably reactionary) media theorist, Richards also spent...

... of typicality (Burke 2002 : 153). Critics such as Georges Cattaui ( 1958 ) and Richard E. Goodkin ( 1991 : 40–44) have already pointed to Christian typological parallels in À la recherche du temps perdu , for instance in the prefiguration of the (Christian) Marcel-Albertine story by the (Jewish) Swann-Odette...