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quartet

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Journal Article
Modern Language Quarterly (1985) 46 (1): 64–80.
Published: 01 March 1985
...Allen Boyer Copyright © 1985 by Duke University Press 1985 LOVE, SEX, AND HISTORY IN THE RAJ QUARTET By ALLENBOYEK In writing The Raj Quartet, his four-volume epic of the final years of British rule in India...
Journal Article
Modern Language Quarterly (1962) 23 (1): 41–45.
Published: 01 March 1962
...David Perkins Copyright © 1962 by Duke University Press 1962 ROSE GARDEN TO MIDWINTER SPRING ACHIEVED FAITH IN THE FOUR QUARTETS By DAVID PERKINS This paper contrasts two passages in the Four Quartets-the moment in the rose garden...
Journal Article
Modern Language Quarterly (1988) 49 (4): 342–361.
Published: 01 December 1988
...Eugenia DeLamotte Copyright © 1988 by Duke University Press 1988 DISSONANCE AND RESOLUTION IN FOUR QUARETS By EUGENIADELAMOTTE Readers who prefer the early to the later T. S. Eliot often find in Four Quartets a sign...
Journal Article
Modern Language Quarterly (1988) 49 (4): 342–361.
Published: 01 December 1988
...Eugenia DeLamotte Copyright © 1988 by Duke University Press 1988 DISSONANCE AND RESOLUTION IN FOUR QUARETS By EUGENIADELAMOTTE Readers who prefer the early to the later T. S. Eliot often find in Four Quartets a sign...
Journal Article
Modern Language Quarterly (1944) 5 (2): 183–191.
Published: 01 June 1944
... Petrarchist poems, the accent in this sonnet also is on the lover. Her condition is described in every detail, and the details are worked out with rhetorical exactness. Each of the two quartets is divided into two halves. Each of the first halves is subdivided into four parts by iden- tical...
Journal Article
Modern Language Quarterly (1961) 22 (2): 135–148.
Published: 01 June 1961
... and their respective societies is made in the Four Quartets. A central thesis of this work is Time and Man’s relationship to it. That Time is the fourth dimension has become an axiom of modern mathematics. Briefly and in the simplest terms, the concept is as follows. The first dimension is a line, i.e...
Journal Article
Modern Language Quarterly (1976) 37 (4): 400–402.
Published: 01 December 1976
... preoccupation that links the early, unreligious, and com- plaining poems, like Prufrock and The Waste Land, with the later poems of faith and acceptance, like Ash- Wednesday and Four Quartets. Second, there is the perpetual effort to discern some comprehensive pattern behind the re- curring images...
Journal Article
Modern Language Quarterly (1958) 19 (4): 307–318.
Published: 01 December 1958
... Two Early Soitnets by Gryphius mains as pleasing as the one it displaced. If the fine, imposing work of man has fallen, the human eye has not ceased to be delighted by lovely forms. Thus at the restful close of the first quartet, we are by no means convinced that all is “gantz eytel...
Journal Article
Modern Language Quarterly (1982) 43 (2): 187–190.
Published: 01 June 1982
... statement of its times. Green suggests that the quartet combines the skills learned in The Fifth Queen and The Good Soldier, painting on a wide canvas a contemporary subject. And he refutes (perhaps a bit too neatly) the frequent charges that Tietjens is too static a character, and that he is too...
Journal Article
Modern Language Quarterly (1976) 37 (2): 179–195.
Published: 01 June 1976
... the metaphor of the pit: “To begin from the depths and come out-that is difficult; for few know where the depths are or can recognize them; or, if they do, are afraid” (“Open Letter p. 40). Roethke may also have acquired his idea of progression through regression from Eliot’s line in Four Quartets...
Journal Article
Modern Language Quarterly (1977) 38 (2): 149–166.
Published: 01 June 1977
... she is treated sympathetically, the religious alternative fails. Its failure is instructive, and its wider meaning can be clarified if we briefly compare Between the Acts with Eliot’s Four Quartets. The comparison is appropriate apart from the close association of the two writers. Eliot...
Journal Article
Modern Language Quarterly (1972) 33 (1): 86–88.
Published: 01 March 1972
.... $6.00. The stereotype of the thirties in England as a predominantly leftist literary decade has been abandoned, but the view of the literary Left itself as domi- nated by the Oxbridge quartet of Auden and Spender, Day Lewis and Mac- Neice, with New Verse and New Writing as its organs...
Journal Article
Modern Language Quarterly (1972) 33 (1): 88–90.
Published: 01 March 1972
..., but the view of the literary Left itself as domi- nated by the Oxbridge quartet of Auden and Spender, Day Lewis and Mac- Neice, with New Verse and New Writing as its organs and George Orwell as its Etonian maverick, is considerably more durable. Yet it is equally inexact, and the appearance...
Journal Article
Modern Language Quarterly (1966) 27 (1): 68–79.
Published: 01 March 1966
... the priesthood: He held open the heavy hall door and gave his hand as if already to a companion in the spiritual life. Stephen passed out on to the wide platform above the steps and was conscious of the caress of mild evening air. Towards Findlater’s church a quartet...
Journal Article
Modern Language Quarterly (1976) 37 (4): 398–400.
Published: 01 December 1976
... of faith and acceptance, like Ash- Wednesday and Four Quartets. Second, there is the perpetual effort to discern some comprehensive pattern behind the re- curring images-eyes, gardens, stairs, and so on-that Eliot embedded in both his Christian and pre-Christian poems. In her book, Elisabeth...
Journal Article
Modern Language Quarterly (1988) 49 (1): 87–90.
Published: 01 March 1988
.... In the next four he then explicates such complex issues in Warren’s poetry as personhood and citizenship, nature and knowledge, paternity and evil, narcissism and value. In a climactic quartet of chapters, he moves the Romantic debate into the three early novels Night Rider (1939),All the King’s Men...
Journal Article
Modern Language Quarterly (2005) 66 (3): 329–364.
Published: 01 September 2005
... in “Marina,” we must pay close atten- tion to the chronology of his subsequent work. In Murder in the Cathe- dral (1935), Burnt Norton (1936), The Family Reunion (1939), and the remaining Four Quartets (1940–42), he returns to and reconsiders the 28 T. S. Eliot, “Personality and Demonic...
Journal Article
Modern Language Quarterly (1996) 57 (3): 449–477.
Published: 01 September 1996
... is not specifically Bachian, and deliberate returns to Bach, which, like Lacan’s return to Freud, are not always quite what they seem. The learned style is exemplified by the finales of Haydn’s String Quartets op. 20 and that of Beethoven’s Quartet op. 59, no. 3; returns to Bach vary from the nonpareil...
Journal Article
Modern Language Quarterly (2021) 82 (1): 81–117.
Published: 01 March 2021
...), he refers to Four Quartets as “probably the best poem by a living poet” (R. Jarrell 1999 : 79). 9 A 1951 review of Paterson (book 4) contrasts Williams’s limitations with Eliot’s conceptual abundance: “In his long, one-sided war with Eliot Dr. Williams seems to me to come off badly...
FIGURES
Journal Article
Modern Language Quarterly (1977) 38 (3): 317–320.
Published: 01 September 1977
... (editor). Samuel Pepys’ Penny Merriments. New York: Columbia University Press, 1977. 302 pp. $15.00. Traversi, Derek. T. S. Eliot: The Longer Poems (The Waste Land, Ash Wednesday, Four Quartets). New York and London: Harcourt Brace Jovanovich, 1976. 238 pp. $6 10.00. Wohlgelernter...