...Marissa Nicosia [email protected] Domestic Georgic: Labors of Preservation from Rabelais to Milton . By Katie Kadue . Chicago : University of Chicago Press , 2021 . 227 pp. Copyright © 2023 by University of Washington 2023 Katie Kadue prefaces Domestic Georgic...

... University of California, Berkeley Vgl. hierzu: A. Wolf, “Erzahlkunst und verborgener Schriftsinn”, in: Spruchkunst, 2 (1971), 1 ff. The Age of Slug: Paradox and Ambiguity in Rabelais and Montaigne. By BARBARAC. BOWEN.Urbana, Chicago, London: University of Illinois Press, Illinois...

... Amherst Rabelais el l’tcrzture. By FLOYDGRAY. Paris: A.-G. Nizet, 1974. 215 pp. From the outset Floyd Gray’s Rabelais et l’tcriture will raise with many a reader a fundamental critical question: can one write about Rabelais’s lan- guage without really taking into account the humanist...

... University of Kentucky Rabelais and His World. By MIKHAILBAKHTIN. Translated from the Rus- sian by HELENEISWOLSKY. Cambridge, Mass., and London: M.I.T. Press, 1968. x + 484 pp. $15.00. This is an extremely important book, one of the most important in the history of Rabelais studies...

...Charlotte Costa Kleis Copyright © 1970 by Duke University Press 1970 STRUCTURAL PARALLELS AND THEMATIC mrTy IN RABELAIS By CHARLOTTECOSTA KLEIS A long...

.... John Polt has grappled with his subject resolutely and intelligently. His book is the most complete and the most penetrating criticism now available on this Argentinean writer. HUGORODRf GUEZ-ALCALA University of Washington Rabelais...

...Nan Cooke Carpenter Copyright © 1952 by Duke University Press 1952 ∗ Paper read at the meeting of the Modern Language Association in Detroit, December 28, 1951. THE AUTHENTICITY OF RABELAIS’ FIFTH BOOK: MUSICAL CRITERIA* By NAN...

...B. F. Bart Copyright © 1950 by Duke University Press 1950 ASPECTS OF THE COMIC IN PULCI AND RABELAIS By B. F. BART The relations between Pulci and Rabelais, between Morgante and Pantagruel, have proved a challenging problem in the evaluation...

...Andrew Hui Abstract Milton’s Nativity Ode is both noisy and quiet. It stages the collision of the classical and Christian traditions by retrieving the cessation-of-oracles topos, a myth transmitted from Plutarch, Eusebius, and Prudentius to Rabelais, Tasso, and Spenser. Milton’s innovation...

... to Rabelais elements found in three tales of Le Grand Parungon des nouvelles nouveZZes.l Henri Clouzot proposed that Nicolas de Troyes in three instances had borrowed from PantugrueZ.2 More recently the same theory of deliberate borrowings has been reiterated by Marcel de...

... been re- published in the Biblioth6que Elzivirienne and in fidouard Four- nier’s Thkiitre francais au XVP et au XVIP sitcle (1871). Our most satisfactory discussion of Renaissance comedy is to be found in the aforementioned studies of Rigal. Rabelais Inasmuch...

... and the most penetrating criticism now available on this Argentinean writer. HUGORODRf GUEZ-ALCALA University of Washington Rabelais par lui-me*me. By MANUELDE DIEGUEZ.Paris: editions du Seuil, Collection “ecrivains de Toujours,” 1960. Pp...

... considerably from Rabelais to Ronsard and from Montaigne to St. Francis of Sales, all of whom would be eligible for the title of humanists. French humanism has its aristocrats and its democrats,’ its philosophers and its rhetorician its nature-minded and its history-minded adherents,* its...

... and nonliterary. Moreover, they seem to be as prevalent today as they were four hundred years ago. The passages that I read from Freud’s Moses and Monotheism, Bakhtin’s Rabelaas and His Wwld, and Rabelais’s work illustrate my point. These seemingly disparate texts share the same anxiety of fatherhood...

... of fiction, Sterne learned much from the great exemplars, Rabelais and Cervantes. But he alone among the English novelists of the period seems to have caught and fused something of the attitudes toward language of each of these masters. Of course he knew them mainly through translations...

... Bouilhet a trouvC dans Notre-Dame de Paris. I1 semble que ce soit i Rabelais que Victor Hugo? ait empruntk l’image du gCant brandissant un corps comme une arme. Rabelais a, en effet, dCcrit la lutte de Pantagruel avec Loup-Garou, puis avec les gknts dont ce dernier etait le capitaine...

...: to the creation of new words from Hebrew, Greek, and Latin are to be added the sensory and sonorous qualities of words which can be found in the episodes of the frozen words and the storm. Rabelais’ use of language evolves to a new dimension in the sharp satire at the beginning of the Fifth...

... speech char- acterized by strong rhythm and repetitiveness and in which originality is of little value. (p. 192) JOHN E. KELLER University of Kentucky Rabelais and His World. By MIKHAILBAKHTIN. Translated from the Rus- sian...

... is grotesque (but never somberly so), open, incomplete, always taking in and putting out, and thus in full communion with earth and all nature; hence Rabelais’s grossness is never cynical. In contrast, the individual, complete, “polite body” is a four-hundred-year island in the ocean of time (pp...

... contemporaries. In his fabulous “chronicle” of the giant Gargantua, Rabelais depicts the mission of Ulrich Gallet, a servant of Gargantua’s father, Grandgousier, sent to treat with the 18 The English is from Sidney Alexander’s translation, The History of Italy (Prince­ ton, NJ: Princeton University...