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marner
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Journal Article
Modern Language Quarterly (1942) 3 (4): 605–610.
Published: 01 December 1942
...John Lancaster Riordan Copyright © 1942 by Duke University Press 1942 ADDITIONAL NOTES TO A SPRUCH OF DER MARNER
By JOHN LANCASTERRIORDAN
The most versatile and prolific of the Middle High German
Spruchdichter is the Swabian poet known as “Der Marner.”l...
Journal Article
Modern Language Quarterly (1946) 7 (3): 329–336.
Published: 01 September 1946
...John Lancaster Riordan Copyright © 1946 by Duke University Press 1946 ADDITIONAL NOTES TO THE MARNER’S
“TAGELIEDER”
By JOHNLANCASTER RIORDAN
Several years ago my study entitled “Additional Notes to a Spmch
of Der Martier”’ presented...
Journal Article
Modern Language Quarterly (1950) 11 (2): 146–155.
Published: 01 June 1950
...John Lancaster Riordan Copyright © 1950 by Duke University Press 1950 MORE NOTES TO MARNER’S “MINNELIEDER”
By JOHN LANCASTERRIORDAN
This article presents a continuation of Philipp Strauch’s scolk to
the Marner’s songs which he noted in his own...
Journal Article
Modern Language Quarterly (2014) 75 (2): 129–148.
Published: 01 June 2014
...Andrew Elfenbein George Eliot’s novella Silas Marner, the Weaver of Raveloe was central to the high school English curriculum in the United States for much of the twentieth century. Its status had risen during a period of cooperation between high schools and colleges about standards for admission...
Journal Article
Modern Language Quarterly (1948) 9 (1): 37–50.
Published: 01 March 1948
... evolves
and continues from festival to festival. The predilection of the author
for folk-festivals is evident throughout her works, beginning with
Donnithorn’s festival in Adam Bede, a similar feast in Silas Marner,
the various tavern scenes in Janet’s Repentance and later novels,
notably...
Journal Article
Modern Language Quarterly (2014) 75 (2): 317–325.
Published: 01 June 2014
... and,
for some, unloved centrality of Silas Marner in American classrooms in
Robson On Difficulty 321
the nineteenth and twentieth centuries. Here again, though, there are
divergences. Elfenbein looks at a prose text; at protocols of discussion
and analysis that were...
Journal Article
Modern Language Quarterly (1950) 11 (4): 505–506.
Published: 01 December 1950
.... The abundance, power, and
humor of the somewhat faulty early novels, Adam Bede and The Mill on the
Floss, are constricted in the pleasing legendry of Silas Marner and are almost
extinguished under the weight-the laboriousness-of Romolu. After she had
schematized Felix Holt but before she lost...
Journal Article
Modern Language Quarterly (1999) 60 (3): 426–428.
Published: 01 September 1999
...-cannot? And if the novel should be read allegorically, then
why has it not been compared to Silas Marner, the Eliot work that most read-
ers would easily accept in that light? One strongly wishes not to editorialize
in these ways, but the impulse is virtually unavoidable when the reader...
Journal Article
Modern Language Quarterly (2014) 75 (2): 239–257.
Published: 01 June 2014
...
(1859), The Mill on the Floss (1860), and Silas Marner (1861).
15 Thus “the true artist” creates “according to the inner laws by which the world
and himself are governed the vehicle is not more a part of his creation than the
Dale Green and the Modern Novel...
Journal Article
Modern Language Quarterly (2000) 61 (4): 587–616.
Published: 01 December 2000
... scope. Because it attempts to in-
clude more, Middlemarch, though inferior to Silas Marner in artistic per-
fection, is one of the most interesting of English novels.22
When Woolf calls Middlemarch “mature” in the Common Reader essay, she
means...