... before her, never goes beyond conjecture. The most valuable part of Miss Tosello’s work is to be found in Chapter I11 : “Influenze del Nardi e del Villari.” She contends that George Eliot drew from the reference works consulted in Florence only those materials she needed...

... sep- arate influence upon the novelist. Miss Tosello makes a very neat distinction between Nardi and Villari: Costui [Nardi] i il cronista spicciolo, contemporaneo, portato dalle passione di parti, ed a lui George Eliot ricorre quando mole porticolari hanali o comrno- venti che...

... Tosello makes a very neat distinction between Nardi and Villari: Costui [Nardi] i il cronista spicciolo, contemporaneo, portato dalle passione di parti, ed a lui George Eliot ricorre quando mole porticolari hanali o comrno- venti che servono di sfondo. Villari invece e lo storico documentato...

.... 2444a. Brunel, Clovis. Jaufrk, roman artlzurienize. 1943. Rev. by M. de Riquer in RFE, XXXI (1947), 245-247. 1829. Burdach, Konrad. Der Grad. 1938. (Edited by Hans Bork.) Rev. by Friedrich Ranke in ADA, LXIV (1948), 20-24. Casella, Mario. See 3137, Bruno Nardi. 3071. Casson, L. F...

.... That is, one must examine the historical woman behind the female figure in this poem. This is far less easy to do with “A Solitary Reaper” than with the Pound poem “Portrait d’une femme,” or with the contemporary pairs Williams-Nardi and Olson-Boldereff, because in this case I can’t identify and analyze...