...A. F. B. Clark Henry Carrington Lancaster. Baltimore: The Johns Hopkins Press, 1942. Pp. 235. $5.00. Copyright © 1943 by Duke University Press 1943 504 Reviews A History of French Dramatic Literature in the Seventeenth Cen- tury. Part V, Recapitulation...

... that, of the four pairs of national traits singled out, three are never heard of again. Their presence is due, in part, of course, to Thibaudet’s desire to multiply shapes, to “faire riche”; but more important, perhaps, is his desire to show, by multiplying variations on the theme “Comment peut...

...Daniel Javitch This essay challenges the view that the last part of Orlando furioso takes an “epic” turn and abandons many of the “romance” features that characterize its first half. The essay does so by considering (1) the anachronism of projecting onto the Furioso a desire on Ariosto's part...

...Dorothy F. Atkinson THE AUTHORSHIP OF THE MIRROR OF KNIGHTHOOD, PART NINE1 By DOROTHYF. A4TKINSON The Ninth Part of the Myrrour of Knighthood2 carries on its title page no translator’s name, nor has it any dedication or address...

...George W. Umphrey Copyright © 1945 by Duke University Press 1945 SPANISH BALLADS IN ENGLISH PART I, HISTORICAL SURVEY By GEORGEW. UMPHREY The charm of the old popular ballads of Spain has been felt inore widely and deeply than...

...Anna Granville Hatcher Copyright © 1944 by Duke University Press 1944 JE LE VOIS SOURIRE; JE LE VOIS QUI SOURIT; JE LE VOIS SOURIANT. PART ONE By ANNAGRANVILLE HATCHER As the title indicates, this article is devoted to a study...

...Anna Granville Hatcher Copyright © 1944 by Duke University Press 1944 JE LE VOIS SOURIRE; JE LE VOIS QUI SOURIT; JE LE VOIS SOURIANT. PART TWO By ANNAGRANVILLE HATCHER Inanimate Activity In reference to animate activity we have...

...George W. Umphrey Copyright © 1946 by Duke University Press 1946 SPANISH BALLADS IN ENGLISH PART 11, VERSE TECHNIQUE By GE~RCEw. UMPJTREY One hundred and fifty years ago Alexander Fraser Tytler, Lord Woodhouselee, published his Essay...

...Francis Christensen Copyright © 1946 by Duke University Press 1946 JOHN WILKINS AND THE ROYAL SOCIETY’S REFORM OF PROSE STYLE. PART ONE By FRANCISCHRISTENSEK That the Royal Society was influential in rationalizing the prose style...

...Francis Christensen Copyright © 1946 by Duke University Press 1946 JOHN WILKINS AND THE ROYAL SOCIETY’S REFORM OF PROSE STYLE. PART TWO By FRANCISCHRISTENSEN I1 In 1921 Professor 0. F. Emerson wrote...

...Paul H. Kocher Copyright © 1945 by Duke University Press 1947 CONTEMPORARY PAhIPHLET BACKGROUNDS FOR MARLOWE’S THE MASSACRE AT PARIS. PART TWO By PAULH. KOCHER I11 Certainly the most intere4ng part...

...Allan H. Gilbert Copyright © 1947 by Duke University Press 1947 THOMAS TRAHERNE AS ARTIST. PART TWO By ALLANH. GILBERT IV. THEART OF POETRY Traherne was aware of other arts than poetry. There are a few slight references...

...Leo Spitzer Copyright © 1948 by Duke University Press 1948 PATTERNS OF THOUGHT IN THE STYLE OF ALBERT THIBAUDET (PART ONE) By LEOSPITZER The following study will test the possibility of analyzing the style of a literary critic...

...T. M. Pearce © 1954 University of Washington 1954 TAMBURLAINE’S “DISCIPLINE TO HIS THREE SONNES” AN INTERPRETATION OF TAMBURLAINE, PART II By T. M. PEARCE The title page of Tamburlaine, Part 11, as issued separately in the third edition by Edward White (1606...

.... ROBERTSHULMAN University of Washington A Middle English Syntax: Part I (Parts of Speech). By TACNOF. MUSTA- NOJA. Helsinki : SociCtC NCophilologique, 1960. Pp. 702. $6.00. The Finnish scholar Mustanoja has given us a most useful tool in this Syntax. What with the failure...

...,31 as “a ridiculous doctrine in mod- ern criticism-Poetical Justice,” to all intents and purposes this is what it In order that tragedy may convey this moral impressively, it is necessary that the characters be dignified and appealing. This is done, in part, by elevating...

...Claude E. Jones Copyright © 1959 by Duke University Press 1959 ∗ Part I appeared in the March, 1959, issue of MLQ . DRAMATIC CRITICISM IN THE CRITICAL REVIEW, 1756-1785 PART11” By CLAUDEE. JONES...

...George L. Barnett Copyright © 1959 by Duke University Press 1959 CHARLES LAMB’S PART IN AN EDITION OF HOGARTH By GEORGEL. BARNETT Charles Lamb’s high regard for the pictures of William Hogarth was manifested by a cherished collection of framed prints...

... with an enticing title page. The reading public which supported these lending libraries apparently comprised, for the most part, women and children, servants and idle beaus. A Critical writer, in 1756, calls novels “food for idle templars, raw prentices, and green girls, that support the circulating...