...Michael McCanles Copyright © 1968 by Duke University Press 1968 LOVE AND POWER IN THE POETRY OF SIR THOMAS WYATT By MICHAELMCCANLES Wyatt’s love lyrics establish a relationship between lover and lady in which love...

...Benjamin Nyce JOYCE CARY’S POLITICAL TRILOGY THE ATMOSPHERE OF POWER By BENJAMINNYCE In To Be a Pilgrim, the second novel of Joyce Cary’s first trilogy, one of the characters says: “No one has...

... (off). BERELLANG University at Albany, SUNY Language and Symbolic Power: By PIERREBOURDIEU. Edited and introduced by JOHN B. THOMPSON.Translated by GINORAYMOND and MATTHEWADAMSON. Cambridge, Mass.: Harvard University...

...). In short, they bring into confrontation interiority and power. Hamlet’s inwardness is a haven from base reality. He is an aesthete, Castiglione’s graceful courtier trapped in a Machiavellian state, Augus- tine’s longing idealist confined to gross earth, a prince of romance in a world...

...Ruth Shklar Copyright © 1995 by Duke University Press 1995 Ruth Shklar is assistant professor of English at the University of Nebraska—Lincoln. She is working on a study of Middle English drama and civic ideology. Cobharn’s Daughter: The Book of Margery Kmpe and the Power...

...Gregory Mechacek The Full-Knowing Reader: Allusion and the Power of the Reader in the Western Literary Tradition . By Joseph Pucci. New Haven, Conn.: Yale University Press, 1998. xxii + 263 pp. © 2001 University of Washington 2001 MLQ 62.3-05 Reviews 7/12/01 1:22 PM Page 285...

...Catherine Gimelli Martin Arbitrary Rule: Slavery, Tyranny, and the Power of Life and Death . By Nyquist Mary . Chicago : University of Chicago Press , 2013 . xiii + 421 pp. Copyright © 2015 by University of Washington 2015 Arbitrary Rule offers a rich, intricately detailed...

... Milton and the Rmolutionary Reader. By Sharon Achinstein. Literature in His- tory. Princeton, N.J.: Princeton University Press, 1994. xiv t 272 pp. $37.50. Historicizing Milton: Spectacle, Power, arid Poetry in Restoration England. By Laura Lunger hoppers. Athens: University of Georgia Press...

... University Press, 1994. xiv t 272 pp. $37.50. Historicizing Milton: Spectacle, Power, arid Poetry in Restoration England. By Laura Lunger hoppers. Athens: University of Georgia Press, 1994. xi t 209 pp- $45.00. These books represent the best current criticism of seventeenth-century English...

...Bill V. Mullen The Power of Political Art: The 1930s Literary Left Reconsidered . By Robert Shulman. Chapel Hill: University of North Carolina Press, 2000. 340 pp. © 2002 University of Washington 2002 Reviews The Vanishing: Shakespeare, the Subject, and Early Modern Culture...

...Brian Reed Modern Enchantments: The Cultural Power of Secular Magic . By Simon During. Cambridge, MA: Harvard University Press, 2002. x + 336 pp. © 2004 University of Washington 2004 Brian Reed is assistant professor of English at the University of Washington. His publications...

.... F. POWERS’ DIFFICULT PRECISION” By JOSEPH HYNES Critics of J. F. Powers’ Morte d’Urban quite properly attend to the title and its relevance to the conclusion of the book. If I may sum- marize the criticism a bit...

...Garrett Stewart Copyright © 1993 by Duke University Press 1993 Reuieu Essay Staying Powers Garrett Stewart Theory Now and Then. By J. Hillis Miller. Durham, N.C.: Duke University Press, 1991. xv + 405 pp. $50.50. Trqes, Parables, Perfmtiues: Essays on Twentieth-Gmtury...

... of historicism. The End of Technology: Memory in Richard Powers’s Galatea 2.2 Jeffrey Pence Today the mind is not part of the weather. —Wallace Stevens, “A Clear Day and No Memories” ontemporary memory’s greatest difficulty lies not in its weakness Cbut in its strength: rather than...

...William Power Samuel Schoenbaum. New York: Columbia University Press, 1955. Pp. ix + 275. $4.50. Copyright © 1956 by Duke University Press 1956 REVIEWS Middleton’s Tragcdies: A Critical Study. By SAMUELSCHOENBAUM. New York: Columbia University...

... assumed the power he did in Eliot's thinking because he addressed many of the concerns Eliot had begun to develop from symbolist poetics, particularly its critiques of empiricism and its engagement in the infinite ironies involving the status of subjectivity. Bradley also transformed these concerns...

.... But this critical tendency has carried its own repressive effects, including wresting our attention from collectivities and solidarities. A reading of John Clare’s 1820 poem “The Harvest Morning” shows that repetition is crucial to the exercise of political and economic power and that poetic forms, especially...

... and boundaries, Hawthorne twists the genres together again, as do John Keats and Robert Browning. Snakes in The Marble Faun , vines in The Blithedale Romance , and the A in The Scarlet Letter are tangled figures that at once image both the relationship between the genres and the newly powerful nature...

...Rachel Ablow Abstract Nancy Armstrong famously identifies middle-class white Victorian women writers not just as passive victims of ideology but as possessors of relative privilege in relation to power. Even more radically, she identifies herself as possessing analogous forms of power as a woman...

...Peter Höyng In Beethoven’s last symphony one encounters a prototype in which music serves as a powerful catalyst for literature. It is his music that transported Schiller’s poem “An die Freude” (“Ode to Joy”) beyond its temporal, linguistic, and geographic origin. If one dubs this phenomenon “world...