Search Results for remorse

...William F. Aggeler Copyright © 1963 by Duke University Press 1963 BAUDELAIRE AND REMORSE By WILLIAMF. AGGELER One of Baudelaire’s most obvious character traits was his honesty with himself. The poet reveals this quality in his letters to his...

... the newly perceived democratic mass access to instrumental rationality. So much will be clear to anyone who knows Coleridge well. But Carlson’s incre- mental discussion persuasively shows how the pain of remorse (which Coleridge calls the “Anguish 8c Disquietude arising from the Sekontradic- tion...

..., l’horizon se rktrkcit, le monde devient un cachot ktouffantl’2 Images or dreams of walls and prisons haunt Ionesco’s private writings and are most often associated with fear of death, metaphysical ignorance, the anguish of solitude, regret and remorse over past life, or, in another context...

... readings in the E manuscript. ILLUSTRATIOS: “remorse Act I, 1. 287. “remorseE. (“remorse !” M, Fs, R, -2, J.) Third, we are told that beioiv these readings “are such notes ns ma\- thro\v light on textual problems.” ILLITSTRATIOX: “. . . like a cloud...

... that these words do not suggest remorse. Vere does not re- gret his decision; he knows that it was necessary. But he knows too that Budd is a tragic and pitiable victim, Like Vere, we are supposed to feel anguish but not remorse for Billy’s fate. This is not an easy thing for many of us to do. To feel...

... is pursued by the voices of his own heart, by a feeling of guilt and a remorse so bitter that he is actually driven to the verge of madness. Instead of Orestes, the cursed one, the man over whom a terrible fate is suspended, we meet Orestes, the diseased one, the man whose very blood is poisoned...

...” (p. 174) ; it is “la chair froide” of this living corpse that ThCrPse in the torture of remorse prays to and finally kisses (p. 199). For a while Madame Raquin communicated with others by writing on a slate, “puis ces mains moururent” (p. 175). Mrs. Clennam, who retains the power of speech...

...” from the historical discourse in lieu of the “grand theory” that the New History refuses to engage in (80). His conclusion speaks of Braudel and Le Roy Ladurie flashing “the hybridity of their texts. . . without appar- ent remorse” or epistemological comment (224). Here, Carrard seems to side...

... Claudius and Henry V here is that between damnation and a state of grace. Claudius suffers remorse, not repentance; Henry is a penitent and is not intended to be poignant or confused. It should be possible to modify the emphases of E. M. W. Tillyard, Lily B. Campbell, and Irving Ribner...

...- gories : those poems which “principally exploit the paradox of the existence of good and evil in man, treating the problem of sin” ; those which “principally deal with the despair and suffering of the victim, who is victim both of remorse for sin and of the misery of modern metropolitan...

... Claudius and Henry V here is that between damnation and a state of grace. Claudius suffers remorse, not repentance; Henry is a penitent and is not intended to be poignant or confused. It should be possible to modify the emphases of E. M. W. Tillyard, Lily B. Campbell, and Irving Ribner...

... guilt has increased, so has her remorse. Again she is ready for death, as she was at the beginning of the play, and her language naturally is filled with reminiscences of her previous statements. The references to “light” are even more frequent. If one may use a simile from the ballet...

... of‘ the text makes it clear that in fact Mirabell’s “confession” is delight fully tongue-in-cheek, as he fulsomely recalls his former, artificial passion f‘or M’1,ady: If a deep sense of the many injuries I have offkred to so good a lady, with a sincere remorse, and a hearty contrition, can...

..., with a sincere remorse, and a hearty contrition, can but obtain the least glance of’ compassion, I am too happy.-Ah, madam, there was a time!-but let it be forgotten-I confess 1 have deservedly f‘orfeited the high place 1 once held of sighing at your feet. Nothing could be more ironic...

... in impressively bewildering complexity. We emerge from the tangle of pronouns and prepositions, arriving finally at acute remorse , only to discover that the sentence has more in store for us, more clauses and clarifications, more poetic inversions—“he himself, he so unworthy”—that justify Fredric Jameson’s...

... remorse- lessly, hitting the tenderest spot in the myth of American moral supe- riority when he asserted that after reading Anna Karenina we can appreciate “the difference between a literature addressed to girls and a literature intended for men and women.” Few critics dared to agree...

... is repeatedly called into question by the concluding poems of the volume. Even a title- “Remorse for Intemperate Speech” (p. 506)-rebukes the moral disin- terest of the conclusion of the “Dialogue.” Then “Stream and Sun at Glendalough” (pp. 506-507), the last poem of “The Winding Stair” sequence...

... and the vanity of all things to feel horror or remorse at what she has done. Des Meeres und der Liebe Wellen, the last of the five plays to be written, is the most realistic of the classical plays, and therefore largely free from the uncertainty visible in the language and char- acterization...

...). Jzidd D.Hubert 233 to reciprocate the Prince’s passion. His remorse at the dknouement may be sincere, but were it patently an ujustewzent, the Princess would have accepted it gladly at its face value in order to gain her own and Nature’s ends : love and sex...

... Mendozas are the rigid and remorse- less pursuers of a stern and heartless ideal. In the cryptic language of the day, Madrid stands for the regime in Moscow interested only in crushing the milder civilization of the Ukrainians. If this may seem far-fetched to the average reader, we can only...