... of Tirso’s plays, Privar contra su gzcsto, seems to have been written as a vindication of Don Pedro Girhn, el Grade, the third Duke of Osuna, when the nobleman was recalled to Madrid in 1620 from his viceregency in Naples to face charges of serious derelictions. Pedro Gir6n ( 1574- 1624...

... in 1806 under the title of Canzoni Toscane, and were later reprinted with additions-translations3 as well as origi- nal poems - under different titles, in London, Florence, Rome, Naples, and Milan.4 They were well received by several Italian Academies. The newly re...

..., the first person, or the present tense. Vico divides his life into three periods: the first, given up to apprendere, until 1686, when he left Naples for the solitude of Vatolla; the second, his nine- year stay there, characterized by his opposition to tradition and the intel- lectual...

...Nancy Vogeley © 1996 University of Washington 1996 Italian Opera in Early National Mexico Nancy Vogeley Twelve years after Gioacchino Rossini’s opera Mahometto ZZ had its premiere in Naples, it was performed in full company in Mexico City. The event, on 15 June 1832...

... As Melissa E. Sanchez ( 2008 : 67) argues, “Miranda’s consent to the marriage on which Prospero’s political restoration hinges is thus essential to establishing the legitimacy of that return to power.” By securing a politically advantageous union between Naples and Milan, Miranda embodies the ideal daughter...

... of Naples in the year 1708 might have been as uneventful and commonplace as many other such ceremonies had not Giambattista Vico, then an obscure professor of rhetoric, pronounced an address that was to prove momentous in the history of ideas in modern Europe.’ What chiefly made that address...

... of Seville, 1526( a book formerly belonging to the monastery of Poblet and one of many handsomely bound books presented to that establishment by Don Pedro de Ara- gh, one-time viceroy of Naples. The reason for my interest is that I own another of the Don Pedro de Arag6n volumes, Luis de...

... Wellek’s History of Criticism will have particular cause for gratitude. The essays are prefaced by an introduction of some twenty pages. In the first seven, we are given a biographical sketch of the writer. The main events of his life appear to be his meeting with Basilio Puotio at Naples...

... of Literature,” SubStance  33, no. 1 (2004): 19. 404 MLQ September 2011 An old representational regime has come to a close: after the failed revolution of Naples, it is difficult for the author to preserve both the logical consequentiality of narrative actions...

..., and almost totally absent from Naples and Rome. Clough went through a period of deep disillusionment from the summer of 1849 through the autumn of 1850, from the time he wrote his “Easter Day” through the writing of his Dipsychws. His Amours de Voyage, composed during the trip abroad...

... to question. I shall refer to two points only. Hogg’s at- tempted seduction of Harriet occurred in York, not in Edinburgh. According to Mr. Smith the diary for February 28, 1819, reads: “Leave Naples at three o’clock-A most tremendous fuss.” The exact reading in my copy of Shelley and Mary...

... to the Muse. The first translation of the Essay on Man was that of Celestino Petrocchi, printed at Naples in 1742, not quite ten years after the appearance of the original. This translation, however, seems to have aroused little interest in Pope, and it was 1755 before another version appeared...

... pages. In the first seven, we are given a biographical sketch of the writer. The main events of his life appear to be his meeting with Basilio Puotio at Naples; the revolution of 1848, which led to imprisonment and exile; Francesco’s stay at Turin, which coincides with the development of his...

... on the games that two kings, hoping to secure autocratic rule but avoid open despotism, play with sovereign mercy.2 The princes are Alfonso I of Aragon (1385 – 1458), known equally for his conquest of Naples and his patronage of the arts, and François I (1494 – 1547), under whom the Valois court flourished...

... italiana . Florence . De Sanctis Francesco . 1869 . “ Una ‘Storia della letteratura italiana’ di Cesare Cantù .” In Saggi critici , 2nd ed., 292 – 312 . Naples . De Sanctis Francesco . 1902 . La letteratura italiana nel secolo XIX: Scuola liberale—scuola democratica , edited...

... confusing, fashion, but the central theme provides a common ground for these excursions. Thus, in “Veder Napoli poi mori,” the poet’s imagination leaps far afield, indeed, and without explanation as to how one thought suggests another : Voir Naples et . . . -Fort bien, merci, j...

...: aspects sublimes et gracieux, que le site le plus renommC du monde, la baie de Naples, Cgale, mais ne surpasse point. C’Ctait avec ravissement que la comtesse retrouvait les souvenirs de sa premihe jeunesse et les comparait 5 ses sensations actuelles. . . . Ici, de tous c6t& [she says to her...

...,” “Stanzas written in Dejection “Revolution and Prophecy: The Political Odes” (“Ode to the West Wind,” “Ode to Liberty,” “Ode to Naples “Nature Humanized and Natural Myth” (“Ode to Heaven,” “To a Sky-Lark,” “The Cloud,” “Song of Apollo,” and “Song of Pan “World, Life, and Time” (Posthumous Poems...

... : “Le chant orphique de Marsile Ficin,” D. P. Walker, Warburg Institute, Univer- sity of London “La musique espagnole P la Cour de Naples dans la seconde moitiC du XVe sikcle,” Isabel Pope, Cambridge, Massachusetts “La frottola et la transition de la frottola au madrigal,” Nanie...

... 1 Would it have been helpful to cite here or elsewhere Andrea de Jorio, Lo inimica degli antichi ncl yestire icapoEetalzo (Naples, 1832) ? This famous book is an effort to trace Neapolitan gestures back to classical times. ...