...Werner Vordtriede Cotterell Mabel. August Closs. London: Phoenix Press, 1948. Pp. 59. Copyright © 1950 by Duke University Press 1950 374 Reviews Novalis: Hymns to the Night. Translated by MABELCOTTEHELI.. With an intro- duction and appreciation...

...Leland H. Chambers Copyright © 1966 by Duke University Press 1966 HENRY VAUGHAN’S ALLUSIVE TECHNIQUE BIBLICAL ALLUSIONS IN “THE NIGHT” By LELANDH. CHAMBERS Frank Kermode once suggested that “exegetical fallacies” had ob...

...Verna A. Foster Copyright © 1987 by Duke University Press 1987 THE DRAMATURGY OF MOOD IN TWELFTH NIGHT AND THE CHERRY ORCHARD By VERNAA. FOSTER As a distinct genre enjoying an aesthetic...

...R. A. Durr Copyright © 1960 by Duke University Press 1960 VAUGHAN’S PILGRIM AND THE BIRDS OF NIGHT “THE PROFFER” By R. A. DURR “The Proffer” is distinguished among Vaughan’s poems. It strikes and sustains a note seldom heard in his work...

... of Twelfth Night, or any other Shakespearean play, is how to deal with what might be called its residual problems, those testy questions that critical analyses ignore or leave unanswered. Some such problems, indig- enous to Shakespearean drama, are really unanswerable. And Twelfth Night has its...

... but 1770-1800.) SI’UAK’I‘iLI. TAVE University of Chicago Blake’s Night: William Blake ancl the Idea oj Pastoral. Hy DAVIDWAGEN- KNECFIT. Cambridge: Kelknap Press of Harvarcl University Press, 1973. x 4- 32 1 pp. Sj; 12.00...

.... HENRYMENDELOFF University of Maryland Something of Great Constancy: The Art of “A Midsummer Night’s Dream.” By DAVIDP. YOUNG. New Haven and London: Yale University Press, Yale Studies in English, Vol. 164, 1966. 190 pp. $5.00; 37s. 6d. Something of Great Constancy is the product...

...Jane K. Brown Copyright © 1987 by Duke University Press 1987 DISCORDIA CONCORS ON THE ORDER OF A MIDSUMER MGHT’S DREAM By JANE K. BROWN A Midsummer Night’s Dream is concerned with marriage, relations...

... takes pastoral seriously. HAROLDTOLIVER University‘of Calfornia, Irvine Shakespearean Metadrama: The Argument of the Pluy in “Titus Andronicus, ” “Love’s Labour5 Lost,” “Romeo and Juliet,” “A Midsummer Night’s Dream,” and “Richard...

...James L. Calderwood Copyright © 1965 by Duke University Press 1965 A MIDSUMMER NIGHT’S DREAM THE ILLUSION OF DRAMA By JAMES L. CALDERWOOD Criticism of A Midsummer Night’s Dream has on the whole followed...

... British Empire. A forthcoming book compares the East and West German cinemas. Her current book project is a comparative study of European modernism. The Arabian Nights, Arab-European Literary Influence, and the Lineages of the Novel Rebecca Carol Johnson, Richard Maxwell, and Katie Trumpener...

... and Theseus primarily through vernacular authors. Vernacular literature’s depictions of the mythic founders of Rome and Athens foreground classical heroes’ treachery and duplicity and minimize their roles as progenitors of empire and culture. Shakespeare’s quotation strategies in A Midsummer Night’s Dream...

...” (“The Pilgrimage,” 465).l His heavenly home is a place of light, for light is the basic attribute of divinity. Thus in “The Pilgrimage,” as in other poems, the world is like night in comparison to the heavenly day. Man’s eye (the traditional window of the soul) is darkened by the sins of the flesh after...

... like music than was that of a Whistler “Symphony” or “Nocturne” itself. Robert L. Peters 253 wrote Japanesque poems and grey twilight sketches or attempted to capture night and artificial light effects. Oscar Wilde, great hater...

..., selection in Vitier, 403. 362 MLQ IJune 1996 the interstitial subject positioned between dos patrias (two father- lands)-Cuba and the night-in the memorable poem from Versos libres. 11 Dos patrias Two fatherlands do I have...

... disguised as a boy are The Two Gentlemen of Verona, The Merchant of Venice, As You Like It, Twelfth Night, and Cymbeline. Since I use “sexual disguise” in the sense of a female character disguised as a boy, I omit from the list The Merry Wives of Windsor and The Taming of the Shrew, both of which...

... intimate is the relation between the two that we may speak of an identification. Yerma is identified with the earth in her name, and she affirms the identification when she calls herself a ‘‘camp0 seco.” It is the identi- fication that explains why she goes out barefoot at night: “Muchas...

...Stephen L. Wailes Copyright © 1971 by Duke University Press 1971 BEDROOM COMEDY IN THE iVZBELUNGENLfED By STEPHENL. WAILES Gunther’s wedding nights are among the,more famous episodes of the Nibelwzgenlied and are perhaps the most difficult...

...,” such lyrics as “Blow, blow, thou winter wind,” “Come away, come away, death,” “Pardon, goddess of the night,” “Full fathom five,” and “No more, thou thundeF-master.” We may even imagine him smiling with wry appreciation at Apeniantus’ currish grace in Tiiizon of Athens (I...

.... 404 JOHN W. VELZ 405 Certainly analogical design is widespread-one might say dominant-in the Shakespeare canon. Hartwig makes chapter-length analyses of scenes in Macbeth, Romeo and Juliet, Richard 11, Twelfth Night, and Hamlet; Cloten...