...G. P. Shannon Copyright © 1948 by Duke University Press 1948 AGAINST MAROT AS A SOURCE OF MARLOWE’S HERO AND LEANDER By G. P. SHANNON One who has to refer to the sources of Hero and Leander will imme- diately find, first, that Marlowe...

...I. D. McFarlane Robert Griffin. Berkeley, Los Angeles, London: University of California Press, 1974. 323 pp. $15.00. Copyright © 1977 by Duke University Press 1977 REVIEWS Cltment Marot and the Inflections of Poetic Voice. By ROBERTGRIFFIN...

..., the Gawain-poet and his works. 1 .ARRY D. KENSON Haruard University Cltrnent Marot, Poet ofthe French Renaissance. By P. hI. SMITH.London: University of I,ondon, Athlone Press, 1970. vii + 820 pp. $1 1.25. Already the author...

...-a complete one would far exceed the scope of this work. One may also admire the attractive printing of this volume, but the binding merits no sort of praise at all. CARROLLE. REED University of Washington La Religion & Marot. By C...

... a more rewarding education. Moreover, the whole teaching program becomes at once more elastic. GEORGEC. BUCK University of Washington Marot: L’Homme et Z’amvre. Par P. JOURDA. Paris: Boivin, 1950. Pp. 167. P. Jourda, dont la...

... University of Washington La Religion & Marot. By C.-A. MAYER.Genitve: Librairie E. Droz, Travaux &Humanisme et Renaissance, XXXIX, 1960. Pp. 186. The thhe dactylograplzie‘e by C.-A. Mayer, Satire in French Literature from 1525 to 1560, .with Particular Reference to the Sources (End...

... in the elegies of the period studied; (3) for Marot and his followers the elegy was not “a form of personal lyricism, but was in a sense, like the Heroides, a display of lyricism of a purely impersonal nature” (p. 148); Marot provided the term &Zt!gie with multiple meanings by ascribing it to poems...

.... KENSON Haruard University Cltrnent Marot, Poet ofthe French Renaissance. By P. hI. SMITH.London: University of I,ondon, Athlone Press, 1970. vii + 820 pp. $1 1.25. Already the author of an excellent book on The Anti-Courtier Trend in Sixteenth Century French Literature (ISSS), P...

.... GEORGEC. BUCK University of Washington Marot: L’Homme et Z’amvre. Par P. JOURDA. Paris: Boivin, 1950. Pp. 167. P. Jourda, dont la th&e sur Marguerite d’Angoultme fait autoritk, vient de publier un petit volume sur Clement Marot, dans la collection qui portait encore “le titre...

... a cause and to reject too hastily the important and praiseworthy contributions of other schol- ars.2 In La Retigion de Marot, there is much of value-but there is much that is tendentious. Harvard University MARCELFRANCON 20ne welcomes, of course...

..., seem unsurpass- able. This will undoubtedly remain a definitive study for many years to come, and anyone approaching Marot in the future will, of necessity, want to move outside the areas it covers, into questions of point of view, language, and structure. Smith may not have given us a new...

... valued poets. The Rhetoriqueurs are given a greater drubbing than is necessary or than they deserve (significantly, Pierre Jodogne’s splendid thesis is omitted from the bibliography). Given the cultural range that underlies Griffin’s approach, one might have hoped for Marot’s linguistic...

... minor poets of France must be counted ClCment Marot, whose popularity, unlike that of the Pliiade, con- tinued throughout the seventeenth and eighteenth centuries. Nor has he proved less interesting to modern scholars. Numerous studies have been devoted to his life and works, the most...

... involving some translation. Any book will have omissions, but canzone 323 is an indispensable pivot that came to both Du Bellay and Spenser mainly by way of Clément Marot, the first French poet to translate Petrarch and hence the author who introduced the Petrarchan sonnet in France, and to some extent...

...], 390-92) ; mais, tout en les regrettant, concluons, en remarquant que le Marot de Jourda nous parait une bonne introduction (le Marot de Plattard reste, pourtant, un meilleur guide) Q l’dtude du po6te. MARCELFRANCON Harvard...

... many examples that might be offered, the wealth of information on Ronsard’s orthography (p. 22, n. 6), on the interpretation of the Bacchae of Euripides (p. 34, n. 35), on the debt of Ronsard to Marot and Lemaire (p. 53, n. 86), on Cassandre Salviati (p. 242, n. 381) ; the reproduction...

... in the hpitres (or coq Ct 2’6ne) of Clkment Marot and his fol- lowers.28 An obscene version, recalling the terminal images used by Rabelais and Nicolas, appears as a variant of the anonymous ballad sequence, “Le Dict du pays” (1597) .24 We can attest, then, the exist- ence of the souhait as a popular...

... provided Chaucer with the heroic couplet, and Marot and Melin de Saint-Gelais had led Wyatt to the Petrarchan sonnet. But the importations of the 1870’s represented the largest transfer of forms from France to Britain. To be sure, the medieval types were not entirely alien to English pens...

... and the ti-adition behind the classical allusions in each impresn. Actaeon was not “dechass6” (abandoned) by his hounds in the way the poet’s heart deserts the body. (On this meaning of “cle- chasser” see Marot’s translation of Psalm 38:22.) Dido felt no “doulx tour- ment” in the love that led...

.... The authors represented in this collection are Symphorien Champier, Marot, Lazare de Baif, Herberay des Essarts, Charles Estienne, Bouchetel, Peletier du Mans, Salel, Maugin, Du Bellay, Sebillet, Ronsard, Amyot, Gruget, GrCvin, Rivaudeau, Jean de la Taille, Harsy, Larivey, Beaubreuil...