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musician

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Journal Article
Modern Language Quarterly (1957) 18 (3): 262.
Published: 01 September 1957
... The Figlrre of the Musician in German Literature. By GEORGEC. SCHOOLFIELD. Chapel Hill : University of North Carolina Studies in the Germanic Languages and Literatures, No. 19, 1956. Pp. xvi + 204. $4.50, paper ; $5.50, cloth. This is a fascinating treatment of a highly interesting theme...
Journal Article
Modern Language Quarterly (1954) 15 (3): 259–272.
Published: 01 September 1954
... for the mysterious. Cleverly FouquC contrasts the musical experience of the sophisticated professional musician with that of the unspoiled man of the people, whose faded uniform serves to stress his lack of individuality beyond his soldierly existence. For Anselmus music acquires value only when...
Journal Article
Modern Language Quarterly (1970) 31 (1): 130–132.
Published: 01 March 1970
...- standing and complex in the best of Shaw’s plays, are yet to be explored. CHARLESA. BERST University of California, Los Angeles Music and the Musician in “Jean-Christophe”: The Harmony of Contrasts. By DAVIDSICES. New Haven...
Journal Article
Modern Language Quarterly (1973) 34 (2): 131–145.
Published: 01 June 1973
... himself more seriously than in the frequent references to his musical formation and career. Furthermore, that sense of personal destiny with which he often views the events of his life cannot be separated from the defensive stance which he assumes when discussing his career as a musician...
Journal Article
Modern Language Quarterly (1968) 29 (4): 407–414.
Published: 01 December 1968
... foundation. Consequently, we are startled by the sympathetic, though sketchy, portrayal of a character who, both in his person and his art, is indeed an expression of Ge- staltlosigkeit with its irrational basis. Joseph the musician does not fit into the rational order prevailing...
Journal Article
Modern Language Quarterly (1943) 4 (1): 107–108.
Published: 01 March 1943
...-those of politicians, poets, journalists as well as musicians-and he has displayed commendable patience and thoroughness. The result is a compendium of, or at least a guide to, the relevant material, but I do not think it is an entirely, or even moderately, acceptable account of its subject...
Journal Article
Modern Language Quarterly (1957) 18 (3): 262–263.
Published: 01 September 1957
... REVIEWS The Figlrre of the Musician in German Literature. By GEORGEC. SCHOOLFIELD. Chapel Hill : University of North Carolina Studies in the Germanic Languages and Literatures, No. 19, 1956. Pp. xvi + 204. $4.50, paper ; $5.50, cloth. This is a fascinating treatment of a highly...
Journal Article
Modern Language Quarterly (1946) 7 (3): 269–278.
Published: 01 September 1946
... that it is probable that at one time the volume belonged to Rimbault, and that it came into the possession of the New York Public Library through the Drexel bequest in 1880.2 The collection includes songs composed by such leading musicians as Robert Johnson, Henry and William Lawes, John Gamble...
Journal Article
Modern Language Quarterly (2013) 74 (2): 261–276.
Published: 01 June 2013
... before the choir intones its hymnlike, major-­key melody of Schiller’s ode. 5  In 2007 Ghana, too, celebrated its fiftieth anniversary of liberation from colo- nial domination with a performance of Beethoven’s Ninth Symphony, though the musicians were not Ghanaian; instead, the Orchestra of La...
Journal Article
Modern Language Quarterly (1943) 4 (1): 104–107.
Published: 01 March 1943
... in France from 1800 to the present, the author has had to examine a great variety of opinions-those of politicians, poets, journalists as well as musicians-and he has displayed commendable patience and thoroughness. The result is a compendium of, or at least a guide to, the relevant material...
Journal Article
Modern Language Quarterly (1956) 17 (2): 99–103.
Published: 01 June 1956
.... Another echo is to be found in the visit of young Christophe to the musician Has~ler.~Jude too, although older than Christophe, impressed by the music of a local composer and perplexed by the tangled threads of his relations with Arabella, his wife, and Sue Phillotson, his love...
Journal Article
Modern Language Quarterly (1941) 2 (1): 43–58.
Published: 01 March 1941
... the poets were willing to study the verse forms of the Romance peoples, anyone could become a “poet” but only with the merit of the painter who had never learned to draw, or of the musician who had never studied counterpoint. Now, he asserts, the real poet adapts his metrical form...
Journal Article
Modern Language Quarterly (1949) 10 (4): 475–489.
Published: 01 December 1949
...; the Gentleman’s Magazine obituary, Vol. 199 (May, 1856), p. 541, said 1774 ; the DNB accepts 1774 with a question mark ; and Grove’s Dictiottary of Music and Musicians gives 1777. Braham himself wrote to the Birmingham Advertiser in 1840 to deny the rumor that he was an octogenarian and to state that he...
Journal Article
Modern Language Quarterly (1941) 2 (4): 659–660.
Published: 01 December 1941
... build better than he knows; that nations as well as persons have their individuality ; that times change ; and that artistic genius stirs the more deeply, the more genuine the life that it presents or repre- sents. What though he was no dreamer, no musician, no sensitive respondent...
Journal Article
Modern Language Quarterly (1941) 2 (4): 643–644.
Published: 01 December 1941
... of opera, famous actresses and dramatic centers, the rde that Ital- ian influence played through the translation of Goldoni’s works and through the compositions of such musicians as Fischietti, Corradini, Anfossi, and Galuppi. He has also briefly sketched the political reasons thzt were...
Journal Article
Modern Language Quarterly (1949) 10 (2): 244–245.
Published: 01 June 1949
... literature. At the end of his two weeks’ stay in Copenhagen, his “grasp of the Danish language was surprisingly firm,” and he was invited to join the Royal Society of Northern Antiquaries. Thirty-eight years later he translated a Danish ballad as the Musician’s third tale in Tales of a Wayside...
Journal Article
Modern Language Quarterly (1940) 1 (1): 45–48.
Published: 01 March 1940
... to have been the composer of the music to “The Tempest’’ on its first production :? no scrap of it has, I believe, come down to our day; but I have before me a song by the same musician, in his own handwriting, and with very clever words : I do not suppose that he wrote the words as well...
Journal Article
Modern Language Quarterly (1941) 2 (4): 658–659.
Published: 01 December 1941
... ; and that artistic genius stirs the more deeply, the more genuine the life that it presents or repre- sents. What though he was no dreamer, no musician, no sensitive respondent to lyrical appeal, “weder Schauspieler noch Dichter”- what though to him line was more significant than color, action than...
Journal Article
Modern Language Quarterly (1977) 38 (1): 3–20.
Published: 01 March 1977
... the “nuptiall bower,” the masquers present the epilogue. Musicians walking behind the Bride and Groom render a song “which was call’d Epithalamium” (438); and after the married pair ceremoniously come to rest in their 10 BOOK 4 OF PARADISE LOST nuptial bed...
Journal Article
Modern Language Quarterly (1954) 15 (1): 91–92.
Published: 01 March 1954
... from contemporary musicians. Here, as in the notes assembled at the end of the chapters, his documentation is thorough and sure. M. Desonay’s study detracts nothing from the distinction of previous genera- tions of Ronsard scholars. The literary historians, the “sourciers...