...Mark Spilka 1 Julian Moynahan. The Deed of Life: The Novels and Tales of D. H. Lawrence . Princeton: Princeton University Press, 1963. xxi + 229 pp. $5.00. Copyright © 1964 by Duke University Press 1964 POST-LEAVIS LAWRENCE CRITICS...

... “A Study of the Working Class in Post-war British Fiction.” Gray takes half-a-dozen novels about working-class charac- ters and mysteriously includes as “fiction” Brendan Behan’s Borstal Boy. He approaches these books from a rigid class viewpoint and condemns Alan Silli- toe, for example...

...Benjamin T. Spencer Copyright © 1943 by Duke University Press 1943 A NATIONAL LITERATURE : POST-CIVIL WAR DECADE By BENJAMIN T. SPENCER That after each demonstration of national power in the early decades of the Republic a demand arose for a national literature...

...Sabine Wilke Hell Julia. Durham, N.C.: Duke University Press, 1997, x + 368 pp. $59.95 cloth, $19.95 paper. Copyright © 1999 by Duke University Press 1999 Wilke I Review 7-85 Post-Fascist Fantasies: Psychoanalysis, History...

...Daniel T. McGee Post-Marxism: The Opiate of the Intellectuals Daniel T. McGee The name of new International is given here to what calls to the friendship of an alliance without institution among those who, even if they no longer believe or never...

... Literatures in English (2006). University of Washington 2007 The Influence of Post-modernism on Contemporary Writing: An Interdisciplinary Study . By David Punter. Lewiston, NY: Mellen, 2005. xii + 358 pp. Reviews The Grounds of English Literature. By Christopher Cannon. Oxford...

... of the baroque as the privileged locus of Spanish literary and historical production by appealing to the secularized post-Hegelianism of Jacob Burckhardt and Heinrich Wölfflin. In particular, Maravall's analysis draws on two related elements in the post-Hegelian approach to early modern historiography...

...Linda Hutcheon Making Strange: Beauty, Sublimity, and the (Post)modern “Third Aesthetic.” By Herbert Grabes. Amsterdam: Rodopi, 2008. xiii + 172 pp. University of Washington 2010 Linda Hutcheon is University Professor of English and Comparative Literature at the University...

...Thomas Carmichael Sublime Desire: History and Post-1960s Fiction . By Amy J. Elias. Baltimore: Johns Hopkins University Press, 2001. xxviii + 320 pp. © 2005 University of Washington 2005 Thomas Carmichael is associate professor of English at the University of Western Ontario. He...

... interested in establishing an evolution to- ward the domestic strain in the light of post-Romantic critical theory and prac- tice, this will be something of a disappointment, but the integrity of the study as it stands indicates that the limitation is consciously self-imposed; and if one reads...

... operations, controlled and repeatable experiments, and measurement-based, post-Baconian science. Milton’s Eve sins as the world’s first experimentalist and in effect breaks the World-Soul’s cosmic heart: even as Spenser’s Agape had previously re-created it allegorically, Neoplatonically, and metaphysically...

... of geological time to human history, challenging traditional theories of historical change. Drawing on this notion, Dipesh Chakrabarty outlines three theories of history. History 1 and 2 refer to liberalism and its postcolonial and postmodern critique, respectively. History 3, or post-Anthropocene history...

...Chen Yongguo Both historically and theoretically, this essay traces the development of modern Chinese poetry, including the Chinese symbolists of the 1920s, the modernists of the 1930s, the Nine Leaves of the 1940s, the obscurists of the 1970s, and the post-obscurists of the Third Generation...

... on orally from performer to performer and from performer to audience, blackface minstrels sought to reassure the middle classes that they were emulating more sophisticated European musical traditions. What both the covers and the contents of post-1843 blackface sheet music reveal is that these minstrels...

...Michal Kobialka The “after theory” syndrome silently renounced historiography as radical thought and substituted a closed, retrospective framework to conceptualize the ontology of theater/performance history. In its postmodern/post-utopian universe, historicizing largely contents itself...

... categories of identity, especially gender, and by suggesting how the “romantic work of genius” continues to operate and hold power in our (post)modern societies today. Copyright © 2019 by University of Washington 2019 genius nationalism individual identity Samuel Taylor Coleridge Ralph Waldo...

... rumbling through her work, Chukhrov’s theses are consistent: art must be communist; all desire, even faked, is political eros; and the post-Soviet subject is not even dead. Chukhrov embeds her politics in institutional critique, lends her labor to collectives and collaborations, and refracts her poetic...

... foundation or base, originally the “soil,” or posts on which the sills are laid above the soil. When the foundation is unimportant, and as the body-structure is itself the base over the soil for the roof, then the proppings are merely parts of the skeleton of the cell. The feet of a stable-less...

... of Grasmere. Through the last months of 1844 and the first of 1845 William Wordsworth was vigorously active against the proposed line along Windermere Lake. His written expression on the matter comprises a sonnet in the London Morning Post for October 16, 1844; two let- ters consisting of some...