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Modern Language Quarterly (1965) 26 (2): 318–326.
Published: 01 June 1965
...Michael S. Batts Copyright © 1965 by Duke University Press 1965 THE OLD ORDER CHANGETH’ By MICHAELS. BATTS Eine Interpretation, die Schritt fur Schritt mit der Dichtung geht, ohne das Sichtfeld der strophischen Gefiige zu verlassen...
Modern Language Quarterly (1964) 25 (1): 34–45.
Published: 01 March 1964
...Donald H. Reiman Copyright © 1964 by Duke University Press 1964 APPEARANCE, REALITY, AND MORAL ORDER IN RICHARD II By DONALDH. REIMAN Critics have noted that one of the underlying motifs in Shakespeare’s...
Modern Language Quarterly (1949) 10 (1): 124–125.
Published: 01 March 1949
... on the solid foundation of Henry Jnmes and the Expanding Horizon. JOSEPH B. HARRISON University of Waslziitgton Rage for Order: Essays in Criticism. By AUSTIN~VARREN. Chicago : University of Chicago Press, 1948. Pp. vii + 161. $3.00. Professor Warren’s...
Modern Language Quarterly (2005) 66 (2): 227–252.
Published: 01 June 2005
...Marina MacKay © 2005 University of Washington 2005 Marina MacKay is assistant professor of English at Washington University in St. Louis. She is writing a book about British modernism in the Second World War. Putting the House in Order: Virginia Woolf and Blitz Modernism...
Modern Language Quarterly (1972) 33 (3): 289–298.
Published: 01 September 1972
...Michael Steig; F. A. C. Wilson Copyright © 1972 by Duke University Press 1972 HORTENSE VERSUS BUCKET THE AMBIGUITY OF ORDER IN BLEAK HOUSE By MICHAELSTEIG and F. A. C.WILSON Contrast enough between Mr...
Modern Language Quarterly (1973) 34 (1): 3–19.
Published: 01 March 1973
...Kathleen A. Blake Copyright © 1973 by Duke University Press 1973 ORDER AND THE NOBLE LIFE IN CHAUCER’S KNIGHT’S TALE? By KATHLEEN A. BLAKE How many readers of Chaucer’s Knight’s Tale have succeeded in keeping...
Modern Language Quarterly (2005) 66 (3): 396–399.
Published: 01 September 2005
...Harold Love Print, Manuscript, and the Search for Order, 1450-1830 . By David McKitterick. New York: Cambridge University Press, 2003. xv + 311 pp. © 2005 University of Washington 2005 Harold Love is professor emeritus of English at Monash University. His most recent book...
Modern Language Quarterly (1987) 48 (1): 20–41.
Published: 01 March 1987
...Jane K. Brown Copyright © 1987 by Duke University Press 1987 DISCORDIA CONCORS ON THE ORDER OF A MIDSUMER MGHT’S DREAM By JANE K. BROWN A Midsummer Night’s Dream is concerned with marriage, relations...
in Between Habbakuk and Locke: Pain, Debt, and Economic Subjectivation in Paradise Lost > Modern Language Quarterly
Published: 01 March 2017
Figure 2. Semic production of postlapsarian order Figure 2. Semic production of postlapsarian order More
Modern Language Quarterly (1949) 10 (4): 534.
Published: 01 December 1949
...Kester Svendsen Allan H. Gilbert. Chapel Hill: University of North Carolina Press, 1947. Pp. x + 185. $3.50. Copyright © 1949 by Duke University Press 1949 534 Rm’ews On the Composition of Paradise Lost: A Study of the Ordering ad Insertion...
Modern Language Quarterly (1996) 57 (4): 545–578.
Published: 01 December 1996
... from the Aeneid to the Spanish Golden Age. Her book El cadáver en la cocina , a study of contemporary Spanish detective fiction, is forthcoming. What Sort of Wedding? The Orders of Discourse in El Burlador de SeVilla Joan Ramon Resina s an age of transition between social...
Modern Language Quarterly (1971) 32 (4): 440–443.
Published: 01 December 1971
.... EARLh’IINER Universily of California, Los Angeles “Dryden on Creation: ‘Imagination’ in the Later Criticism,” RES, 21 (1970), 295-314. The Ordering of the Arts in Eighteenth-Century England. By LAWRENCE LIPKING.Princeton: Princeton University Press, 1970. xvi + 503 pp. $12.50...
Modern Language Quarterly (2011) 72 (4): 493–520.
Published: 01 December 2011
... challenges received understandings of the linguistic purchase of modernist innovation. The author examines Hebrew and Yiddish modernist literary texts by Devorah Baron and Dovid Bergelson that employ nonreferential indexicality in order to chart the ruptures in two textual communities, in two particular...
Modern Language Quarterly (2012) 73 (3): 433–451.
Published: 01 September 2012
... the social trajectories of the peasant formations of the precapitalist world. According to Naipaul, these deranging effects are precisely what the peripheral artist excavates. Writers born of this historical milieu must, in his view, also note how their work partakes of the order it describes. Those who...
Modern Language Quarterly (2020) 81 (1): 1–31.
Published: 01 March 2020
... and evanescent. This alternative Ovidian scenario offers a model of lyric that capitalizes on the brief resonance that the female voice acquires at the point of vanishing. By deploying it in her song, Wroth not only rewrites Petrarch through Ovid in order to articulate a gendered lyric voice but shows herself...
Modern Language Quarterly (2020) 81 (2): 139–167.
Published: 01 June 2020
... the prophetic-poetic text as “strong”: artful, controlled, ordered, and balanced. He responded to an anxiety about the place of the Bible and biblical prophecy in eighteenth-century English society by disavowing or minimizing the irregularities, stutters, and fissures in prophecy. But by introducing prophecy...
Modern Language Quarterly (2018) 79 (1): 25–52.
Published: 01 March 2018
..., in particular the religious civil wars of the preceding century. Albeit in the discreetly displaced form of a martyr story set in imperial Rome, the play enacts the violent disorders associated with religion itself and so, by extension, the virtues of the new secular order that theater embodies. All...
Modern Language Quarterly (2019) 80 (3): 261–286.
Published: 01 September 2019
...Joshua Branciforte Abstract Alexander Pope envisioned his poetry as conducive to a social order shaped and guided by taste. However, unlike later arbiters of taste who sought to project idealized norms, Pope used techniques that were oppositional, individualized, materialist, and perverse. His...
Modern Language Quarterly (2020) 81 (4): 441–464.
Published: 01 December 2020
... voice and style in order to convey the particularity of historical circumstance, not as reportage but as lived experience. The world making of world literature comes into play as historical becoming revealed in the retrospective account conscious of the conditions of its own telling. The problem...
Modern Language Quarterly (2021) 82 (1): 27–53.
Published: 01 March 2021
... in “The Flower.” While Herbert’s speaker seeks God as that object, his own memory impedes him, making him question God’s goodness and forcing him not only to abandon forms of remembering that Herbert’s sources—from psalmists to theologians—employ so as to rise to praise, but also to use form in order to forget...