...Ronald Schleifer; Nancy M. West Copyright © 1999 by Duke University Press 1999 The Poetry of What Lies Close at Hand: Photography, Commodities, and Postromantic Discourses in Hardy and Stevens Ronald Schleifer and Nancy M. West We understand while we look...

... . Shakespeare and the Popular Dramatic Tradition . Westminster : King and Staples . Bohrer Frederick N . 2002 . “ Photographic Perspectives: Photography and the Institutional Formation of Art History .” In Art History and Its Institutions: Foundations of a Discipline , edited by Mansfield...

... aesthetics, within an interdisciplinary Canadian cultural context, and at the same time making ample reference to the visual arts, here specifically photography. Although short, Splittinglmages provides the foreign reader with a complete picture of Canadian postmodernism today, through the lens...

... shifting and pervasive discourses of such traditional “sister arts” as sculpture and painting, along with newish media, like cinema and photography, that were increasingly viewed within this tradition or could be assimilated to it as technologies with profound aesthetic implications for twentieth-century...

... the “mutually authorizing relationship between fiction and photography.” Armstrong argues that details, visual description, perspective, and spectacle were all part of the expanding referential world that helped Victorian readers imagine their relationship to the real. Just as photography promised “unmediated...

... donkey-eye in Un Chien andalou. Still photography presents yet another visual dimension to Keaton’s most dangerous endgame. Even the folder containing the pictures pre- sents a crisis: to avert the “eyes” of the folder, it must be shifted ninety degrees. Its seven photos represent the “eyes...

..., and hopeless atmosphere created by naturalistic drama, a cause of eventual death for the theatre, since it obstinately strove for a replica of life itself, which drama can but must never attain if it is to survive as an art and not as mere photography. Gide insists also upon the need...

... no small favor. To add to the convenience is included an index of Victorian writers discussed, whereby the hunt for material is reduced to a minimum. For reasons of economy the text was re- produced by photography. The only changes made from the original were continuous pagination and uniform page...

... created by naturalistic drama, a cause of eventual death for the theatre, since it obstinately strove for a replica of life itself, which drama can but must never attain if it is to survive as an art and not as mere photography. Gide insists also upon the need for obstacles...

... twenty years ; and finally, and most convincingly, her own new evidence, gathered from unpublished letters by Dickens, especially the blacked-out portions now revealed by infra-red photography. Her facts prove that Dickens was infatuated with Ellen Ternan, and if, as Edmund Wilson says in his...

... Citizen to the documentary lyric of the 1930s, which depended in many cases on poetry joined with photography. In American Modernism and Depression Documentary Jeff Allred ( 2010 : 7) focuses on texts that combine photography and text, identifying an overlooked tradition of “documentary modernism...

... if it is to survive as an art and not as mere photography. Gide insists also upon the need for obstacles in the path of the artist, who dies of freedom but waxes great under coercioti. He dein;inds new heroes of the theatre, the old ones hav- ...

... placed on optics in its relationship to romantic theory, particularly with regard to the discoveries in photography. Least unified of all is the excursion into the problems of folk 656 Reviews language, exemplified by George Washington Harris, because...

... appearing annually in the May issue of Modern PIziZoZogy is indeed no small favor. To add to the convenience is included an index of Victorian writers discussed, whereby the hunt for material is reduced to a minimum. For reasons of economy the text was re- produced by photography. The only changes...

... photography. Her facts prove that Dickens was infatuated with Ellen Ternan, and if, as Edmund Wilson says in his Foreword, his relations with her “were . . . Platonic, he was an even odder fish than one had thought.” Professor Nisbet deserves praise for undertaking the defense of scholars who...

... entirely as a cause, as Kittler so often does, misses the chance to treat it also as an effect. One might offer in contrast the different kind of immediacy dis- covered by Geoffrey Batchen in the first years of photography. As Batchen tells it, the idea...

... by Johnson Barbara . Chicago : University of Chicago Press . Marder Elissa . 2012 . The Mother in the Age of Mechanical Reproduction: Psychoanalysis, Photography, Deconstruction . Fordham, NY : Fordham University Press . ...

... The discourses on the representation of “the real” that the new art of photography prompted foregrounded this literary problem as a concern with mime- sis and specifically with the “visual representations of things, represen- tations that fiction helped to establish as identical to real things and people...

... known in this country. Halter’s expansion of the role of visual fortn in poetry parallels his treat- ment in the preceding chapter, “The Search for a Synthetic Form,” of two modes of visual art, photography and still-life painting. In all three cases, Halter argues against the exclusive...

..., Goethe’s Faust , Schmitt; chapter 15, The Lives of Others (film), Eldagsen (photography). A prime virtue of Hamilton’s method is that he mines archaeologies of security to reveal unexpected links between texts and ideas. Chapter 4, “A Brief Semantic History of Securitas ,” ranges from the Greek...