... themselves. world literature Oriental tale Fort William College colonial pedagogy nineteenth-century Urdu Copyright © 2017 by University of Washington 2017 Though celebrated mainly for the philological achievements of the Hastings era, eighteenth-century Indic orientalism and its...

... in English after a distinguished debut in Urdu, we fi nd that his English novel Twilight in Delhi is notable not for reproducing nineteenth-century English melodrama, the trope of political action, but for indigenizing the Urdu form of shehrashobb or the “lament on a misgoverned, depraved, or ruined...

... in English after a distinguished debut in Urdu, we fi nd that his English novel Twilight in Delhi is notable not for reproducing nineteenth-century English melodrama, the trope of political action, but for indigenizing the Urdu form of shehrashobb or the “lament on a misgoverned, depraved, or ruined...

... in English after a distinguished debut in Urdu, we fi nd that his English novel Twilight in Delhi is notable not for reproducing nineteenth-century English melodrama, the trope of political action, but for indigenizing the Urdu form of shehrashobb or the “lament on a misgoverned, depraved, or ruined...

... in English after a distinguished debut in Urdu, we fi nd that his English novel Twilight in Delhi is notable not for reproducing nineteenth-century English melodrama, the trope of political action, but for indigenizing the Urdu form of shehrashobb or the “lament on a misgoverned, depraved, or ruined...

... in English after a distinguished debut in Urdu, we fi nd that his English novel Twilight in Delhi is notable not for reproducing nineteenth-century English melodrama, the trope of political action, but for indigenizing the Urdu form of shehrashobb or the “lament on a misgoverned, depraved, or ruined...

... in English after a distinguished debut in Urdu, we fi nd that his English novel Twilight in Delhi is notable not for reproducing nineteenth-century English melodrama, the trope of political action, but for indigenizing the Urdu form of shehrashobb or the “lament on a misgoverned, depraved, or ruined...

... in English after a distinguished debut in Urdu, we fi nd that his English novel Twilight in Delhi is notable not for reproducing nineteenth-century English melodrama, the trope of political action, but for indigenizing the Urdu form of shehrashobb or the “lament on a misgoverned, depraved, or ruined...

... in English after a distinguished debut in Urdu, we fi nd that his English novel Twilight in Delhi is notable not for reproducing nineteenth-century English melodrama, the trope of political action, but for indigenizing the Urdu form of shehrashobb or the “lament on a misgoverned, depraved, or ruined...

...- sands more in English, Hindi, Urdu, Sanskrit, Arabic, and other lan- guages of India. The Bible is being translated and printed in forty lan- guages for dissemination to the burgeoning British dominions in East and Southeast Asia, along with grammars, dictionaries...

... speakers called it by this name) “of all the ‘foreign’ (that is, Persio-Arabic) influence of the centuries — a classic linguistic project of modern nation- alisms” (145). Thus the vernacular of northern India, formerly shared between Muslims and Hindus, was broken down into “Hindi” and “Urdu...

... speakers called it by this name) “of all the ‘foreign’ (that is, Persio-Arabic) influence of the centuries — a classic linguistic project of modern nation- alisms” (145). Thus the vernacular of northern India, formerly shared between Muslims and Hindus, was broken down into “Hindi” and “Urdu...

... speakers called it by this name) “of all the ‘foreign’ (that is, Persio-Arabic) influence of the centuries — a classic linguistic project of modern nation- alisms” (145). Thus the vernacular of northern India, formerly shared between Muslims and Hindus, was broken down into “Hindi” and “Urdu...

... speakers called it by this name) “of all the ‘foreign’ (that is, Persio-Arabic) influence of the centuries — a classic linguistic project of modern nation- alisms” (145). Thus the vernacular of northern India, formerly shared between Muslims and Hindus, was broken down into “Hindi” and “Urdu...

... speakers called it by this name) “of all the ‘foreign’ (that is, Persio-Arabic) influence of the centuries — a classic linguistic project of modern nation- alisms” (145). Thus the vernacular of northern India, formerly shared between Muslims and Hindus, was broken down into “Hindi” and “Urdu...

... speakers called it by this name) “of all the ‘foreign’ (that is, Persio-Arabic) influence of the centuries — a classic linguistic project of modern nation- alisms” (145). Thus the vernacular of northern India, formerly shared between Muslims and Hindus, was broken down into “Hindi” and “Urdu...

... speakers called it by this name) “of all the ‘foreign’ (that is, Persio-Arabic) influence of the centuries — a classic linguistic project of modern nation- alisms” (145). Thus the vernacular of northern India, formerly shared between Muslims and Hindus, was broken down into “Hindi” and “Urdu...

... speakers called it by this name) “of all the ‘foreign’ (that is, Persio-Arabic) influence of the centuries — a classic linguistic project of modern nation- alisms” (145). Thus the vernacular of northern India, formerly shared between Muslims and Hindus, was broken down into “Hindi” and “Urdu...

... speakers called it by this name) “of all the ‘foreign’ (that is, Persio-Arabic) influence of the centuries — a classic linguistic project of modern nation- alisms” (145). Thus the vernacular of northern India, formerly shared between Muslims and Hindus, was broken down into “Hindi” and “Urdu...

.... Nana [Gujarati]. Trans. Santi N. Sah. Ahmedabad: Nilkamal, 1956. Nana [Sindhi]. Trans. Pritam Atma. Kalyan: Prem Mohandas Gurnani, 1957. Nana [Urdu]. Lahore: M. Sams aldn, 1958. Nana [Georgian]. Trans. Kadejšvili. Tbisisi: Sabcˇota mcerali, 1959. Nana [Sinhala]. Trans. Jinadasa G. Lelwela...