...Philip Stephan Copyright © 1969 by Duke University Press 1969 DECADENT POETRY IN LE CHAT NOIR BEFORE VERLAINE’S “LANGUEUR’’ By PHILIPSTEPHAN According to the traditional view held by historians of French sym- bolism...

..., for his invaluable suggestions and encouragement. JULIEN SOREL-SOLDIER IN BLUEX By GARYM. GODFREY Ever since Stendhal’s impulsive decision to change the title of Julien to Le Rouge et le Noir, critics have advanced a plethora of arguments...

... Jdes Renard and Marcel Schwob hj- reason of the following mise-au-point, calls our attention to Renard’s reviews of Boiwie-Dante and Les Emwt.uri.7.” Two sets of diametrically opposed opinions are presented by A and B in the former review and by Blanc and Noir in the latter. A and Blanc...

... sifflement lointain leur fit tourner la ttte, et elles aper urent une machine noire qui grandissait. Cela arriva avec m bruit terrible (bM 351-2) Mais dans ce geste qu’elle fit en se cambrant sur sa chaise, elle aperpt. au loin, tout au fond de I’horizon, la vieille diligence l’Hirondelle, qui...

... slippages of German-occupied urban space; and (3) the postmodern noir engagé explicitly embarks on an anamnestic project by inscribing French national history in the (psychotically) private and (economically) privatized sites of modern-day crime. In this way I add an analysis of historical change...

..., somewhat frenetically titled chapter, “Dismember Me: Shakespeare, Para- noia, and the Noir World Order,” which bases its argument on Slavoj Žižek’s reading of the difference between classic and noir styles of detective fiction. The classic style depicts a world governed by the big Other, who ensures...

... in her third, somewhat frenetically titled chapter, “Dismember Me: Shakespeare, Para- noia, and the Noir World Order,” which bases its argument on Slavoj Žižek’s reading of the difference between classic and noir styles of detective fiction. The classic style depicts a world governed by the big...

... in her third, somewhat frenetically titled chapter, “Dismember Me: Shakespeare, Para- noia, and the Noir World Order,” which bases its argument on Slavoj Žižek’s reading of the difference between classic and noir styles of detective fiction. The classic style depicts a world governed by the big...

...: Shakespeare, Para- noia, and the Noir World Order,” which bases its argument on Slavoj Žižek’s reading of the difference between classic and noir styles of detective fiction. The classic style depicts a world governed by the big Other, who ensures the consistency of the symbolic order and hence...

..., “Dismember Me: Shakespeare, Para- noia, and the Noir World Order,” which bases its argument on Slavoj Žižek’s reading of the difference between classic and noir styles of detective fiction. The classic style depicts a world governed by the big Other, who ensures the consistency of the symbolic order...

... with the blackboard of an amphitheater in ruins, with the anthracite desert, and with the less material “esprit noir des circonstances” (p. 96) and the “amour de la nuit” (p. 98). This device is linked to the all-important surrealist concept of duality and particularly to Demos’s own poems, many of which...

... not mistaken, Fritz Neumann, in a review of the first edition of the Old French grammar of S~hwan,~was the first to object to entligm > entir. He maintained that the phonological result would be *entire with vowel of support, and that likewise n'igru > *wire, 'noire. Since masculine and feminine...

... Maurice . 1964 . Le visible et l’invisible . Paris : Gallimard . Meyer Catherine , ed. 2005a . Le livre noir de la psychanalyse: Vivre, penser et aller mieux sans Freud . Paris : Les Arènes . ———. 2005b . “ Pourquoi un livre noir de la psychanalyse? ” In Meyer 2005a : 7 – 13...

... spheres of economy, polity, and society. But that’s neither here nor there; before such a ranking of generic completeness can be undertaken, one would have to have an idea of what the genre of novelization actually is. 1 Unlike, say, film noir, a genre invented post hoc by critics, novelization has...

... a number of otherwise diegetically self-­contained novels, constitutes their emotional and literary force quite differently. This is true despite the reappearances of the detective Philip Marlowe: one feels, reading a series of Chandler novels, that the noir world, with its particular modes...

... regars destournez. 0 chaus soupirs, 6 larmes espandues. 0 noires nuits vainement atendues 0 iours luisans vainement retournez : 0 tristes pleins, 6 desirs obstinez, 0 tems perdu, 6 peines despendues...

... because much can be learned about the poems by reading them in the light of their author’s easy familiarity with Horace, Juvenal, Lucretius, and, most significantly, with Samuel Butler. The sections on that persistent bite noire of biographers and moralistic critics, the scato€ogicalpoems...

... sur le code noir, et dénonciation d’un crime affreux, commis à Saint-Domingue; adressées à l’Assemblée nationale, par la Société des amis des noirs . Paris . Popkin Jeremy D. 2007 . Facing Racial Revolution: Eyewitness Accounts of the Haitian Insurrection . Chicago : University...

... the Turk, Julien and Libanius against human history. Stello and the Docteur-Noir oppose together a bour- geoisie-dominated society, as do Chatterton and the Quaker. Emman- uel’s defiance of God, in Le DBluge, is given its meaning by Sara. It is obvious that Eloa, the angel whose rather...

... Science,” Barbapoux appears intoning a hymn of praise to his calling as a scavenger: “ ‘Sacril6ges ouvriers, dans l’humide et le noir jetons les symboles de la philosophie et des dieux antiques. Sous nos mains magiques, l’humide et le noir s’dpandent en libations qui fdcondent la terre...