Search Results for object

... to those of the mid-eighteenth century. In thus arguing for Waverley as a rumination on the history of the novel “sixty years since”—as a literary-historical as well as historical novel—the essay considers Scott's debt to the most popular of these midcentury fictions, the object narrative, by reading...

... of the activities and insights of textual scholarship and is inherited from, rather than opposed to, the New Criticism and its core method of “close reading.” Literary history requires not new or integrated methods but a new scholarly object capable of managing the documentary record’s complexity, especially...

...Rudolf D. Schier Copyright © 1967 by Duke University Press 1967 NATURAL OBJECTS AND THE IMAGINATION MORIKES VIEW OF POETIC LANGUAGE By RUDOLFD. SCHIER Sie stiegen Arm in Arm uber den Graben an der StraBe und so...

...David J. DeLaura Copyright © 1965 by Duke University Press 1965 PATER AND ELIOT THE ORIGIN OF THE “OBJECTIVE CORRELATIVE” By DAVIDJ. DELAURA Conjectures have been made concerning possible sources for T S. Eliot’s...

... an interest in persons, situations, and worlds imagined at a level of detail and complexity well beyond the fictional placeholders other disciplines employ in their thought experiments. This raises ethical and ontological questions about the “reality” of our objects of study. Dominant Western epistemological...

...Eileen Reeves Eileen Reeves is professor of comparative literature and associate member of the Program in History of Science at Princeton University. Her most recent book is Evening News: Optics, Astronomy, and Journalism in Early Modern Europe (2014). Hollow Men: Writing, Objects...

...James Kuzner Abstract This essay dwells on George Herbert’s “The Flower” and on how its speaker can love and praise God. Writing of praise and doubt, Stanley Cavell remarks that the problem of skepticism is partly a problem of finding an object that one can praise, a search that certainly occurs...

...Wendy Allison Lee Abstract This essay examines the work of detail in contemporary Asian American metafiction by reconsidering Georg Lukács’s understanding of description as a mode of fiction that transforms humans into observers and objects via an excess of detail. Lukács’s work has informed views...

... and that deceive the fallen angels by turning to ash in their mouths. This episode has been the object of much critical discussion, and none of its identified sources, including the Bible, Lucan, and Spenser, provides a convincing model for Milton's depiction of the tantalizing food. I propose that Milton imitates...

...Taylor Schey Abstract Literary history commonly holds that the Enlightenment inaugurated an epistemological crisis to which the British Romantic poets sought to respond. The skeptical separation of subject and object is considered a central problem for Romanticism, which is thought to rest...

...Jesse Rosenthal Abstract This essay looks at literary criticism’s persistent confession of critics’ secret relations to literature. It argues that such formalized secrecy and confession are used to insist on a personal orientation toward the literary object that helps deny the institutional forces...

... a drama of the agents carrying out distinctive acts of self-interpretation: the fullness of love depends on hearing themselves speak and trying to imagine the objective difference that hearing is making in their behavior toward the other lover. ▪ ▪ ▪ Still here is reminiscent of Shakespeare’s...

... approaches, this essay argues that it is precisely the hermeneutic attention to particular works that has allowed critical humanists to think about literary practice within the most encompassing purview. For those in this tradition, “world literature” can never be a stable object but is a speculative...

... (a person, an artwork, a battle) that prioritizes the act of typifying, an act that does not sacrifice but discloses, or even constitutes, the individual. Like the Proustian type, context is best understood not as an alienation from, but as a route to, the particularity of the literary object. a.ossa...

...: they are always in motion, zooming in and zooming out, demanding close observation while also enlarging the frame to the global impact of war or the marginalization of women. Woolf uses details dynamically to move between material objects and human minds, and also to move across scales , and thus produces...

...Valerio Amoretti Abstract This essay uses W. R. Bion’s object-relations theory to argue that the formal experiments in Samuel Beckett’s The Unnamable demand a distinctive kind of psychic work from readers. It describes this work in terms of containment , an unconscious mechanism that supports...

... and recurrent confessional impulse permit reconstruction of much of his reading experience, recording not simply his internalization of formative texts but also his attraction to books as auratic objects for consumption. For students of book history, Updike's “story of reading” yields a quarry of information...

... that economic and aesthetic values emerge at the intersection between the material attributes of the (economic or aesthetic) object and the imaginative fantasies projected onto it by prospective consumers. Richard T. Gray is Byron W. and Alice L. Lockwood Professor in the Humanities in the department...

... . Serial forms synchronize naturalist representation through a slow temporality that enables viewers and characters to share a deferred longing for the social transformations once symbolized by the 1960s. Mad Men ’s objective situation is today’s neoliberal condition, connected to the longue durée...

... of the novel’s conception of reality in the Mexican borderlands: first, the Ciudad Juárez femicides as objects of representation; second, the economic conditions underlying the systemic violence perpetrated against female maquiladora workers and the rift between labor and capital; and third, the relation of art...