Search Results for puerto

... and to tell the “whole” story only uncovers new breaks and new exclusions. It is in terms of such weighty verities that the well-known critic and Princeton professor Arcadio Diaz-Quiiiones ponders the condition of contemporary Puerto Rican culture. In La nz,?moria rota, his muchdis- cussed...

... and not the conquered. . . . We are Spaniards: give us the laws that apply in Spain. Destroy the here and there which poisons spirits and inflames sentiments.-Salvador Brau, Ecos de la bat& uring the last decades of Spanish domination something new Dseemed to take place in Puerto Rico...

... Vasconcelos, which made Mex- ico the site of humanity’s mission to amalgamate all races into a bio- logically and culturally improved “cosmic” stock. Today, readers are more likely to respond to La raza co’mica, a parody by Puerto Rican critic Ruben Rios Avila, who suggests that such missions...

..., Guyana, Mexico, Nicaragua, Puerto Rico, St. Lucia, and the United States, and it does so in lucid, graceful prose. What I find most attractive is Feinsod’s focus on poetic forms as “expression[s] of geopolitical desire,” “vision[s] of an alternative world order,” and “manifestations of a network...

... with Latin America, though not exactly from the outside if you figure that Brooklyn is a northern outpost of Puerto Rico. The quip isn’t mine; I learned it and many other lessons from Latinos. With characteristic irony that somehow sets off a generosity of spirit, the lessons bring learning close...

... of José Martí and a new era of fresh approaches.1 Laura Lomas’s Translating Empire, by placing Martí in a U.S. Latino tradition, offers the field much that is new. It offers, for instance, a specifically U.S. context of Cuban and Puerto Rican migrant print culture in which to situate Martí. Its...

... of José Martí and a new era of fresh approaches.1 Laura Lomas’s Translating Empire, by placing Martí in a U.S. Latino tradition, offers the field much that is new. It offers, for instance, a specifically U.S. context of Cuban and Puerto Rican migrant print culture in which to situate Martí. Its...

... of revisionist demystifications of José Martí and a new era of fresh approaches.1 Laura Lomas’s Translating Empire, by placing Martí in a U.S. Latino tradition, offers the field much that is new. It offers, for instance, a specifically U.S. context of Cuban and Puerto Rican migrant print culture in which...

... of revisionist demystifications of José Martí and a new era of fresh approaches.1 Laura Lomas’s Translating Empire, by placing Martí in a U.S. Latino tradition, offers the field much that is new. It offers, for instance, a specifically U.S. context of Cuban and Puerto Rican migrant print culture in which...

... of revisionist demystifications of José Martí and a new era of fresh approaches.1 Laura Lomas’s Translating Empire, by placing Martí in a U.S. Latino tradition, offers the field much that is new. It offers, for instance, a specifically U.S. context of Cuban and Puerto Rican migrant print culture in which...

... Western identity, and while it has, I think, been miscalled “Cartesian,” that has become its usual shorthand description. The New York Puerto Rican Bernardo Vega captured opposition to it as simply as Glissant, Achebe, and Philip. Speaking of his fellows’ efforts to set...

... of these writers have roots in Mexico, Cuba, and Puerto Rico, regions with a long history of cultural interaction with the United States, Castillo opts not to integrate them into literary-critical narratives of historical Hispanophone communities in this country. Rather than anchor her discussion in literary...

... positions her new Latino/a writers “beyond” both the U.S. Latino boom and the “well-established Latin American literary boom” of the 1960s (10). Although the majority of these writers have roots in Mexico, Cuba, and Puerto Rico, regions with a long history of cultural interaction with the United...

... of these writers have roots in Mexico, Cuba, and Puerto Rico, regions with a long history of cultural interaction with the United States, Castillo opts not to integrate them into literary-critical narratives of historical Hispanophone communities in this country. Rather than anchor her discussion in literary...

... of these writers have roots in Mexico, Cuba, and Puerto Rico, regions with a long history of cultural interaction with the United States, Castillo opts not to integrate them into literary-critical narratives of historical Hispanophone communities in this country. Rather than anchor her discussion in literary...

... positions her new Latino/a writers “beyond” both the U.S. Latino boom and the “well-established Latin American literary boom” of the 1960s (10). Although the majority of these writers have roots in Mexico, Cuba, and Puerto Rico, regions with a long history of cultural interaction with the United...

... positions her new Latino/a writers “beyond” both the U.S. Latino boom and the “well-established Latin American literary boom” of the 1960s (10). Although the majority of these writers have roots in Mexico, Cuba, and Puerto Rico, regions with a long history of cultural interaction with the United...

... positions her new Latino/a writers “beyond” both the U.S. Latino boom and the “well-established Latin American literary boom” of the 1960s (10). Although the majority of these writers have roots in Mexico, Cuba, and Puerto Rico, regions with a long history of cultural interaction with the United...

.... Pacifici, Sergio. The Modern Italian Novella: From Capuana to Tozzi. Carbondale and Edwardsville: Southern Illinois University Press; London and Amsterdam: Feffer & Simons, CrosscurrentslModern Critiques, 1973. xiii + 188 pp. $5.95. Phillips, Jordan Blake. Contemporary Puerto Rican Drama...

... Modernista. San Juan, Puerto Rico: Ediciones Aso- mante, 1962. Pp. 149. Green, Richard (translator). Boethius : The Consolation of Philosophy. New York: Bobbs-Merrill Co., Library of Liberal Arts, No. 86, 1962. Pp. xxvi + 134. $1.25. Harkins, William E. Karel Capek. New York : Columbia...