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rembrandt

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Journal Article
Modern Language Quarterly (1997) 58 (1): 27–61.
Published: 01 March 1997
...Sanford Budick Copyright © 1997 by Duke University Press 1997 Sanford Budick is professor of English and founding director of the Center for Literary Studies at the Hebrew University of Jerusalem. He has published widely on classical poetry, Milton, Rembrandt, English neoclassical...
Journal Article
Modern Language Quarterly (1964) 25 (1): 76–85.
Published: 01 March 1964
... for inspiring Baudelaire, Lau trta- mont, and Mallarmt than for his own artistic accomplishments. The obvious and apparently conventional romanticism of his “Fantaisies h la manikre de Rembrandt et de Callot” do not always appeal to modern readers, who may be unwilling to share Bertrand’s affection...
Journal Article
Modern Language Quarterly (2003) 64 (3): 389–392.
Published: 01 September 2003
..., poetry, and drama engage with histor y but are not reducible to it. In Golden Age studies, only Dutch art has approached this relative autonomy, to the extent that the best literary introduction to the period is glumly titled Dutch Literature in the Age of Rembrandt.2 For the time being...
Journal Article
Modern Language Quarterly (1949) 10 (2): 249–250.
Published: 01 June 1949
... the French realistic writers, but was not a loss of cosmic consciousness the price paid for this progress? (And how is it that Rembrandt, in the seventeenth century, almost anticipates Dostoevski ? ) Auerbach himself tells us how necessity as well as inclination kept him from writing...
Journal Article
Modern Language Quarterly (2023) 84 (3): 347–360.
Published: 01 September 2023
.... It determines what counts as an object of attention and what forms such attention should take. For Auerbach ( 1949 : 110), aesthetic historicism is what allows us “to consider and admire, with the same preparedness for understanding, Giotto and Michelangelo, Michelangelo and Rembrandt, Rembrandt and Picasso...
Journal Article
Modern Language Quarterly (1958) 19 (2): 141–146.
Published: 01 June 1958
... matrons, and “we know,” declares Trollope, “that Rembrandt’s matrons existed; but we have a strong belief that no such woman as Raphael painted ever did exist This is to give up a good deal, to sacrifice the poetry of an idealized creation to the more prosaic ren- 6Last Chronicle...
Journal Article
Modern Language Quarterly (1983) 44 (3): 267–284.
Published: 01 September 1983
...” to “Angel” to “Able” (I, 158, 161). What Hawthorne most admired in the Rembrandt-like achroma- tism of the daguerreotype was its expressive ability to suggest a hid- den psychological drama or intuition. The portrait genre particularly accommodated this interest: “What he looked for in a portrait...
Journal Article
Modern Language Quarterly (1952) 13 (4): 356–362.
Published: 01 December 1952
... Discourses. Rembrandt’s picture brings the matter nearer to us. -It is not only the progress of mechanical knowledge, but the necessary advances of civilization that are unfavourable to the spirit of poetry. We not only stand in less awe of the preternatural world, but we can calculate more...
Journal Article
Modern Language Quarterly (1971) 32 (2): 158–167.
Published: 01 June 1971
..., architectural, pictorial, musical, and literary creativity. Hence, the boldly individual artistic expressions of Giovanni Lorenzo Bernini (1598-1680), Johann Bernhard Fischer von Erlach (1656-1723), Jakob Prandtauer (1660-1726), Lucas von Hil- debrandt (1668-1745), Rembrandt Harmenszoon van Rijn (1606...
Journal Article
Modern Language Quarterly (1944) 5 (4): 469–480.
Published: 01 December 1944
... unending debt. But it also partakes of the music and the Stimmungskunst of Jens Peter Jacobsen, an impressionistic style of the shimmering quality of a Renoir painting, with the lights and shadows of Rembrandt’s “Man with the Gold Helmet.” Wiechert delights, indeed, in using the golden...
Journal Article
Modern Language Quarterly (2006) 67 (1): 81–102.
Published: 01 March 2006
... in the creation of self-conscious fictions, claims its authority. 11 For a thoughtful discussion of Renaissance painting that makes similar claims for the genre of portraiture see Harry Berger Jr., Fictions of the Pose: Rembrandt against the Italian Renaissance (Stanford, CA: Stanford University Press...
Journal Article
Modern Language Quarterly (2018) 79 (2): 145–171.
Published: 01 June 2018
... on Shakespeare and Wordsworth. His essays “Descartes’s Cogito, Kant’s Sublime, and Rembrandt’s Philosophers: Cultural Transmission as Occasion for Freedom” and “Kant’s Miltonic Test of Talent: The Presence of ‘When I Consider’ in the Groundwork of the Metaphysics of Morals ” appeared, respectively, in the March...
Journal Article
Modern Language Quarterly (2012) 73 (1): 95–98.
Published: 01 March 2012
... However, Barolsky notes in passing, the question of the artist haunted by the fear that he has no talent is not one that “we will nd in the story of the artist from Apelles and Zeuxis to Raphael, Rubens, Poussin, and Rembrandt” This raises two other questions: when and why did this apparent...
Journal Article
Modern Language Quarterly (2012) 73 (1): 98–101.
Published: 01 March 2012
... of the artist from Apelles and Zeuxis to Raphael, Rubens, Poussin, and Rembrandt” This raises two other questions: when and why did this apparent swerve away from the main path charted in Barolsky’s history occur? These questions he might have further pursued by linking failure to the related themes...
Journal Article
Modern Language Quarterly (2012) 73 (1): 101–104.
Published: 01 March 2012
... days fruitlessly hacking away at his nal Pietà However, Barolsky notes in passing, the question of the artist haunted by the fear that he has no talent is not one that “we will nd in the story of the artist from Apelles and Zeuxis to Raphael, Rubens, Poussin, and Rembrandt” This raises two...
Journal Article
Modern Language Quarterly (2012) 73 (1): 105–108.
Published: 01 March 2012
... days fruitlessly hacking away at his nal Pietà However, Barolsky notes in passing, the question of the artist haunted by the fear that he has no talent is not one that “we will nd in the story of the artist from Apelles and Zeuxis to Raphael, Rubens, Poussin, and Rembrandt” This raises two...
Journal Article
Modern Language Quarterly (2012) 73 (1): 108–112.
Published: 01 March 2012
... of the artist from Apelles and Zeuxis to Raphael, Rubens, Poussin, and Rembrandt” This raises two other questions: when and why did this apparent swerve away from the main path charted in Barolsky’s history occur? These questions he might have further pursued by linking failure to the related themes...
Journal Article
Modern Language Quarterly (2012) 73 (1): 112–114.
Published: 01 March 2012
... of the artist haunted by the fear that he has no talent is not one that “we will nd in the story of the artist from Apelles and Zeuxis to Raphael, Rubens, Poussin, and Rembrandt” This raises two other questions: when and why did this apparent swerve away from the main path charted in Barolsky’s...
Journal Article
Modern Language Quarterly (2012) 73 (1): 115–117.
Published: 01 March 2012
... of the artist from Apelles and Zeuxis to Raphael, Rubens, Poussin, and Rembrandt” This raises two other questions: when and why did this apparent swerve away from the main path charted in Barolsky’s history occur? These questions he might have further pursued by linking failure to the related themes...
Journal Article
Modern Language Quarterly (2012) 73 (1): 117–121.
Published: 01 March 2012
... days fruitlessly hacking away at his nal Pietà However, Barolsky notes in passing, the question of the artist haunted by the fear that he has no talent is not one that “we will nd in the story of the artist from Apelles and Zeuxis to Raphael, Rubens, Poussin, and Rembrandt” This raises two...